Van Halen “rock concert” flyer from early Pasadena High School gig unveiled by author Greg Renoff

By Steve Newton If you’re anything like me—and by that I mean an old guy who grew up loving guitar-rock in the seventies—that first Van Halen album of ’78 was one of the most amazing things ever. At the time, I could barely comprehend how raunchy it was. Eddie’s guitarwork was inconceivably fierce. Diamond Dave’s caveman … Continue reading Van Halen “rock concert” flyer from early Pasadena High School gig unveiled by author Greg Renoff

Marillion moves beyond cult status with Misplaced Childhood and “Kayleigh”

ORIGINALLY PUBLISHED ON MARCH 7, 1986 By Steve Newton Yessongs. Brain Salad Surgery. Selling England By the Pound. Do those album titles ring a bell? They should if you remember back to 1973. At that time, ‘progressive’ rock was big around the world and its foremost practitioners were British bands such as Yes, Emerson, Lake … Continue reading Marillion moves beyond cult status with Misplaced Childhood and “Kayleigh”

Michael Bruce’s deletion from Super Duper Alice Cooper is a bloody travesty

By Steve Newton Finally got around to watching the 2014 documentary Super Duper Alice Cooper for the first time the other night, and it was awesome: except for the part where they refused to even mention the name “Michael Bruce”. For the uninitiated, Bruce was the rhythm guitarist for the Alice Cooper Band during its first … Continue reading Michael Bruce’s deletion from Super Duper Alice Cooper is a bloody travesty

Sonny Landreth on first hearing Johnny Winter: “Holy shit, man, this is awesome!”

ORIGINALLY PUBLISHED ON JAN. 15, 2016 By Steve Newton When Sonny Landreth connects his glass slide to the strings of his Strat, there’s always a good chance a blues-drenched tone will emerge—perhaps blended with zydeco strains befitting the guitarist’s home state of Louisiana. A blues freak since day one, Landreth composed a love letter to … Continue reading Sonny Landreth on first hearing Johnny Winter: “Holy shit, man, this is awesome!”

Matt Minglewood on baring his soul to MacLean and MacLean and going country on Me and the Boys

ORIGINALLY PUBLISHED ON DEC. 6, 1985 By Steve Newton Charlie Daniels once wrote a tune called “Long Haired Country Boy” in which he sang: “If you don’t like the way I’m livin’, you just leave this long haired country boy alone.” That line pretty well sums up the attitude of Maritime rocker Matt Minglewood–over the … Continue reading Matt Minglewood on baring his soul to MacLean and MacLean and going country on Me and the Boys

Dio brings medieval fantasy and better-than-Ozzy vocals to Vancouver, Yngwie just shows off

ORIGINALLY PUBLISHED ON JAN. 3, 1986 By Steve Newton Heavy metal veteran Ronnie James Dio played his own game of Dungeons & Dragons at the Pacific Coliseum last Saturday (December 28)–and 5,000 or so of his young fans came out winners. The show started when curtains surrounding the stage were pulled to reveal a 60-by-40-foot … Continue reading Dio brings medieval fantasy and better-than-Ozzy vocals to Vancouver, Yngwie just shows off

Newt’s Rock Hall inducts Deep Purple, Rory Gallagher, Johnny Winter, Iron Maiden, and Link Wray

By Steve Newton Okay, it has finally come to this. After years of slagging the Rock and Roll Hall of Fame for its inconceivable ignorance of the best rock music from the past, I’ve gone ahead and established my own institution to pay tribute to the stellar artists the RRHOF deems unworthy. Based somewhere near … Continue reading Newt’s Rock Hall inducts Deep Purple, Rory Gallagher, Johnny Winter, Iron Maiden, and Link Wray

Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

ORIGINALLY PUBLISHED ON AUG. 2, 1985 By Steve Newton Blue Oyster Cult‘s Tyranny and Mutation. Aerosmith‘s Rocks. UFO’s Phenomenon. The Montrose debut. Back in the early to mid-’70s those albums forged a sound that critic Lester Bangs called “heavy metal”. They were dynamic and forceful, fast, loud, and proud. The bands that made them had … Continue reading Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

My one and only interview with blues legend Albert Collins, who wanted to meet Clapton real bad

kirk west photo ORIGINALLY PUBLISHED ON SEPT. 27, 1985 By Steve Newton Musician Magazine calls him “the most powerful blues guitarist in the world.” He has won awards from the Montreaux Jazz Festival, the French Academie du Jazz, and the Memphis Blues Foundation, and received three Grammy nominations. He is known as “The Icepicker”, “The … Continue reading My one and only interview with blues legend Albert Collins, who wanted to meet Clapton real bad

David Bowie’s Glass Spider tour helps Frampton come alive again

ORIGINALLY PUBLISHED ON AUG. 21, 1987 By Steve Newton Old rockers never die, they just play guitar for David Bowie. At least, that’s what Peter Frampton was doing at B.C. Place last Saturday. But Frampton and Bowie actually go back a long way–all the way back to the art school they used to attend in … Continue reading David Bowie’s Glass Spider tour helps Frampton come alive again

Billy Gibbons gets rude ‘n’ bluesy in Vancouver on ZZ Top’s Afterburner Tour

mila geran photo ORIGINALLY PUBLISHED ON DEC. 20, 1985 By Steve Newton Shortly before his death, somebody asked Jimi Hendrix if he knew of any up-and-coming guitarists to watch out for. One of the players Hendrix mentioned was Billy Gibbons. Sixteen years later, Gibbons is living up to Jimi’s expectations. At the moment, his guitar … Continue reading Billy Gibbons gets rude ‘n’ bluesy in Vancouver on ZZ Top’s Afterburner Tour

Rob Halford loves what Iron Maiden does with three guitars, but he’s “content” with what Priest does with two

By Steve Newton I interviewed Rob Halford a couple of weeks ago in advance of Judas Priest’s upcoming shows at Hard Rock Casino Vancouver, and we had a pretty nice chat. We go way back, to that time he called me up to promote the Defenders of the Faith tour in ’84. At one point we … Continue reading Rob Halford loves what Iron Maiden does with three guitars, but he’s “content” with what Priest does with two