ORIGINALLY PUBLISHED ON AUG. 27, 1992
By Steve Newton
MONTREAL—The only band I liked in the ’70s that didn’t have a rockin’ electric guitarist was Emerson, Lake and Palmer. Over the years, I’ve wondered what it was that attracted me to the British progressive band’s unique keyboards/bass/drums format and made me happy to slide its Brain Salad Surgery album onto the shelf beside riff-riddled LPs by Blue Oyster Cult, Aerosmith, and Montrose.
I’ve never been able to pinpoint the reason, so when the opportunity came to interview singer/bassist Greg Lake, I asked him what he felt it was that endeared his band to folks weaned on ’70s rock.
“Music,” was Lake’s simple answer. “Original music. You know, in the ’70s, the music was art-led, now it’s market-led. You used to have rock heroes, now you’ve got rock product. And music has lost its identity and its personality with all the crap and pap that’s dished up today.
“But ELP was—and still is—an unusual band. It’s a keyboard-based three-piece band, which is almost unheard of. But when you think about it, why not? Why aren’t there lots of them? It’s a strange thing. And the other thing that’s different about us, of course, is that our music is European-influenced, as opposed to being blues- or black-music-influenced, like most rock music.”
Emerson, Lake and Palmer’s taste for things European would also extend to their album artwork. With its open-from-the-middle layout and bizarre mummy/skeleton artwork by Swiss sci-fi great H.R. Giger, Brain Salad Surgery had to be one of the coolest 12-inch chunks of cardboard these eyes had ever seen.
It was worthy of an honoured place atop my dresser, right next to the triple-fold-out copy of Yessongs. Lake himself pines for the days when at the same time as you were buying music, you were also nabbing something to look at.
“I’ve really lost interest in album artwork since CDs have come out,” says the burly, tattooed singer. “You know, that [pointing to my vinyl copy of Brain Salad Surgery] means something, that [the band’s new Black Moon CD] doesn’t.
“You know, you get the bloody CD and then you open it and it falls apart; then after you get the paper out, you have to be a rocket scientist to put it back together again. So CDs are just a pain to me. I think it’s sad that albums are no longer like that.”
Four years after 1973’s Brain Salad Surgery cover first raised eyebrows, ELP ascended to its peak of popularity, marking that time with a sold-out concert at Montreal’s Olympic Stadium. That performance in front of 80,000 people meant so much to the band, they were determined to make the venue the location for the official launch of their comeback album.
According to Lake, Black Moon is the band’s most mature release to date—and that’s not just because they’ve gotten older and wiser.
“The actual material itself is richer musically, lyrically, and, certainly, sonically,” says Lake, “I mean, the album simply sounds better than anything we’ve done before. And we used a producer this time, as well, which enabled me not to have to be creative and judicial at the same time. So we had the benefit of an independent eye. And [Black Moon producer] Mark Mancini really understood the group; he understood the principles of ELP and the way the music worked.”
One of Black Moon’s most intriguing cuts is the Lake-penned “Paper Blood”, which was inspired by a strange combination of sights he witnessed while driving in London one day.
“I was drivin’ along in the car and this limousine pulls up and it’s got a dog in the front—which is bizarre enough, right, but I turn my head and there’s this guy picking food out of a bin. The dog don’t need to be chauffeur-driven, you know, it’s just money, but this guy needs food—it’s like blood. It was just an interesting concept that money is paper blood, you know.”
The image for Black Moon’s title track came to Lake when he was watching the tube during the Gulf War and saw a report on all the oil fields being set alight.
“The last thing on earth you could possibly think about burning is a desert, right, and yet there it was, this smoke coverin’ the sun and this black dot in the middle. And it just struck me as one of the absurdities of the world we live in; there’s just something chilling about it.
“And I thought it’s worth writing about, because here you have a chance to have an international platform. And you can either write about meaningless trivia—‘you and me tonight, babes, behind the bicycle shed’—or you can try and write something meaningful. And even if I write a love song, I try to write it to convey the feeling of love, and not just to be a wander through a romantic hook.”
When ELP brings its tour to the Orpheum Theatre on September 6, fans of ’70s prog-rock will be in their glory, guitars or no guitars. But they needn’t bother getting all hyped about the prospect of seeing that nifty prop keyboardist Keith Emerson used to demonstrate in the band’s heyday.
