Peter Green’s masterful guitarwork lights up vinyl release of unearthed Fleetwood Mac live and demo tracks

By Steve Newton The blues-guitar world lost one of its finest practitioners last month when Peter Green passed away at the age of 73. But hardcore Greeny fans can take some solace in the fact that a new collection of previously unreleased recordings, Fleetwood Mac Before the Beginning Vol 2: Live & Demo Sessions 1970, … Continue reading Peter Green’s masterful guitarwork lights up vinyl release of unearthed Fleetwood Mac live and demo tracks

Peter Green shunned the guitar-hero status of Clapton, Beck, and Page, but Mick Fleetwood says “he was the guy”

Steve Newton Sad news for music fans today. Peter Green, the British guitarist who made a name for himself with his stunning work in the Bluesbreakers and Fleetwood Mac, has passed away at the age of 73. Long before the pop-minded duo of Stevie Nicks and Lindsey Buckingham put their radio-friendly stamp on Fleetwood Mac, … Continue reading Peter Green shunned the guitar-hero status of Clapton, Beck, and Page, but Mick Fleetwood says “he was the guy”

God bless Snowy White’s guitar licks on his live version of Peter Green’s “Slabo Day”

By Steve Newton I first heard Snowy White when he became the coguitarist in one of my favourite all-time bands, Thin Lizzy. He shared the six-string duties with Scott Gorham on the early-’80s albums Chinatown and Renegade, which weren’t my fave Lizzy discs. And I’d actually preferred the guitar-work of previous Lizzy pickers Gary Moore, … Continue reading God bless Snowy White’s guitar licks on his live version of Peter Green’s “Slabo Day”

God bless Bernie Marsden’s guitar solo on Whitesnake’s “Fool For Your Lovin'”

By Steve Newton British guitar hero Bernie Marsden turned 72 today, so I figured now was as good a time as any to ask God to bless his solo on Whitesnake’s “Fool For Your Lovin’”. In previous blogs I’ve asked God to bless exquisite guitar solos by Scott Gorham on Thin Lizzy’s “Romeo and the Lonely Girl”, Donald … Continue reading God bless Bernie Marsden’s guitar solo on Whitesnake’s “Fool For Your Lovin’”

God bless Hughie Thomasson’s guitar solo on the Outlaws’ “Hurry Sundown”

By Steve Newton I really, really enjoy guitar solos sometimes. When a geetar player hits just the right notes with just the right feel, it’s almost like a religious experience for me. That’s why I’ve asked God to bless exquisite guitar solos by Scott Gorham on Thin Lizzy’s “Romeo and the Lonely Girl”, Donald “Buck … Continue reading God bless Hughie Thomasson’s guitar solo on the Outlaws’ “Hurry Sundown”

Gibson picked the top 50 guitar solos of all time, and boy did they ever blow it

Geez, even Jimi knew Johnny ruled. By Steve Newton Back in September of 2010 Gibson.com posted what it felt were the 50 greatest guitar solos of all time, and boy did they ever blow it. Most conspicuous by his absence is Texas blues-rock legend Johnny Winter. I for one am getting sick and tired of … Continue reading Gibson picked the top 50 guitar solos of all time, and boy did they ever blow it

That time John Mayall told me that his Bluesbreakers of 1988 were the best band he ever had

By Steve Newton The first time I interviewed blues legend John Mayall was in December of 1988, shortly after he’d released his Chicago Line album, which featured smokin’ guitarists Walter Trout and Carlos Montoya. Mayall has always surrounded himself with the finest pickers–including guys like Mick Taylor, Eric Clapton, and Peter Green–so at one point … Continue reading That time John Mayall told me that his Bluesbreakers of 1988 were the best band he ever had

Album review: Peter Green, Kolors (1984)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, MAY 25, 1984 By Steve Newton Blues giant Peter Green has come up with a worthy successor to 1982’s sinfully overlooked White Sky in his new release Kolors. Featuring ex-Robin Trower drummer Reg Isidore, primo session bassist Mo Foster and guitarist Ronnie Johnson, Kolors includes eight original tunes from the pen … Continue reading Album review: Peter Green, Kolors (1984)

Danny Kirwan’s death revives memories of cruising the Chilliwack strip listening to Fleetwood Mac’s Kiln House

By Steve Newton You may have heard that British musician Danny Kirwan passed away on Friday, at the age of 68. Don’t feel too bad if his name doesn’t sound familiar, but he was a member of Fleetwood Mac between 1968 and 1972. I didn’t know his work all that well myself, even though he … Continue reading Danny Kirwan’s death revives memories of cruising the Chilliwack strip listening to Fleetwood Mac’s Kiln House

25 rock albums from 1977 that are way better than Meat Loaf’s Bat Out of Hell

By Steve Newton Since the death of Meat Loaf last Thursday I’ve been hearing an awful lot about his 1977 debut album, Bat Out of Hell. The media’s been falling all over itself, declaring how it’s one of the best-selling albums of all time–moving over 40 million copies–and how much people love the music on … Continue reading 25 rock albums from 1977 that are way better than Meat Loaf’s Bat Out of Hell

Creedence Clearwater Revival’s 20 best songs, from wicked to freakin’ awesome

By Steve Newton There might be a more impressive triple-threat musician–singer, songwriter, and guitarist–than John Fogerty. But I have no idea who it is. 20. “Long As I Can See the Light” (Cosmo’s Factory, 1970) 19. “Penthouse Pauper” (Bayou Country, 1969) 18. “Susie Q” (Creedence Clearwater Revival, 1968) 17. “Someday Never Comes” (Mardi Gras, 1971) … Continue reading Creedence Clearwater Revival’s 20 best songs, from wicked to freakin’ awesome

That time Gary Moore told me how he scored Peter Green’s ’59 Les Paul

By Steve Newton Gary Moore has been one of my fave guitarists ever since I heard him with Thin Lizzy back in the seventies. I then closely followed his hard-rock/metal solo career in the ’80s, before he got the blues bigtime in 1990. I was fortunate enough to have interviewed the legendary picker once, back in … Continue reading That time Gary Moore told me how he scored Peter Green’s ’59 Les Paul

John Mayall believes the Bluesbreakers are better than ever on Chicago Line

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JAN. 13, 1989 By Steve Newton The biggest aim for most rock musicians when they’re starting out is getting on a major label. A major-label signing means that your music is available to the masses. It’s the first step on the road to international stardom. But it’s not just … Continue reading John Mayall believes the Bluesbreakers are better than ever on Chicago Line