ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, FEB. 10, 2000
By Steve Newton
Ever wonder why classic-rock stations often play the hell out of a ’70s band’s old hits, but won’t even touch its current material, no matter how strong it is? I have. I’m especially curious about why local FM station CFMI Rock 101 totally ignored the latest Blue Öyster Cult CD, Heaven Forbid. Not only are there several choice tunes present, the overall feel of the album is strikingly reminiscent of the band’s ’70s heyday. The shimmering “X-Ray Eyes” sounds like an outtake from 1979’s Mirrors album, the eerie “Harvest Moon” brings to mind 1977’s Spectres, and the menacing “See You in Black” harks back to the metal mayhem of 1973’s Tyranny and Mutation.
Holy smokes, I’m feeling 16 again!
Considering how keenly Heaven Forbid reflects the music of the flared jeans ’n’ 8-tracks era CFMI purports to specialize in, you’d figure the station would give these struggling dinosaurs a second shot at roaming the airwaves—and possibly the charts. But when the Straight contacts CFMI program director Ross Winters, he admits that he hasn’t even heard Heaven Forbid. He does claim, however, that his station isn’t averse to playing the current music of classic-rock mainstays. He points to the new Steely Dan single, “Cousin Dupree”, which was immediately added to the CFMI playlist.
“Certainly we listen to new music by ’70s artists,” he says, “but generally we do rely on the older stuff, and that’s only because that’s what the audience wants to hear.”
So how do programmers like Winters conclude that listeners prefer a band’s old material when they won’t even introduce them to its new stuff? It’s a vicious circle, of course, and one that Blue Öyster Cult guitarist-vocalist Donald “Buck Dharma” Roeser knows only too well. From a rehearsal hall on Long Island, the creator of the beautifully dreadful “(Don’t Fear) The Reaper” contends that it’s a station’s advertising agenda rather than the ears of its programmers that decides things.
“It’s a terrible trend, the way radio is so demographically divided into markets,” he complains. “We get plenty of exposure on classic stations, but they’re not really interested in what you do new, so it’s hard for us. But that’s the reality of the business.”
Roeser sounds resigned to the fact that only die-hard BOC fans get to hear the group’s current music. From a financial standpoint, he probably doesn’t have to worry much about sales; he could just sit back and let the royalties roll in from heavy airplay of “Reaper” and his other Cult creations, like “Godzilla” and “Burnin’ for You”.
But while Blue Öyster Cult’s arena-packing days are long past, Roeser is still a hard-working and productive musician who, like most artists, appreciates acknowledgment of what he’s doing today. He’s certainly proud of Heaven Forbid, his group’s first album in 10 years, and the only one he produced himself. It prominently features the talents of lyricist John Shirley, a sci-fi/horror author and screenwriter whose film credits include The Crow.
“We traditionally have used, not so much outside lyricists, but lyricists that were in our circle,” notes Roeser. “You know, Sandy Pearlman was the prime lyricist in the band’s early days, and Richard Meltzer. We’ve always looked for other people whose work we admire, and we work with them.”
Apart from the live, acoustic rendition of keyboardist-guitarist Allen Lanier’s “In Thee”, Roeser had a hand in writing every tune on Heaven Forbid, a handful of which will be heard—along with the inevitable golden oldies—at the Rage next Thursday (February 17). There’s a good chance that one of the new offerings will be “Live for Me”, a compelling Shirley/Roeser composition about a young man killed by a drunk driver whose spirit cries out to those he loved, exhorting them to live life to the fullest.
The “Reaper” writer contends that tunes about death have a way of hitting home with most folks. “It’s on everybody’s mind,” says the 52-year-old rocker with a chuckle. “We’re all gonna die sooner or later. That song was actually inspired by the health problem of a friend of ours, who is actually okay now. So the story is fanciful, but it comes from a real place.”
Despite the best efforts of the local reps at BMG Music Canada—which distributes Blue Öyster Cult’s latest recording—CFMI chose not to play “Live for Me” when it was released as a single. The band’s long-time Vancouver fans can only hope that the station—which is proudly “presenting” Thursday’s gig—will be more accommodating when the next BOC album comes its way. Roeser says they’ve been writing and rehearsing material for it over the past month.
