Search Results for: Billy Idol

Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

ORIGINALLY PUBLISHED ON OCT. 23, 1997 By Steve Newton Although I have no documented proof that I’m related to either Beavis or Butthead, I do harbour a couple of hazy teenage memories that keep me pondering that possibility. The one that has me most worried goes back to Chilliwack Senior Secondary School, circa 1974. During … Continue reading Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

Ventures guitarist Don Wilson on the origin and influence of “Walk, Don’t Run”

ORIGINALLY PUBLISHED ON NOV. 13, 1997 By Steve Newton When Ventures cofounder Bob Bogle walked onto a Seattle used-car lot one afternoon in 1959, he wasn’t expecting to form the nucleus of what would become the world’s top-selling instrumental-rock band—he was just looking for some new wheels. Fortunately, he ran into aspiring rhythm guitarist Don … Continue reading Ventures guitarist Don Wilson on the origin and influence of “Walk, Don’t Run”

Pete Droge’s Pearl Jam connection led him to Find a Door

ORIGINALLY PUBLISHED ON SEPT. 12, 1996 By Steve Newton When you think Seattle rock, you picture plaid shirts, baggy shorts, vein-bulging vocals, and propulsive guitar noise comin’ at you in heavily amplified blasts. You don’t necessarily envision a guy like Pete Droge, whose rootsy, laid-back style has more in common with Tom Petty’s breezy, melodic … Continue reading Pete Droge’s Pearl Jam connection led him to Find a Door

Pride & Glory’s Zakk Wylde says he’ll always be Ozzy’s guitar player

ORIGINALLY PUBLISHED ON OCT. 20, 1994 By Steve Newton Rock guitarists have a few things to worry about during a live performance—such as blowing an amp, breaking a string, or dropping a pick during a crucial guitar freak-out. Personal injury isn’t usually one of the main onstage concerns for today’s rock artists, but—as Pride & … Continue reading Pride & Glory’s Zakk Wylde says he’ll always be Ozzy’s guitar player

Marshall Crenshaw shows Vancouver that life’s too short–and pretty precious too

ORIGINALLY PUBLISHED ON JULY 25, 1991 By Steve Newton Balding and bespectacled, Marshall Crenshaw looks more like a mild-mannered librarian (and a couple of rock critics I know) than the type to rip up a nightclub with tune after tune of jarring, picture-perfect pop. But, as the Detroit-bred, New York-based rocker proved at his first … Continue reading Marshall Crenshaw shows Vancouver that life’s too short–and pretty precious too

Superstar producer Bob Rock gets his guitar jollies at the Rock Cellar with riff-based Rockhead

ORIGINALLY PUBLISHED ON OCT. 10, 1991 By Steve Newton After producing hit records by the likes of Motley Crue, the Cult, and Metallica, Vancouver’s Bob Rock is tying on the gloves and stepping into the ring with Rockhead, his new hard-rock four-piece. The band’s been playing at various local top-40 bars, and if Saturday’s (October … Continue reading Superstar producer Bob Rock gets his guitar jollies at the Rock Cellar with riff-based Rockhead

An electrifying Lenny Kravitz blows the Cult off the stage in Vancouver

ORIGINALLY PUBLISHED ON JAN. 16, 1992 By Steve Newton When I saw local singing sensation Sarah McLachlan pick up her coat and leave the press box after Lenny Kravitz’s opening slot for the Cult, I thought: “Geez, she could have stuck around for a couple of rockin’ Cult tunes.” But, as it turned out, the … Continue reading An electrifying Lenny Kravitz blows the Cult off the stage in Vancouver

Rick Derringer is still alive and well in Vancouver in 1993

ORIGINALLY PUBLISHED ON OCT. 15, 1993 By Steve Newton The first time I saw Rick Derringer play live was back in ’73 or something, when me and a bunch of high-school pals from Chilliwack loaded into a van and drove to the Pacific Coliseum to see the Edgar Winter Group and opening act UFO. This … Continue reading Rick Derringer is still alive and well in Vancouver in 1993

Ian Moore’s social commentary stings like his Strat on Modernday Folklore

ORIGINALLY PUBLISHED ON SEPT. 28, 1995 By Steve Newton On the cover of Ian Moore’s 1993 self-titled debut, he is pictured hugging his worn Stratocaster, perched on a beat-up Fender amp, a drum kit and large speaker cabinet looming in the background. That simple shot of the longhaired, cowboy-booted dude set the impression of Moore … Continue reading Ian Moore’s social commentary stings like his Strat on Modernday Folklore

Blind Melon makes Soup in New Orleans but the Big Easy is “evil on a lot of levels”

ORIGINALLY PUBLISHED ON SEPT. 28, 1995 By Steve Newton Although I’ve never been there, I always pictured New Orleans as a carefree, laid-back location, where the relaxed residents would happily welcome visitors into a fantasyland of down-home music, to-die-for food, and endless celebration. But in a chat with Blind Melon bassist Brad Smith—whose band recorded … Continue reading Blind Melon makes Soup in New Orleans but the Big Easy is “evil on a lot of levels”

Brother Cane melds Zeppelin-style raunch and southern-rock spirit in Vancouver

ORIGINALLY PUBLISHED ON OCT. 26, 1995 By Steve Newton When I first heard Brother Cane’s self-titled debut CD three years ago, I was mightily impressed by the Alabama quartet’s bluesy, southern-tinged guitar-rock, spurred on as it was by the multiple talents of Damon Johnson, lead guitarist, lead vocalist, and main songwriter. But aside from the … Continue reading Brother Cane melds Zeppelin-style raunch and southern-rock spirit in Vancouver

Bittersweet Gin Blossoms encounter UFOs and Alice Cooper in their Arizona ‘hood

ORIGINALLY PUBLISHED ON FEB. 29, 1996 By Steve Newton If there were such a thing as a Webster’s Dictionary of Pop Music, you could probably look up the word bittersweet and find a picture of Arizona’s Gin Blossoms nearby. Like fellow southerner Matthew Sweet and local buddies the Odds—who will tour with the Gin Blossoms … Continue reading Bittersweet Gin Blossoms encounter UFOs and Alice Cooper in their Arizona ‘hood