AC/DC rumours regarding Phil Rudd and Vancouver come from the right place

I don’t care how tiny Angus is, the world needs his killer riffs. By Steve Newton There’s been a lot of rumour and speculation flying around the music world since yesterday, when I posted a blog on the Georgia Straight website reporting that Phil Rudd and Stevie Young had been spotted in downtown Vancouver. The … Continue reading AC/DC rumours regarding Phil Rudd and Vancouver come from the right place

Album review: Sonny Landreth, Outward Bound (1992)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 10, 1992 By Steve Newton Sometimes when I hear a particularly snazzy slide guitar lick, I get a shiver up my spine, as if that cold piece of glass or metal stroking the strings were making a move up and down my own backbone. It doesn’t happen too … Continue reading Album review: Sonny Landreth, Outward Bound (1992)

Link Wray loses to Bon Jovi as the Rock Hall’s uncanny ineptness soars

By Steve Newton If you’re a fan of real rock ‘n’ roll you’ve probably already heard the bad news: Link Wray has been snubbed yet again by the Rock and Roll Hall of Fame. And to put the poo-flavoured icing on the cake, Bon Jovi got in instead. Yeah, that’s right. The eighties hair-metal band was … Continue reading Link Wray loses to Bon Jovi as the Rock Hall’s uncanny ineptness soars

Album review: Led Zeppelin, How the West Was Won (2003)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 5, 2003 By Steve Newton Back in June of 1972, when these live recordings were made at the L.A. Forum and Long Beach Arena, I wasn’t a big Led Zeppelin fan. I was too busy reaming my ears with then-new LPs like Black Sabbath’s Vol. 4, Deep Purple’s … Continue reading Album review: Led Zeppelin, How the West Was Won (2003)

That time Duck Dunn told me that Clapton was the best all-around guitarist he ever worked with

By Steve Newton Bass players don’t get much more special than Donald “Duck” Dunn. As a session musician for Stax Records, Dunn brought the bottom end on scores of legendary tracks, including gems like Otis Redding’s “Respect”, Sam & Dave’s “Hold On, I’m Comin’”, and Albert King’s “Born Under a Bad Sign”. He was also the bassist … Continue reading That time Duck Dunn told me that Clapton was the best all-around guitarist he ever worked with

Album review: Megadeth, Countdown to Extinction (1992)

  ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 17, 1992 By Steve Newton Used to be that whenever Megadeth albums like Peace Sells…But Who’s Buying? or Killing is My Business…And Business is Good came my way, I’d pass them off as just too thrashy and evil-sounding for my more melodic sensibilities. That was good news … Continue reading Album review: Megadeth, Countdown to Extinction (1992)

Joe Satriani on the intricacies of amplification and producer Mike Fraser’s “perfect set of ears”

By Steve Newton When Joe Satriani phones from his home in the San Francisco Bay Area, he apologizes right away for being a few minutes late with the scheduled call. He explains that he was playing his guitar, composing a song, and lost track of time. That’s when it’s my turn to feel regretful, because … Continue reading Joe Satriani on the intricacies of amplification and producer Mike Fraser’s “perfect set of ears”

Bass virtuoso Tal Wilkenfeld raves about her band before they blow Vancouver away

ORIGINALLY POSTED ON OCT. 15, 2016 By Steve Newton Tal Wilkenfeld played the Biltmore Cabaret in Vancouver a couple nights ago, and man, did she impress. Aside from the stunning bass playing she’s best known for, the 29-year-old showed great promise as a singer-songwriter as well. My wife kept raving about the poetry in her … Continue reading Bass virtuoso Tal Wilkenfeld raves about her band before they blow Vancouver away

That time Tony Iommi told me about the early rivalry between Black Sabbath and Deep Purple

By Steve Newton When I interviewed guitar legend Tony Iommi back in March of 2007 he was bringing his Ronnie James Dio-fronted version of Black Sabbath, Heaven and Hell, to Vancouver for a show at the Pacific Coliseum with Megadeth and Down. At one point I asked Iommi whether he was a fan of Dio’s … Continue reading That time Tony Iommi told me about the early rivalry between Black Sabbath and Deep Purple

Tal Wilkenfeld on life’s defining points, like auditioning for Jeff Beck in an altered state

ORIGINALLY PUBLISHED ON OCT. 13, 2016 By Steve Newton Tal Wilkenfeld has accomplished an awful lot since emigrating to the U.S. from Australia in 2002 as a teen. She’s performed with jazz greats Chick Corea, Herbie Hancock, and Wayne Shorter, and at the age of 20 recorded her 2007 debut album, the all-instrumental Transformation, which … Continue reading Tal Wilkenfeld on life’s defining points, like auditioning for Jeff Beck in an altered state

Bass superstar Tal Wilkenfeld only had three CDs to her name as a kid, but Hendrix was one of them

By Steve Newton When I interviewed bass goddess Tal Wilkenfeld back in the fall of 2016, in advance of a show at Vancouver’s Biltmore Cabaret, I asked her what kind of music she was first drawn to in her life. Considering what an amazing musician she’s become, I figured her childhood would have been overflowing … Continue reading Bass superstar Tal Wilkenfeld only had three CDs to her name as a kid, but Hendrix was one of them

That time I asked bass goddess Tal Wilkenfeld how she got so goddamn good

By Steve Newton Sometimes when I listen to a musician perform I wonder to myself, “How did they get so goddamn good?” And sometimes–if I meet said musician in my capacity as a music writer–I’ll just flat out ask them how they got so goddamn good. I did it with guitarist Guthrie Govan in 2015, and … Continue reading That time I asked bass goddess Tal Wilkenfeld how she got so goddamn good

That time AC/DC’s Malcolm Young told me that his biggest influences were “the old rockers” and early Clapton

By Steve Newton I love listening to these old soundbites of me hangin’ out with AC/DC‘s Malcolm Young and Brian Johnson at a Vancouver hotel room, sippin’ tea and chattin’ it up. The vast majority of interviews I’ve done since getting into the music-writing game back in ’82 with Vancouver’s Georgia Straight newspaper have been done … Continue reading That time AC/DC’s Malcolm Young told me that his biggest influences were “the old rockers” and early Clapton