Guitar hero Michael Schenker goes acoustic and his fans are fine with it

ORIGINALLY PUBLISHED ON MARCH 12, 1992 By Steve Newton When Michael Schenker was only 15, he met up with Scorpions singer Klaus Meine. Just a year later, he was laying down the white-hot guitar licks for the Scorpions’ debut album, Lonesome Crow. But Schenker’s early musical accomplishments were not without their price, as the teen … Continue reading Guitar hero Michael Schenker goes acoustic and his fans are fine with it

Dash Rip Rock has gotten into a few scrapes playing “Stairway to Freebird”

ORIGINALLY PUBLISHED ON MARCH 12, 1992 By Steve Newton It’s strange how rumours get started, sometimes. Like the one that keeps cropping up in Dash Rip Rock’s press kit, about R.E.M. bassist Mike Mills being a mortal enemy of the Louisiana-based roots-rock band. Supposedly, Mills was spotted at a particularly crazed DRR concert, giving the … Continue reading Dash Rip Rock has gotten into a few scrapes playing “Stairway to Freebird”

Golden Earring’s Barry Hay on touring with the Who and getting beaten up with Ronnie Van Zant

  ORIGINALLY PUBLISHED ON APRIL 20, 1984 By Steve Newton Help I'm steppin' into the twilight zone/The place is a madhouse, feels like being cloned/My beacon's been moved under moon and star/Where am I to go now that I've gone too far/Soon you will come to know, when the bullet hits the bone Anyone who's … Continue reading Golden Earring’s Barry Hay on touring with the Who and getting beaten up with Ronnie Van Zant

Pantera’s Vinnie Paul explains what makes Phil Anselmo so “F**king Hostile” on Vulgar Display of Power

ORIGINALLY PUBLISHED ON FEB. 27, 1992 By Steve Newton Would you let somebody punch you in the face for 300 bucks? Considering that knuckle sandwiches sometimes come for free, 300 smackers might not sound too bad. Then again, it depends who’s on the other end of the fist. And whether or not dental coverage is … Continue reading Pantera’s Vinnie Paul explains what makes Phil Anselmo so “F**king Hostile” on Vulgar Display of Power

She Stole My Beer goes direct to tape with Sparks Off the Guardrail

ORIGINALLY PUBLISHED ON FEB. 20, 1992 By Steve Newton Some band names really leave you wondering. I mean, what do you make of bands called Scootertrash, Afghan Whigs, Hocus Pick Manoeuver, and Mutant Starfish? At least a fellow can relate to a group called She Stole My Beer. “Back in our high-school days we used … Continue reading She Stole My Beer goes direct to tape with Sparks Off the Guardrail

Warren Zevon talks Vancouver’s Odds, “Werewolves”, scoring films, and managing to remain poor

Once upon a time, there were four young men who played in a band called Dawn Patrol at a Vancouver bar called the Roxy.

Worshipped as a god, Joan Jett just likes seeing fans smile

ORIGINALLY PUBLISHED ON FEB. 6, 1992 By Steve Newton When I mentioned I was going to be interviewing Joan Jett, one of my well-informed colleagues said, “Well, be sure to ask her about the sect in California that worships her as a god.” So, when J.J. called from Minneapolis—in advance of her Saturday (February 8) … Continue reading Worshipped as a god, Joan Jett just likes seeing fans smile

Call me a hick from Chilliwack, but I ain’t never seen no spiral haircut before

ORIGINALLY PUBLISHED ON FEB. 6, 1992 By Steve Newton What makes a rock writer desperate to score the reviewer’s assignment for a Red Hot Chili Peppers show? Could it be the group’s incendiary brand of primitive thrash-funk, or the fact that their live appearances are known far and wide for their unbridled energy and uncontrolled … Continue reading Call me a hick from Chilliwack, but I ain’t never seen no spiral haircut before

Alex Lifeson says Rush’s no-compromise approach is key to its staying power

ORIGINALLY PUBLISHED ON JAN. 30, 1992 By Steve Newton When I interviewed Queensrÿche vocalist Geoff Tate last month, the singer had some intriguing things to say about an alleged “backlash” against progressive rock, which he felt had been initiated by the music industry in the ’70s. Tate uncovered a plot to undermine the growing popularity … Continue reading Alex Lifeson says Rush’s no-compromise approach is key to its staying power

Flies on Fire fell in love with Canada and the Tragically Hip

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JAN. 16, 1992 By Steve Newton Although Flies on Fire have already released two albums full of honest, no-frills guitar rock with major-label distribution on Atco Records, they haven’t yet made much of a name for themselves. But they’re probably better known to Vancouver rock fans than to the … Continue reading Flies on Fire fell in love with Canada and the Tragically Hip

An electrifying Lenny Kravitz blows the Cult off the stage in Vancouver

ORIGINALLY PUBLISHED ON JAN. 16, 1992 By Steve Newton When I saw local singing sensation Sarah McLachlan pick up her coat and leave the press box after Lenny Kravitz’s opening slot for the Cult, I thought: “Geez, she could have stuck around for a couple of rockin’ Cult tunes.” But, as it turned out, the … Continue reading An electrifying Lenny Kravitz blows the Cult off the stage in Vancouver

The Cult’s Ian Astbury claims that touring with Lenny Kravitz is “a spiritual event”

ORIGINALLY PUBLISHED ON JAN. 9, 1992 By Steve Newton Some folks might have been surprised to hear that the Cult is touring with Lenny Kravitz. After all, the straightforward, bluesy hard-rock of the former is quite distinct from the Beatlesque, ’60s pop styles of the latter. Or is it? According to Cult singer Ian Astbury, … Continue reading The Cult’s Ian Astbury claims that touring with Lenny Kravitz is “a spiritual event”