Kim Mitchell defends Max Webster, pledges allegiance to Pye Dubois, and storms the charts with “Go For Soda”

ORIGINALLY PUBLISHED ON JULY 20, 1984 By Steve Newton Former Max Webster guitarist/vocalist Kim Mitchell will be “going for his sodas” this Monday and Tuesday (July 23-24) at Club Soda on Homer Street. The Ontario-born rocker has just released his second solo album, Akimbo Alogo, on the newly-formed Alert Records label. He’ll be performing with the same musicians … Continue reading Kim Mitchell defends Max Webster, pledges allegiance to Pye Dubois, and storms the charts with “Go For Soda”

Yngwie Malmsteen puts Ritchie Blackmore rumours to rest, praises Nicolo Paganini and Uli Jon Roth

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 25, 2014 By Steve Newton Yngwie Malmsteen likes to wear all black on-stage and play fast as hell on a Fender Strat through a wall of cranked Marshall amps, so you might think that Ritchie Blackmore is his hero. “Okay, let’s correct that,” says Malmsteen when I mention … Continue reading Yngwie Malmsteen puts Ritchie Blackmore rumours to rest, praises Nicolo Paganini and Uli Jon Roth

Josh Homme’s grinding overdrive helps Screaming Trees wake up Vancouver on a Sunday night

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, MARCH 20, 1997 By Steve Newton Last Sunday night (March 16) I had three pretty good reasons for not wanting to drag my butt off a comfy couch and head downtown in the rain to review a rock show at the Rage. First off, I was tuckered out after … Continue reading Josh Homme’s grinding overdrive helps Screaming Trees wake up Vancouver on a Sunday night

Chicago blues legend Otis Rush still gets around: “It’s a job, you know, and I got to work.”

ORIGINALLY PUBLISHED ON JUNE 19, 1997 By Steve Newton In conversation, blues legend Otis Rush comes across like one of his classic guitar solos: direct and to the point. He’s no fancy talker, but he gets to the heart of the matter. When I track the 62-year-old musician down at his home in Chicago, and … Continue reading Chicago blues legend Otis Rush still gets around: “It’s a job, you know, and I got to work.”

Pink Floyd plays Vancouver on the Division Bell tour, David Gilmour’s state-of-the-art guitars shine

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 30, 1994 By Steve Newton As streams of perked-up Pink Floyd fans strolled north across the Cambie Street bridge en route to the big white marshmallow of B.C. Place last Saturday (June 25), a lot of them were eyeing the sky. It was a fine time to revel … Continue reading Pink Floyd plays Vancouver on the Division Bell tour, David Gilmour’s state-of-the-art guitars shine

Gord Downie sinks the cue ball after the Hip gets a hero’s welcome on the Trouble at the Henhouse tour

kevin statham photo ORIGINALLY PUBLISHED ON NOV. 14, 1996 By Steve Newton At a private party in Yaletown last Friday (November 8), after the first of three Tragically Hip shows at the Pacific Coliseum, vocalist Gordon Downie leaned determinedly over a pool table to set up what he hoped would be a game-winning shot. He … Continue reading Gord Downie sinks the cue ball after the Hip gets a hero’s welcome on the Trouble at the Henhouse tour

The Scorpions and Alice Cooper bring melodic ’70s-style hard-rock to Vancouver

ORIGINALLY PUBLISHED ON JULY 11, 1996 By Steve Newton It was such a scorcher last Sunday (July 7), I found it impossible to pull myself out of our plastic kids’ pool and get down to the Coliseum in time for the start of the Scorpions/Alice Cooper concert. I completely missed the 25-minute opening set by … Continue reading The Scorpions and Alice Cooper bring melodic ’70s-style hard-rock to Vancouver

Doc Neeson calls Angel City’s comparisons to AC/DC “a bonus”

ORIGINALLY PUBLISHED ON MARCH 22, 1985 By Steve Newton “We were driving around L.A. yesterday,” relates Angel City vocalist Doc Neeson, “and we passed this fantastic crowd of about 20 or 30 black guys–a conga band. So I stopped. Then one of them grabbed a hold of our lead guitarist! And to us, culturally, you’re … Continue reading Doc Neeson calls Angel City’s comparisons to AC/DC “a bonus”

Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, OCT. 23, 1997 By Steve Newton Although I have no documented proof that I’m related to either Beavis or Butthead, I do harbour a couple of hazy teenage memories that keep me pondering that possibility. The one that has me most worried goes back to Chilliwack Senior Secondary School, … Continue reading Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

ORIGINALLY PUBLISHED ON AUG. 9, 1998 By Steve Newton After making the agonizing decision in 1996 to break up his world-famous Kiwi pop combo Crowded House, Neil Finn wasn’t exactly sure what to do next. An Aussie artist-musician friend of his suggested Finn try painting, so he spent two weeks at a beachside location doing … Continue reading Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

The Who brings Quadrophenia, the world’s greatest rock album, to Vancouver

@shotbykevin ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, OCT. 24, 1996 By Steve Newton If I had to choose one “desert island disc”—the all-time–favourite rock album to live out my days to while munching coconuts on some uncharted tropical atoll—it would have to be The Who’s Quadrophenia. Although its 1971 predecessor, Who’s Next, is generally regarded … Continue reading The Who brings Quadrophenia, the world’s greatest rock album, to Vancouver

Tom Petty and the Heartbreakers leave Vancouver reeling with a two-hour barrage of cannonball rock

kevin statham photo ORIGINALLY PUBLISHED ON MAY 11, 1995 By Steve Newton Some rock bands have a magical way of winning over a crowd straightaway, and Tom Petty and the Heartbreakers are a prime example. I saw them do it back in ’78 at the Commodore on the You’re Gonna Get It tour, and they … Continue reading Tom Petty and the Heartbreakers leave Vancouver reeling with a two-hour barrage of cannonball rock

Blues Traveler’s wheelchair-bound John Popper displays weapons and wicked harmonica in Vancouver

ORIGINALLY PUBLISHED ON MAY 20, 1993 By Steve Newton In the liner notes to the new Blues Traveler release, Save His Soul, John Popper is credited with “vocals, harmonica, Irish whistle, acoustic 12-string, electric guitar, 12-gauge shotgun, and 9-mm pistol”. Now, I didn’t see any shotguns or pistols at the Commodore last Thursday (May 13), but … Continue reading Blues Traveler’s wheelchair-bound John Popper displays weapons and wicked harmonica in Vancouver