Backstage at an Arc Angels show with Charlie Sexton, David Gogo, and the blind date I never saw again

By Steve Newton Here’s a photo that was taken backstage at the 86 Street Music Hall in Vancouver on July 22, 1992. It was after a show by the Arc Angels, a bluesy band from Austin that featured guitarist-vocalists Charlie Sexton and Doyle Bramhall II along with Stevie Ray Vaughan‘s old rhythm section, bassist Tommy … Continue reading Backstage at an Arc Angels show with Charlie Sexton, David Gogo, and the blind date I never saw again

Kate Bush on David Gilmour, Pink Floyd, and the new Hounds of Love

ORIGINALLY PUBLISHED ON DEC. 6, 1985 By Steve Newton When Kate Bush was 15 years old, she thought it would be nice if she could get some of her songs published. There was a friend of her family who knew someone that was looking for talent to encourage and produce. That someone came and heard … Continue reading Kate Bush on David Gilmour, Pink Floyd, and the new Hounds of Love

Junkhouse at the Town Pump evokes the Beat Farmers’ Glad & Greasy

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 14, 1995 By Steve Newton It’s midnight on a Friday (September 8) at the Town Pump. The brew has been flowing freely for hours already, and the hard-rocking headlining band is about to take the stage. The crowd is definitely stoked for some good old…spoken-word performance? Apparently, Junkhouse … Continue reading Junkhouse at the Town Pump evokes the Beat Farmers’ Glad & Greasy

Stevie Ray Vaughan tears it up in Vancouver, says “serious trouble indeed”

mila geran photo ORIGINALLY PUBLISHED ON SEPT. 6, 1985 By Steve Newton Since he flew onto the international music scene in 1983, people have been raving on and on about Texas guitar wizard Stevie Ray Vaughan. After his startling shows at the Commodore last week (August 29 and 31), you can bet that local blues-rock … Continue reading Stevie Ray Vaughan tears it up in Vancouver, says “serious trouble indeed”

Chickenfoot guitarist Joe Satriani was into Humble Pie as a kid, missed out on Montrose

ORIGINALLY POSTED ON STRAIGHT.COM, MAY 13, 2009 By Steve Newton Any self-respecting rock-guitar freak has at least a couple of Joe Satriani CDs in his or her collection. The Bay Area musician has been steadily churning out adventurous, technically boggling instrumental albums since blasting onto the six-string scene in 1986 with Not of This Earth. … Continue reading Chickenfoot guitarist Joe Satriani was into Humble Pie as a kid, missed out on Montrose

Nick Gilder on his new LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, ON OCT. 25, 1985 By Steve Newton You remember Nick Gilder, don’t you? He goes way back. So far back, actually, that Bob Geldof once interviewed him for this publication. Gilder was the lead singer for Sweeney Todd, one of Vancouver’s more popular glam/glitter rock bands. Named after the … Continue reading Nick Gilder on his new LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

By Steve Newton Back in 2015 I interviewed guitarist Guthrie Govan, who–while not nearly as well known as the Satrianis and Vais of the world–is equally monstrous when it comes to technical ability and musical inventiveness. He plays in an instrumental rock-fusion trio called the Aristocrats, which made its debut Vancouver appearance at the Rickshaw Theatre. … Continue reading The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

The Hoodoo Gurus’ Dave Faulkner on junk culture, Aussie rockers, and Mars Needs Guitars!

ORIGINALLY PUBLISHED ON NOV. 29, 1985 By Steve Newton One of the wildest rock and roll sounds to come up from Down Under recently is that of the Hoodoo Gurus. Just last year the Aussie foursome released their debut album, Stoneage Romeos, a thoroughly rocking blend of pop/punk, Merseybeat, and psychedelia–all slapped on a two-guitar … Continue reading The Hoodoo Gurus’ Dave Faulkner on junk culture, Aussie rockers, and Mars Needs Guitars!

Mötley Crüe’s Mick Mars in 1985: “Without groupies, I probably wouldn’t have been a musician.”

mila geran photo ORIGINALLY PUBLISHED ON NOV. 29, 1985 By Steve Newton Outside the hotel a huge tour bus sits, the dust on its sides inscribed with messages like “The Crue Rules”, “I Love You Vince”, and, strangely enough, “KISS”. Inside the lobby, a gaggle of pubescent females are trying to weasel information out of … Continue reading Mötley Crüe’s Mick Mars in 1985: “Without groupies, I probably wouldn’t have been a musician.”

My first Judas Priest interview: Screaming for Vengeance Tour, 1982

ORIGINALLY PUBLISHED ON NOV. 5, 1982 By Steve Newton If there ever was a music devised to torture grandmothers, it would probably sound a lot like Judas Priest, a band that fuses the meanest of lyrics and nastiest of guitar sounds to create what can only be described as raunch. Though more recently the band … Continue reading My first Judas Priest interview: Screaming for Vengeance Tour, 1982

Ann Wilson on making the Heart album: “Lookout! Three gals and a bottle of Dubonnet!”

ORIGINALLY PUBLISHED ON AUG. 16, 1985 By Steve Newton It’s been ten years since Heart recorded their debut album Dreamboat Annie at Vancouver’s Mushroom Studios. At a time when Saturday Night Fever was running rampant that LP–with songs like “Magic Man” and “Crazy On You”–struck an important blow for guitar-driven rock and roll.  With raven-haired … Continue reading Ann Wilson on making the Heart album: “Lookout! Three gals and a bottle of Dubonnet!”

My first interview with Stevie Ray Vaughan, when he sang me three lines of an Earl King song

photo by Mila Geran ORIGINALLY PUBLISHED ON SEPT. 6, 1985 By Stevie Ross Newton Texas blues guitar hero Stevie Ray Vaughan was in town last Saturday, for two sold out shows at the Commodore Ballroom. Prior to his appearance I caught up with Stevie, and asked him about his upcoming LP Soul to Soul, his … Continue reading My first interview with Stevie Ray Vaughan, when he sang me three lines of an Earl King song