Kim Mitchell on the re-rise and re-fall of Max Webster

ORIGINALLY PUBLISHED ON MARCH 2, 2000 By Steve Newton If, like me, you’re a Kim Mitchell fan from way back, you may have been wondering just where the hell he’s been lately. I mean, he hasn’t played Vancouver in nine years, whereas in the ’80s he’d show up regularly to be a wild party and … Continue reading Kim Mitchell on the re-rise and re-fall of Max Webster

Chili Peppers bring heat to Vancouver with pogoing Flea after Dave Grohl gets his nipple pinched

kevin statham photos ORIGINALLY PUBLISHED ON JUNE 1, 2000 By Steve Newton Nobody rocks like Flea. As soon as the Red Hot Chili Peppers’ hyperkinetic bassist stepped on the GM Place stage last Sunday (May 28), he started churning out monstrous hard-funk licks, and he didn’t slow down until the gig was over. And when … Continue reading Chili Peppers bring heat to Vancouver with pogoing Flea after Dave Grohl gets his nipple pinched

The Rolling Stones deliver like legends as the Steel Wheels Tour hits Vancouver

ORIGINALLY PUBLISHED ON NOV. 10, 1989 By Steve Newton In what was surely the biggest Vancouver concert event of the ’80s, the Rolling Stones hit Vancouver for two nights last week amid a flurry of hype and much groveling for tickets. Now that Jagger and the boys have gathered up their money-bags (they play the … Continue reading The Rolling Stones deliver like legends as the Steel Wheels Tour hits Vancouver

Queensrÿche’s Geoff Tate give kudos to Maiden, Priest, and Sabbath (with Dio)

ORIGINALLY PUBLISHED ON SEPT. 14, 2000 By Steve Newton At the big metal show slated for the Pacific Coliseum on Wednesday (September 20), Seattle hard-rockers Queensrÿche will perform between openers Halford—featuring former Judas Priest screamer Rob Halford—and headliners Iron Maiden. You could say that it’s a return to the band’s roots, somewhat, because as a … Continue reading Queensrÿche’s Geoff Tate give kudos to Maiden, Priest, and Sabbath (with Dio)

Bob Rock plays every lick he knows on Rockhead’s “dumb old hard-rock album”

ORIGINALLY PUBLISHED ON APRIL 15, 1993 By Steve Newton The first time I interviewed veteran Vancouver musician and producer extraordinaire Bob Rock, he was in the middle of helming Bitter Sweet & Twisted, the new release by British blues-rockers the Quireboys. The last time we chatted, he was heavily involved in the much-anticipated release by … Continue reading Bob Rock plays every lick he knows on Rockhead’s “dumb old hard-rock album”

Cheap Trick hooks up with Mötley Crüe members to play AC/DC’s “Highway to Hell” in Vancouver

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, MARCH 2, 1989 By Steve Newton Back in the late ’70s, one of this scribbler’s favourite pastimes was throwing Cheap Trick’s In Color album on the turntable and cranking ‘er up. The band’s thoroughly rockin’ power-pop was just the right brain lube between heavy bouts of exam cramming. At … Continue reading Cheap Trick hooks up with Mötley Crüe members to play AC/DC’s “Highway to Hell” in Vancouver

Steve Stevens on covering Sweet, working with Ted Templeman, and becoming an Atomic Playboy

Stevens is the innovative guitarist who was largely responsible for the success of one blond British bombshell by the name of Billy Idol.

The Hoodoo Gurus’ Brad Shepherd talks Aussie rock and Magnum Cum Louder

ORIGINALLY PUBLISHED ON NOV. 3, 1989 By Steve Newton The day afer the San Francisco earthquake, Hoodoo Gurus guitarist Brad Shepherd called me from Oxford, Mississippi. His band was scheduled to play the city by the bay in two weeks, and he wasn’t even sure if the venue they were booked into was still standing. Although … Continue reading The Hoodoo Gurus’ Brad Shepherd talks Aussie rock and Magnum Cum Louder

Joe Satriani takes a techno turn on new Engines of Creation

ORIGINALLY PUBLISHED ON MAY 18, 2000 By Steve Newton I’ve yet to be bitten by the techno bug. You won’t find any discs by the Chemical Brothers or Crystal Method in my collection, or any stashes of Ecstasy in my dresser drawer. But after listening to the new Joe Satriani CD, Engines of Creation, I’m … Continue reading Joe Satriani takes a techno turn on new Engines of Creation

Teenage slide-guitar ace Derek Trucks says his goal is not to play like Duane Allman

ORIGINALLY PUBLISHED IN EXPERIENCE HENDRIX MAGAZINE, MAY/JUNE 1998 By Steve Newton Teenage blues-rocker Kenny Wayne Shepherd has a great story about how he got inspired to take up guitar. It has something to do with him, as a little kid, watching Stevie Ray Vaughan perform from atop one of the Texas guitar legend’s amp cases. … Continue reading Teenage slide-guitar ace Derek Trucks says his goal is not to play like Duane Allman

Ozzy Osbourne promises no bat-biting on the Bark at the Moon tour, “just a rock and roll show”

By Steve Newton On March 23, 1984, Ozzy Osbourne played Vancouver’s Pacific Coliseum on a bill with guests Motley Crue and Waysted. The Ozzman was touring behind his third solo album, Bark at the Moon, which introduced primo guitarist Jake E. Lee to the hard-rock world. Looking back, that week in March of ’84 was … Continue reading Ozzy Osbourne promises no bat-biting on the Bark at the Moon tour, “just a rock and roll show”

13 Engines are runaway locomotives at the Town Pump in Vancouver

ORIGINALLY PUBLISHED ON AUG. 15, 1991 By Steve Newton 13 Engines once played a gig in Memphis to a total of two people, which is less of a crowd than most bands get at rehearsals. But the Toronto foursome did a heckuva lot better than that at the Town Pump last week (August 7), pulling … Continue reading 13 Engines are runaway locomotives at the Town Pump in Vancouver

The Fixx’s Cy Curnin talks Rupert Hine, Tina Turner, and fear-driven censorship in 1984

ORIGINALLY PUBLISHED ON OCT. 12, 1984 By Steve Newton “It’s good fun coming up into Canada,” says Fixx vocalist Cy Curnin, who called from Ottawa last week. “You notice a difference moving from America to Canada, in that the audiences are really refreshing up here. They seem to listen a lot more, and at the … Continue reading The Fixx’s Cy Curnin talks Rupert Hine, Tina Turner, and fear-driven censorship in 1984