“I don’t think we’re gonna do the flyin’ piano,” says Lake. “Everything we do in terms of visual production is always linked to the music. So you will not be seeing things like Vari-Lites, none of that. It’ll be a very dark show, very theatrical—it might be more related to a ballet or an opera. Very musical, very dramatic, and intense. One of the things that ELP is, is intense.”
To hear the full audio of my 1992 interview with Greg Lake subscribe to my Patreon page, where you can also eavesdrop on over 350 of my uncut, one-on-one conversations with:
Dave Martone, 2020
Ian Gillan of Deep Purple, 2006
Joss Stone, 2012
Glenn Tipton of Judas Priest, 2005
Jack Blades of Night Ranger, 1984
Vivian Campbell of Def Leppard, 1992
Colin James, 1995
Kim Simmonds of Savoy Brown, 1998
Tom Cochrane of Red Rider, 1983
Ed Roland of Collective Soul, 1995
Taj Mahal, 2001
Tom Wilson of Junkhouse, 1995
Mike McCready of Pearl Jam, 2003
David Lindley, 2002
Marty Friedman of Megadeth, 1991
John Hiatt, 2010
Nancy Wilson of Heart, 2006
Jeff Golub, 1989
Moe Berg of the Pursuit of Happiness, 1990
Todd Rundgren, 2006
Chad Kroeger of Nickelback, 2001
Steve Earle, 1987
Gabby Gaborno of the Cadillac Tramps, 1991
Terry Bozzio, 2003
Roger Glover, 1985
Matthew Sweet, 1995
Jim McCarty of the Yardbirds, 2003
Luther Dickinson of North Mississippi Allstars, 2001
John Rzeznik of the Goo Goo Dolls, 1995
Steve Hackett from Genesis, 1993
Grace Potter, 2008
Buddy Guy, 1993
Steve Lynch of Autograph, 1985
Don Wilson of the Ventures, 1997
Gordie Johnson of Big Sugar, 1998
Trevor Rabin of Yes, 1984
Albert Lee, 1986
Yngwie Malmsteen, 1985
Robert Cray, 1996
Tony Carey, 1984
Ian Hunter, 1988
Kate Bush, 1985
David Gilmour from Pink Floyd, 1984
Jeff Healey, 1988
Gord Downie of the Tragically Hip, 1996
Richie Sambora of Bon Jovi, 1993
Colin Linden, 1993
Kenny Wayne Shepherd, 1995
Justin Hayward of the Moody Blues, 1986
Elliot Easton from the Cars, 1996
Wayne Kramer from the MC5, 2004
Bob Rock, 1992
Nick Gilder, 1985
Klaus Meine of Scorpions, 1988
Jason Bonham, 1989
Tom Johnston of the Doobie Brothers, 1991
Joey Spampinato of NRBQ, 1985
Patterson Hood of the Drive-By Truckers, 2003
Andy Powell of Wishbone Ash, 2003
Steve Kilbey of the Church, 1990
Edgar Winter, 2005
Johnette Napolitano of Concrete Blonde, 1990
Randy Hansen, 2001
Dan McCafferty of Nazareth, 1984
Davy Knowles of Back Door Slam, 2007
Jimmy Barnes from Cold Chisel, 1986
Steve Stevens of Atomic Playboys, 1989
Billy Idol, 1984
Stuart Adamson of Big Country, 1993
Ian Anderson of Jethro Tull, 1992
Warren Haynes of Gov’t Mule, 1998
John Bell of Widespread Panic, 1992
Robben Ford, 1993
Barry Hay of Golden Earring, 1984
Jason Isbell, 2007
Joey Belladonna of Anthrax, 1991
Joe Satriani, 1990
Vernon Reid of Living Colour, 1988
Brad Delp of Boston, 1988
Zakk Wylde of Pride & Glory, 1994
John Sykes of Blue Murder, 1989
Alice Cooper, 1986
Lars Ulrich of Metallica, 1985
John Doe, 1990
Shannon Hoon of Blind Melon, 1992
Myles Goodwyn of April Wine, 2001
John Mellencamp, 1999
Mike Campbell of Tom Petty & the Heartbreakers, 1999
Kenny Aronoff, 1999
Doyle Bramhall II, 2001
Jon Bon Jovi, 1986
Dickey Betts of the Allman Brothers, 1992
Randy Bachman, 2001
Little Steven, 1987
Stevie Salas, 1990
…with hundreds more to come