Warren Haynes says that playing guitar with Derek Trucks comes naturally, “like drinkin’ water”

kirk west photo By Steve Newton I love talking to Warren Haynes. Apart from being one of my fave guitarists, he’s just such a cool, cool guy. I did my sixth interview with Haynes in 2017, when Gov’t Mule was playing a show at Vancouver’s Vogue Theatre. At one point in the interview I had … Continue reading Warren Haynes says that playing guitar with Derek Trucks comes naturally, “like drinkin’ water”

That time I called up Danny Gatton while he was sorting through his Roy Buchanan tapes

By Steve Newton When it comes to unheralded guitar geniuses, Danny Gatton is right up there. He’s never achieved the fame of a Clapton, Beck, or Page, but in-the-know guitar freaks realize that he’s worthy of comparison, talent-wise. I only got to interview Gatton once, back in April of 1993, before he came to Vancouver … Continue reading That time I called up Danny Gatton while he was sorting through his Roy Buchanan tapes

Album review: Blackfoot, Siogo (1983)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 24, 1983 By Steve Newton Former Uriah Heep keyboardist Ken Hensley has become the fifth Blackfoot member on their fourth studio album, Siogo. While I was a little worried that the overpowering organ sound he’d often wielded in his former band might drown out the gritty guitars of Rickey … Continue reading Album review: Blackfoot, Siogo (1983)

That time Dickey Betts told me about the music business and the Allman Brothers’ “official” albums

photo by kirk west By Steve Newton I still have fond memories of seeing guitar legend Dickey Betts with the Allman Brothers back in the early ’90s, when he was trading killer licks with another of my fave pickers, Warren Haynes. When I did my third interview with Dickey, back in July of ’92, the band was … Continue reading That time Dickey Betts told me about the music business and the Allman Brothers’ “official” albums

Album review: Mötley Crüe: Too Fast For Love (1982)

  ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JULY 9, 1982 By Steve Newton Talk about ugly. These guys make the New York Dolls look like the kids on Leave It To Beaver! Well, maybe they aren’t that bad. Anyway, their music sure isn’t ugly. It’s beautiful, in fact. That is, if you’re into energetic, hook-filled boogie. … Continue reading Album review: Mötley Crüe: Too Fast For Love (1982)

That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

kirk west photo By Steve Newton As I’ve said before on my other posts about Dickey Betts, I just like hearing the dude’s voice. If you do too, here’s another audio excerpt from my interview with the guitar legend from July of 1992, which–for those who struggle with the math–was over a quarter-century ago. At … Continue reading That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

Album review: Scorpions, Blackout (1982)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 4, 1982 By Steve Newton The cover art of Scorpions‘ new album Blackout is really quite shocking. Created by Austrian painter Gottfried Helnwein, it shows a mustachioed young man with his head completely bandaged and two steel forks protruding from the white cloth at his temples, curling menacingly into … Continue reading Album review: Scorpions, Blackout (1982)

Album review: John Mellencamp, Whenever We Wanted (1991)

  ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 14, 1991 By Steve Newton First it was Johnny Cougar, then John Cougar, then John Cougar Mellencamp, and now John Mellencamp. On his next album he’ll probably just be John. But that’s okay, ’cause names aren’t important when your music’s as brilliant as it is on Whenever … Continue reading Album review: John Mellencamp, Whenever We Wanted (1991)

Opeth founder Mikael Åkerfeldt loves ’70s rock, says he was born in the wrong decade

randall vasquez photo By Steve Newton One run-through of its new album, Sorceress, is evidence enough that Swedish quintet Opeth was heavily influenced by ’70s prog rock. The disc was also recorded at the famed Rockfield Studios in Wales, where bands like Rush, Budgie, Hawkwind, and Queen laid down prog-heavy tracks back in the day. As … Continue reading Opeth founder Mikael Åkerfeldt loves ’70s rock, says he was born in the wrong decade

Backstage with Slash and Bruce Dickinson as Guns N’ Roses open for Iron Maiden in Vancouver

ORIGINALLY PUBLISHED ON JUNE 3, 1988 By Steve Newton The politics of rockin’ can be tough on new bands just getting used to the tour circuit. Take for example Guns N’ Roses, who are on the road in support of their first album, and opening for Iron Maiden, who’ve toured the world for 10 years … Continue reading Backstage with Slash and Bruce Dickinson as Guns N’ Roses open for Iron Maiden in Vancouver

Warren Haynes says he’s open to playing with former Allman Brothers bandmate Dickey Betts again

kirk west photo By Steve Newton Warren Haynes is one of my alltime favourite guitarists, singers, and songwriters, so any chance I get to interview him I take. I’ve chatted with him five times for stories on Gov’t Mule, and once–back in 1994–when he was speaking as a member of the fabled Allman Brothers Band. … Continue reading Warren Haynes says he’s open to playing with former Allman Brothers bandmate Dickey Betts again

Aerosmith is reborn as a killer live act on the Permanent Vacation tour

ORIGINALLY PUBLISHED ON JAN. 29, 1988 By Steve Newton Prior to Aerosmith‘s local appearance last week, I’d seen the Boston band in concert three times, including a show on the massive Rocks tour that saw them headlining over Jeff Beck at the Kingdome in Seattle. Each time before, they had performed more raggedly than singer Steven … Continue reading Aerosmith is reborn as a killer live act on the Permanent Vacation tour

Album review: Yngwie Malmsteen, Eclipse (1990)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, AUG. 23, 1990 By Steve Newton When Swedish guitar whiz Yngwie Malmsteen burst onto the hard-rock scene in ’84 with the Rising Force album, he took a lot of people by surprise—and it wasn’t just his funny name (pronounced “Ing-vay”) that did it. Malmsteen was a classically influenced speed-demon, … Continue reading Album review: Yngwie Malmsteen, Eclipse (1990)