“The new record’s gonna be great,” he proclaims. “We’ve heard enough of it now to be confident about its quality. Now that we’ve done Heaven Forbid people know that we’re around again, and I think we’ve got a lot of momentum based on that record.”
No thanks to you-know-who.
To hear the audio of my 1997 interview with Buck Dharma subscribe to my Patreon page, where you can eavesdrop on over 275 of my uncut, one-on-one conversations with:
Dave Martone, 2020
Ian Gillan of Deep Purple, 2006
Joss Stone, 2012
Glenn Tipton of Judas Priest, 2005
Jack Blades of Night Ranger, 1984
Vivian Campbell of Def Leppard, 1992
Colin James, 1995
Kim Simmonds of Savoy Brown, 1998
Tom Cochrane of Red Rider, 1983
Ed Roland of Collective Soul, 1995
Taj Mahal, 2001
Tom Wilson of Junkhouse, 1995
Mike McCready of Pearl Jam, 2003
David Lindley, 2002
Marty Friedman of Megadeth, 1991
John Hiatt, 2010
Nancy Wilson of Heart, 2006
Jeff Golub, 1989
Moe Berg of the Pursuit of Happiness, 1990
Todd Rundgren, 2006
Chad Kroeger of Nickelback, 2001
Steve Earle, 1987
Gabby Gaborno of the Cadillac Tramps, 1991
Terry Bozzio, 2003
Roger Glover, 1985
Matthew Sweet, 1995
Jim McCarty of the Yardbirds, 2003
Luther Dickinson of North Mississippi Allstars, 2001
John Rzeznik of the Goo Goo Dolls, 1995
Steve Hackett from Genesis, 1993
Grace Potter, 2008
Buddy Guy, 1993
Trevor Rabin of Yes, 1984
Albert Lee, 1986
Yngwie Malmsteen, 1985
Robert Cray, 1996
Tony Carey, 1984
Ian Hunter, 1988
Kate Bush, 1985
Jeff Healey, 1988
Richie Sambora of Bon Jovi, 1993
Colin Linden, 1993
Kenny Wayne Shepherd, 1995
Justin Hayward of the Moody Blues, 1986
Elliot Easton from the Cars, 1996
Wayne Kramer from the MC5, 2004
Bob Rock, 1992
Nick Gilder, 1985
Roy Buchanan, 1988
Klaus Meine of Scorpions, 1988
Jason Bonham, 1989
Tom Johnston of the Doobie Brothers, 1991
Joey Spampinato of NRBQ, 1985
Patterson Hood of the Drive-By Truckers, 2003
Andy Powell of Wishbone Ash, 2003
Steve Kilbey of the Church, 1990
Johnette Napolitano of Concrete Blonde, 1990
Dan McCafferty of Nazareth, 1984
Davy Knowles of Back Door Slam, 2007
Jimmy Barnes from Cold Chisel, 1986
Steve Stevens of Atomic Playboys, 1989
Billy Idol, 1984
Stuart Adamson of Big Country, 1993
Ian Anderson of Jethro Tull, 1992
Warren Haynes of Gov’t Mule, 1998
John Bell of Widespread Panic, 1992
Robben Ford, 1993
Barry Hay of Golden Earring, 1984
Jason Isbell, 2007
Joe Satriani, 1990
Brad Delp of Boston, 1988
John Sykes of Blue Murder, 1989
Dave Mustaine of Megadeth, 1998
Alice Cooper, 1986
Lars Ulrich of Metallica, 1985
Shannon Hoon of Blind Melon, 1992
Myles Goodwyn of April Wine, 2001
John Mellencamp, 1999
Mike Campbell of Tom Petty & the Heartbreakers, 1999
Kenny Aronoff, 1999
Jon Bon Jovi, 1986
Dickey Betts of the Allman Brothers, 1992
Little Steven, 1987
Stevie Salas, 1990
J.J. Cale, 2009
Joe Bonamassa, 2011
…with hundreds more to come