Album review: Jim Dandy’s Black Oak Arkansas, Ready as Hell (1985)

ORIGINALLY PUBLISHED ON OCT. 25, 1985 By Steve Newton Let’s get one thing straight: This isn’t heavy metal, no matter what the record company calls itself. Heavy Metal Records is a new label–distributed by Quality Records–that seems to be trying to cash in on the fierce attraction that “heavy metal” has among youngsters these days. … Continue reading Album review: Jim Dandy’s Black Oak Arkansas, Ready as Hell (1985)

That time Tommy Aldridge told me that they threatened to break his arms if he left Black Oak Arkansas

By Steve Newton I interviewed hard-rock drum legend Tommy Aldridge for the first time back in April of 1990, when he was touring with Whitesnake in support of their latest album, Slip of the Tongue. I’d been a fan of his ever since I first heard him in the ’70s, slamming the skins for southern-rockers … Continue reading That time Tommy Aldridge told me that they threatened to break his arms if he left Black Oak Arkansas

That time Tommy Aldridge told me why Black Oak Arkansas wasn’t mentioned in his bio

By Steve Newton When it came to hard rock drummers in the ’70s, there were a couple who particularly turned my crank. One was Cozy Powell, mainly for his work with Rainbow, and the other was Tommy Aldridge, mainly for his work with Black Oak Arkansas and the Pat Travers Band. (In the ’80s he’d … Continue reading That time Tommy Aldridge told me why Black Oak Arkansas wasn’t mentioned in his bio

Krokus guitarist Fernando von Arb says that The Blitz producer Bruce Fairbairn is a very normal human being

ORIGINALLY PUBLISHED ON FEB. 1, 1985 By Steve Newton Swiss heavy-metalists Krokus were scheduled to play the Commodore Ballroom late last year, but touring commitments with Sammy Hagar forced cancellation of the gig. And it’s too bad, because–since the band is touring behind their strongest LP yet–the show promised to be an exciting one for … Continue reading Krokus guitarist Fernando von Arb says that The Blitz producer Bruce Fairbairn is a very normal human being

That time Tommy Aldridge told me that Randy Rhoads was the most talented guitarist he ever played with

By Steve Newton Drum legend Tommy Aldridge has played with some of the greatest rock guitarists of all time: Gary Moore, Steve Vai, Randy Rhoads, Pat Travers, Tony MacAlpine, Scott Gorham, John Sykes. Heck, even his first band of note, Black Oak Arkansas, featured some pretty heavy-duty pickers. When I interviewed Aldridge back in 2001 … Continue reading That time Tommy Aldridge told me that Randy Rhoads was the most talented guitarist he ever played with

Album review: Ozzy Osbourne, Bark at the Moon (1983)

ORIGINALLY PUBLISHED ON DEC. 16, 1983 By Steve Newton It looks like Ozzy’ll be laughing all the way to the bank when the royalty cheques for his new album Bark at the Moon come rolling in. The raunched-out guitars, pounding drums, and madman vocals that made his first two albums, Blizzard of Oz and Diary … Continue reading Album review: Ozzy Osbourne, Bark at the Moon (1983)

Tommy Aldridge says that doing drum clinics is better than a jab in the ass with a frozen carrot

ORIGINALLY PUBLISHED IN MODERN DRUMMER MAGAZINE, APRIL 2002 By Steve Newton Fifty-year-old drum great Tommy Aldridge first came to prominence with ’70s Southern-rock hooligans Black Oak Arkansas, although you wouldn’t know that by visiting his current Web site. B.O.A. is only grudgingly referred to as “that band” in Aldridge’s online biography. “I had some real … Continue reading Tommy Aldridge says that doing drum clinics is better than a jab in the ass with a frozen carrot

album reviews

Sora: Desire and Truth (2009) Rob Zombie: Hellbilly Deluxe 2 (2009) Rod Stewart, Soulbook (2009) Joe Perry: Have Guitar, Will Travel (2009) Damon Fowler, Sugar Shack (2009) Lynyrd Skynyrd: God & Guns (2009) John Fogerty: The Blue Ridge Rangers Rides Again (2009) The Bottle Rockets: Lean Forward (2009) Various Artists: True Blood, Music from the … Continue reading album reviews

Tommy Aldridge talks Black Oak Arkansas, Whitesnake, Ozzy, and the brilliance of Randy Rhoads

ORIGINALLY PUBLISHED ON MAY 10, 1990 By Steve Newton After several years in the rock critic biz, it’s easy for a writer to pick up the ONNTD syndrome. That’s an affliction that occurs when you request an interview with a big-name band and the record company won’t let you talk to the main member (usually … Continue reading Tommy Aldridge talks Black Oak Arkansas, Whitesnake, Ozzy, and the brilliance of Randy Rhoads

Whitesnake’s Purple Tour offers equal servings of Burn and Stormbringer, one bite of Come Taste the Band

By Steve Newton I was never that crazy about Whitesnake during it’s mid-’80s heyday, when it went the power-ballad route with hits like “Is This Love”. Sure, I enjoyed ogling Tawny Kitaen on the hood of a car as much as the next guy, but I much preferred Whitesnake in the late ’70s/early ’80s, when … Continue reading Whitesnake’s Purple Tour offers equal servings of Burn and Stormbringer, one bite of Come Taste the Band

From Black Oak to Thin Lizzy, Tommy Aldridge has been a monster on the kit

ORIGINALLY PUBLISHED ON OCT. 25, 2001 By Steve Newton Tommy Aldridge is one of the most recognizable hard-rock drummers in the world. His name may not be a household word along the lines of Moon or Bonham, but anyone who’s followed the careers of Pat Travers, Whitesnake, Ozzy Osbourne, Ted Nugent, and latter-day Thin Lizzy … Continue reading From Black Oak to Thin Lizzy, Tommy Aldridge has been a monster on the kit

Krokus warms up with Tom Allom and finds blood and guts on Headhunter

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 17, 1983 By Steve Newton Swiss rockers Krokus recently released a new album of scorching heavy metal, Headhunter, and they play Vancouver sometime this summer. I spoke to the group’s vocalist Marc Storace recently, and gained a few insights into the new LP and the Swiss music scene … Continue reading Krokus warms up with Tom Allom and finds blood and guts on Headhunter

Alvin Youngblood Hart loves Southern rock, was an Allman Brother for a night

ORIGINALLY PUBLISHED ON MAY 25, 2000 By Steve Newton Until now, Alvin Youngblood Hart has been best-known as an acoustic folk-blues performer. His first two albums—1996’s Big Mama’s Door and 1998’s Territory—showed him carrying a traditional torch similar to that of blues revivalists Taj Mahal and Guy Davis. So it comes as quite a surprise … Continue reading Alvin Youngblood Hart loves Southern rock, was an Allman Brother for a night