Newt’s Rock Hall inducts Warren Zevon, Rick Derringer, Albert Collins, Ronnie Montrose, Gary Moore, and Jethro Tull

By Steve Newton So the Rock and Roll Hall of Fame did it again. Today the poorly-named musical dumping ground in Cleveland inducted six acts into its fold, including folkie Joan Baez and rapper Tupac Shakur. Sure, they’re both great at what they do, but are they rock ‘n’ roll? Kinda doubt it. The other … Continue reading Newt’s Rock Hall inducts Warren Zevon, Rick Derringer, Albert Collins, Ronnie Montrose, Gary Moore, and Jethro Tull

Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

ORIGINALLY PUBLISHED ON FEB. 11, 1983 By Steve Newton Triumph’s Rik Emmett is a man of many moods on guitar. Though best known for supplying the driving rhythms and rapid-fire leads that are trademarks of his group’s two-fisted sound, Emmett never hesitates delving into the subtle and contemplative realms of classical and jazz as well. On … Continue reading Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

That time Gary Moore told me how he scored Peter Green’s ’59 Les Paul

By Steve Newton Gary Moore has been one of my fave guitarists ever since I heard him with Thin Lizzy back in the seventies. I then closely followed his hard-rock/metal solo career in the ’80s, before he got the blues bigtime in 1990. I was fortunate enough to have interviewed the legendary picker once, back in … Continue reading That time Gary Moore told me how he scored Peter Green’s ’59 Les Paul

That time J. Geils told me that his first love was jazz and he wanted to be a white Miles Davis

By Steve Newton As a teenager in the seventies, I absolutely loved the J. Geils Band. I first got turned onto them through the “Live” Full House album of ’72, which was just a smokin’ concert disc. I was crazy about their versions of old R&B/blues numbers like “First I Look at the Purse” and “Homework”, … Continue reading That time J. Geils told me that his first love was jazz and he wanted to be a white Miles Davis

That time I asked Dickey Betts what song Duane Allman and the Skynyrd boys might be playing in heaven

By Steve Newton If you think I got into journalism at the age of 23–first at my hometown’s Chilliwack Progress and then, for the last 34 years, at Vancouver’s Georgia Straight–mainly so I could interview guitar heroes like Dickey Betts, you’re damn rights. I’ve loved Dickey ever since I heard him and Duane on Eat a … Continue reading That time I asked Dickey Betts what song Duane Allman and the Skynyrd boys might be playing in heaven

That time Albert King tried telling me that he wrote “As the Years Go Passing By”

By Steve Newton As a blues fan I’ve been extremely lucky to have interviewed some of the genre’s greatest talents, including B.B. King, Albert Collins, Roy Buchanan, Stevie Ray Vaughan, and Buddy Guy. But I was particularly thrilled when I got to chat with Albert King, back in 1990, two years before “The Velvet Bulldozer” … Continue reading That time Albert King tried telling me that he wrote “As the Years Go Passing By”

That time I asked 18-year-old guitar star Derek Trucks who he’d most like to jam with

his wish to jam with B.B. came true By Steve Newton The first time I interviewed Derek Trucks–back in March of 1998, when he was just 18–I mentioned that he’d already played with famous folks like Bob Dylan and Buddy Guy, but wondered who else he’d most like to jam with. He mentioned a couple … Continue reading That time I asked 18-year-old guitar star Derek Trucks who he’d most like to jam with

That time I asked Warren Zevon if it was more difficult to compose film scores than to make albums

By Steve Newton As I’m sure I’ve mentioned before, one of the coolest dudes I’ve ever interviewed was Warren Zevon. He was just so damn nice. And smart. And Warren freakin’ Zevon. I talked to him back in ’92 when he was touring with the Odds as his backup band, promoting a fine album called … Continue reading That time I asked Warren Zevon if it was more difficult to compose film scores than to make albums

Little Steven Van Zandt’s social conscience rings loud and clear on Freedom–No Compromise

ORIGINALLY PUBLISHED ON JULY 17, 1987 By Steve Newton Little Steven Van Zandt has carved out a significant niche for himself in the music world by putting his politics front and centre on his records. But it was not always so for the former member of Bruce Springsteen’s E Street Band, who plays a central role … Continue reading Little Steven Van Zandt’s social conscience rings loud and clear on Freedom–No Compromise

That time Rick Derringer told me that one of the favourite solos he ever played was for Air Supply

By Steve Newton Back in the seventies, Rick Derringer was one of my top rock heroes. I mean, come on, the guy wrote “Still Alive and Well”. He played on 1971’s Johnny Winter And Live. He produced the Edgar Winter Group’s They Only Come Out at Night (my intro to Ronnie Montrose) in ’72. He played … Continue reading That time Rick Derringer told me that one of the favourite solos he ever played was for Air Supply

That time Roy Buchanan told me that Pink Floyd’s David Gilmour was just a bluesman at heart

By Steve Newton I’ve been getting quite a few hits lately for a blog I posted about Danny Gatton, which included an audio excerpt from the interview I did with the underrated guitar genius back in 1993. So I figured maybe it was time to treat that particular group of Ear of Newt readers–the ones … Continue reading That time Roy Buchanan told me that Pink Floyd’s David Gilmour was just a bluesman at heart

That time I asked J.J. Cale if he’d bought anything nice with his Clapton money

By Steve Newton Back in 1990 I did my first interview with J.J. Cale, who you may recall is one of the wickedest damn songwriters and guitar players that the United States of America has ever produced. A couple of years earlier there was a TV commercial for Michelob beer in heavy rotation, featuring Cale’s … Continue reading That time I asked J.J. Cale if he’d bought anything nice with his Clapton money

That time Dickey Betts told me that the Allmans had “a good old time” on that porch from the Shades of Two Worlds cover

By Steve Newton When I interviewed Dickey Betts back on July 18, 1991, it was just two weeks since the Allman Brothers had released their 10th studio album, Shades of Two Worlds. That was very much “a Dickey album”, since he’d written or co-written (with fellow guitarist Warren Haynes) five of the album’s eight tracks, and also … Continue reading That time Dickey Betts told me that the Allmans had “a good old time” on that porch from the Shades of Two Worlds cover