Reviewing Nickelback in honour of pot-lovin’, hard-rock musicians from Alberta

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, OCT. 31, 2002 By Steve Newton For more than 10 years I rented a dumpy old house near 58th and Main that was known as the Rock Palace because of the all-night rock-’n’-roll parties held there. The best thing about those cop-attended bashes was when these pot-lovin’, hard-rock musicians … Continue reading Reviewing Nickelback in honour of pot-lovin’, hard-rock musicians from Alberta

Walter Trout has a spiritual bond with his Strat of 30 years

ORIGINALLY PUBLISHED ON MARCH 6, 2003 By Steve Newton Unless you’re really up on your rock guitarists, Walter Trout may be the biggest guitar hero you’ve never heard of. In a 1993 BBC Radio 1 poll of the top 20 players of all time, Trout came in sixth, ahead of such six-string legends as Stevie … Continue reading Walter Trout has a spiritual bond with his Strat of 30 years

Robin Trower talks Procol Harum, Hendrix, and blues, says “if it ain’t broke, don’t fix it”

photo courtesy the newt ORIGINALLY PUBLISHED ON MARCH 11, 1990 By Steve Newton You know how some recording artists make you think of old times, and help you crystallize visions from the past? Well, when I think of Robin Trower, I picture a mid-’70s high-schooler cruising the main drag of Chilliwack in a wood-grained Monaco … Continue reading Robin Trower talks Procol Harum, Hendrix, and blues, says “if it ain’t broke, don’t fix it”

David Lindley says its serious time for the oud

ORIGINALLY PUBLISHED ON AUG. 8, 2002 By Steve Newton A while back I made one of my regular visits to Zulu Records and noticed that they were giving stuff away. Not great stuff—there were no limited-edition Hellecasters CDs or Jeff Beck bootlegs—but in the box of vinyl castoffs and local cassettes was Win This Record, … Continue reading David Lindley says its serious time for the oud

The Word gets the Newt off his ass and down to the Commodore to hear “Joyful Sounds” and Hendrix

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JAN. 24, 2002 By Steve Newton A few hours before the Word took the stage at the Commodore last Saturday (January 19), I was reclining in my cozy New West living room, barely awake. The idea of driving downtown in the pissing rain to see a band that wasn’t … Continue reading The Word gets the Newt off his ass and down to the Commodore to hear “Joyful Sounds” and Hendrix

Pearl Jam’s Mike McCready on Ticketmaster, Neil Young, Nickelback, and the new Riot Act

ORIGINALLY PUBLISHED ON MAY 29, 2003 By Steve Newton Pearl Jam is one of those hugely influential, multiplatinum rock acts that’s notorious for refusing to talk to the press, often for extended periods of time. So when PJ guitarist Mike McCready calls from the “lovely offices” of Vandenberg Public Relations in Seattle, my first question … Continue reading Pearl Jam’s Mike McCready on Ticketmaster, Neil Young, Nickelback, and the new Riot Act

Backstage with Scott Gorham (and Gary Moore) on Thin Lizzy’s Bad Reputation Tour in 1978

By Steve Newton See that Thin Lizzy mirror pin I’m holding? That’s not just any old Thin Lizzy mirror pin. That’s the one Thin Lizzy guitarist Scott Gorham gave me backstage at Vancouver’s Pacific Coliseum on October 12, 1978. That was an unforgettable moment for me. Lemme tell ya about it. At the time I … Continue reading Backstage with Scott Gorham (and Gary Moore) on Thin Lizzy’s Bad Reputation Tour in 1978

Gene Odom’s Lynyrd Skynyrd book lacks literary grace and gory details

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 21, 2002 By Steve Newton On their latest CD, Southern Rock Opera, alt-country reprobates the Drive-By Truckers combine sociology, history, and musicology to deliver a concept album about southern rock, and the band they focus on to get their ideas across is Lynyrd Skynyrd. For the uninitiated, … Continue reading Gene Odom’s Lynyrd Skynyrd book lacks literary grace and gory details

Joe Bonamassa says “I’m not a full-time rock ‘n’ roll guy. I like blues.”

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, MAY 7, 2015 By Steve Newton For his latest album, American guitar hero Joe Bonamassa came up with one helluva great idea. Or at least his producer, Kevin Shirley, did. The plan was to record a one-off concert dedicated to the music of blues legends Muddy Waters and Howlin’ … Continue reading Joe Bonamassa says “I’m not a full-time rock ‘n’ roll guy. I like blues.”

James Cotton on blowing harp for Muddy Waters at Newport Jazz Festival

ORIGINALLY PUBLISHED ON MARCH 7, 2002 By Steve Newton Throughout the classic 1960 blues album Muddy Waters at Newport—which fans of the late legend should note was recently released on CD in remastered form, with bonus studio tracks—a young James Cotton can be heard blowing some serious harp at the Newport Jazz Festival. At one … Continue reading James Cotton on blowing harp for Muddy Waters at Newport Jazz Festival

My interview with 18-year-old Jordan Cook, long before he ruled as Reignwolf

ORIGINALLY PUBLISHED ON DEC. 6, 2001 By Steve Newton A lot of musicians catch the music bug early on in life, though usually not as early as 18-year-old blues guitarist Jordan Cook. After he was born, the first thing Cook heard on a regular basis was the sound of his dad taking blues-guitar lessons. “It … Continue reading My interview with 18-year-old Jordan Cook, long before he ruled as Reignwolf

Geddy Lee on Neil Peart’s personal struggles, shaping his lyrics, and loving Rush

ORIGINALLY PUBLISHED ON SEPT. 5, 2002 By Steve Newton Rush’s latest CD, Vapor Trails, may be its best recording ever, and since the Canuck prog-rock trio now has 17 studio releases to its credit, that’s saying something. But the album would never have been made if drummer-lyricist Neil Peart hadn’t had the inner strength to … Continue reading Geddy Lee on Neil Peart’s personal struggles, shaping his lyrics, and loving Rush

Charlie Musselwhite knew that playing the blues in Chicago was better than doing factory work

ORIGINALLY PUBLISHED ON MARCH 14, 2002 By Steve Newton Charlie Musselwhite was just 13 years old when he started playing harmonica, the instrument that he’d wield so well while staking out his place in the blues world. He was living in Memphis at the time, which was a good location to be for any youngster … Continue reading Charlie Musselwhite knew that playing the blues in Chicago was better than doing factory work