The Word gets the Newt off his ass and down to the Commodore to hear “Joyful Sounds” and Hendrix

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JAN. 24, 2002 By Steve Newton A few hours before the Word took the stage at the Commodore last Saturday (January 19), I was reclining in my cozy New West living room, barely awake. The idea of driving downtown in the pissing rain to see a band that wasn’t … Continue reading The Word gets the Newt off his ass and down to the Commodore to hear “Joyful Sounds” and Hendrix

Walter Trout has a spiritual bond with his Strat of 30 years

ORIGINALLY PUBLISHED ON MARCH 6, 2003 By Steve Newton Unless you’re really up on your rock guitarists, Walter Trout may be the biggest guitar hero you’ve never heard of. In a 1993 BBC Radio 1 poll of the top 20 players of all time, Trout came in sixth, ahead of such six-string legends as Stevie … Continue reading Walter Trout has a spiritual bond with his Strat of 30 years

David Lindley says its serious time for the oud

ORIGINALLY PUBLISHED ON AUG. 8, 2002 By Steve Newton A while back I made one of my regular visits to Zulu Records and noticed that they were giving stuff away. Not great stuff—there were no limited-edition Hellecasters CDs or Jeff Beck bootlegs—but in the box of vinyl castoffs and local cassettes was Win This Record, … Continue reading David Lindley says its serious time for the oud

Robin Trower talks Procol Harum, Hendrix, and blues, says “if it ain’t broke, don’t fix it”

photo courtesy the newt ORIGINALLY PUBLISHED ON MARCH 11, 1990 By Steve Newton You know how some recording artists make you think of old times, and help you crystallize visions from the past? Well, when I think of Robin Trower, I picture a mid-’70s high-schooler cruising the main drag of Chilliwack in a wood-grained Monaco … Continue reading Robin Trower talks Procol Harum, Hendrix, and blues, says “if it ain’t broke, don’t fix it”

One band ain’t enough for Limblifter and Age of Electric’s Ryan Dahle

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JULY 4, 1996 Most rockers would be happy being in one major-label recording band, touring around the country and heading into the studio when the time is right to make another album. But after spending seven years in Age of Electric, and getting signed to MCA Records in Canada … Continue reading One band ain’t enough for Limblifter and Age of Electric’s Ryan Dahle

My interview with Stevie Ray Vaughan the month before his death

ORIGINALLY PUBLISHED ON JULY 19, 1990 By Steve Newton On the honker from Montreal, Stevie Ray Vaughan is a tad disoriented. It’s 7:30 p.m. his time, but he’s still rubbing the sleep from his eyes. “I just woke up,” he explains. “Hope I’m not late. I looked at my watch and realized that I didn’t … Continue reading My interview with Stevie Ray Vaughan the month before his death

Gene Odom’s Lynyrd Skynyrd book lacks literary grace and gory details

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 21, 2002 By Steve Newton On their latest CD, Southern Rock Opera, alt-country reprobates the Drive-By Truckers combine sociology, history, and musicology to deliver a concept album about southern rock, and the band they focus on to get their ideas across is Lynyrd Skynyrd. For the uninitiated, … Continue reading Gene Odom’s Lynyrd Skynyrd book lacks literary grace and gory details

James Cotton on blowing harp for Muddy Waters at Newport Jazz Festival

ORIGINALLY PUBLISHED ON MARCH 7, 2002 By Steve Newton Throughout the classic 1960 blues album Muddy Waters at Newport—which fans of the late legend should note was recently released on CD in remastered form, with bonus studio tracks—a young James Cotton can be heard blowing some serious harp at the Newport Jazz Festival. At one … Continue reading James Cotton on blowing harp for Muddy Waters at Newport Jazz Festival

Pearl Jam’s Mike McCready on Ticketmaster, Neil Young, Nickelback, and the new Riot Act

ORIGINALLY PUBLISHED ON MAY 29, 2003 By Steve Newton Pearl Jam is one of those hugely influential, multiplatinum rock acts that’s notorious for refusing to talk to the press, often for extended periods of time. So when PJ guitarist Mike McCready calls from the “lovely offices” of Vandenberg Public Relations in Seattle, my first question … Continue reading Pearl Jam’s Mike McCready on Ticketmaster, Neil Young, Nickelback, and the new Riot Act

Johnny Winter showed blues traveler Ellen McIlwaine how to go in her own direction

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 13, 2001 By Steve Newton Singer-songwriter and slide-guitar specialist Ellen McIlwaine is best known as a blues artist, but she’s always been willing to let her muse drift away from the Mississippi Delta or the south side of Chicago. For her latest CD, Spontaneous Combustion, McIlwaine wrote a … Continue reading Johnny Winter showed blues traveler Ellen McIlwaine how to go in her own direction

My interview with 18-year-old Jordan Cook, long before he ruled as Reignwolf

ORIGINALLY PUBLISHED ON DEC. 6, 2001 By Steve Newton A lot of musicians catch the music bug early on in life, though usually not as early as 18-year-old blues guitarist Jordan Cook. After he was born, the first thing Cook heard on a regular basis was the sound of his dad taking blues-guitar lessons. “It … Continue reading My interview with 18-year-old Jordan Cook, long before he ruled as Reignwolf

Carlos Santana chides firecracker-blasting moron in Vancouver, says “This isn’t a heavy-metal concert!”

kevin statham photo ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 2, 2000 By Steve Newton Carlos Santana has been blowing folks away with his fiery, straight-from-the-soul fret work for more than 30 years now, but at GM Place on October 26, he never let his status as a guitar god override his main goal for … Continue reading Carlos Santana chides firecracker-blasting moron in Vancouver, says “This isn’t a heavy-metal concert!”

Charlie Musselwhite knew that playing the blues in Chicago was better than doing factory work

ORIGINALLY PUBLISHED ON MARCH 14, 2002 By Steve Newton Charlie Musselwhite was just 13 years old when he started playing harmonica, the instrument that he’d wield so well while staking out his place in the blues world. He was living in Memphis at the time, which was a good location to be for any youngster … Continue reading Charlie Musselwhite knew that playing the blues in Chicago was better than doing factory work