Kiss struggles on stage in 1988, can’t rekindle the magic of Alive! from ’75

kevin statham photo ORIGINALLY PUBLISHED ON MARCH 18, 1988 By Steve Newton One of the most memorable concerts of this scribbler’s young life was seeing Kiss at the Commodore Ballroom just after the release of its second album, Hotter Than Hell. A bunch of my buddies and I had crammed into a rented van and driven up … Continue reading Kiss struggles on stage in 1988, can’t rekindle the magic of Alive! from ’75

Album review: Heart, Heart (1985)

ORIGINALLY PUBLISHED ON AUG. 2, 1985 By Steve Newton For their ninth album–and their first on Capitol Records–Heart have utilized the talents of celebrated producer Ron Nevison (Led Zeppelin, the Who), and come up with a catchy collection of heavy-duty rock tunes and soaring ballads. The rockers take up the bulk of this self-titled LP, rugged … Continue reading Album review: Heart, Heart (1985)

Album review: AC/DC, Who Made Who (1986)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 12, 1986 By Steve Newton This latest offering from Aussie ear-busters AC/DC is the official soundtrack of the new Stephen King film Maximum Overdrive. So is it music to watch possessed trucks run people over by? You betcha. Actually, Who Made Who is more of a compilation album … Continue reading Album review: AC/DC, Who Made Who (1986)

That time Dickey Betts told me how sweet the buses were that the Allman Brothers toured in

By Steve Newton Hey, how about another audio excerpt from an old interview I did with one of my fave guitarists, Dickey Betts? Back in 1992 I was talkin’ to Dickey about the Allmans’ latest album, An Evening With the Allman Brothers Band: First Set. The disc’s cover photo, taken by the inimitable Kirk West, … Continue reading That time Dickey Betts told me how sweet the buses were that the Allman Brothers toured in

Album review: Steve Morse, The Introduction (1984)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 2, 1984 By Steve Newton My choice for best instrumental rock album of the year–so far–has got to be this new release by former Dixie Dregs guitarist Steve Morse. With accompaniment from bassist Jerry Peek and drummer Rod Morgenstein, Morse unleashes some of the tastiest riffs imaginable, melding … Continue reading Album review: Steve Morse, The Introduction (1984)

Album review: David Lee Roth, Skyscraper (1988)

ORIGINALLY PUBLISHED ON FEB. 12, 1988 By Steve Newton Old Diamond Dave had his hands full surpassing his 1986 LP Eat ‘Em and Smile, but with this new one, Skyscraper, he’s certainly done just that. In his first endeavour as producer Roth has come up with a brilliantly played and varied hard-rock album that should turn … Continue reading Album review: David Lee Roth, Skyscraper (1988)

The Tragically Hip causes traffic havoc before getting messy with a surprise gig at Vancouver’s wee Railway Club

ORIGINALLY PUBLISHED ON JULY 20, 1995 By Steve Newton Canadian guitar-rock heroes the Tragically Hip took all of Vancouver by surprise on July 12 when they announced a last-minute concert that night at the wee Railway Club (capacity 176). When word went out over local rock station 99.3 the Fox that 75 wristbands for the … Continue reading The Tragically Hip causes traffic havoc before getting messy with a surprise gig at Vancouver’s wee Railway Club

Guitar legend Warren Haynes admits he’s “a Gibson guy”, but still likes to play a Fender now and then

texastengu photo By Steve Newton When you see a promotional image of Warren Haynes, or an in-concert shot, the American guitar legend is almost always clutching a Les Paul. So I was kinda surprised to see that on the most recent Gov’t Mule album, Revolution Come…Revolution Go, there’s a photo of him in the CD … Continue reading Guitar legend Warren Haynes admits he’s “a Gibson guy”, but still likes to play a Fender now and then

Warren Haynes says that playing guitar with Derek Trucks comes naturally, “like drinkin’ water”

kirk west photo By Steve Newton I love talking to Warren Haynes. Apart from being one of my fave guitarists, he’s just such a cool, cool guy. I did my sixth interview with Haynes in 2017, when Gov’t Mule was playing a show at Vancouver’s Vogue Theatre. At one point in the interview I had … Continue reading Warren Haynes says that playing guitar with Derek Trucks comes naturally, “like drinkin’ water”

Album review: Blackfoot, Siogo (1983)

ORIGINALLY PUBLISHED ON JUNE 24, 1983 By Steve Newton Former Uriah Heep keyboardist Ken Hensley has become the fifth Blackfoot member on their sixth studio album, Siogo. While I was a little worried that the overpowering organ sound he’d often wielded in his former band might drown out the gritty guitars of Rickey Medlocke and … Continue reading Album review: Blackfoot, Siogo (1983)

Album review: Mötley Crüe: Too Fast For Love (1982)

  ORIGINALLY PUBLISHED ON JULY 9, 1982 By Steve Newton Talk about ugly. These guys make the New York Dolls look like the kids on Leave It To Beaver! Well, maybe they aren’t that bad. Anyway, their music sure isn’t ugly. It’s beautiful, in fact. That is, if you’re into energetic, hook-filled boogie. Music for the … Continue reading Album review: Mötley Crüe: Too Fast For Love (1982)

Album review: Scorpions, Blackout (1982)

ORIGINALLY PUBLISHED ON JUNE 4, 1982 By Steve Newton The cover art of Scorpions‘ new album Blackout is really quite shocking. Created by Austrian painter Gottfried Helnwein, it shows a mustachioed young man with his head completely bandaged and two steel forks protruding from the white cloth at his temples, curling menacingly into his eyes. The … Continue reading Album review: Scorpions, Blackout (1982)

That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

kirk west photo By Steve Newton As I’ve said before on my other posts about Dickey Betts, I just like hearing the dude’s voice. If you do too, here’s another audio excerpt from my interview with the guitar legend from July of 1992, which–for those who struggle with the math–was over a quarter-century ago. At … Continue reading That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92