Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

ORIGINALLY PUBLISHED ON OCT. 23, 1997 By Steve Newton Although I have no documented proof that I’m related to either Beavis or Butthead, I do harbour a couple of hazy teenage memories that keep me pondering that possibility. The one that has me most worried goes back to Chilliwack Senior Secondary School, circa 1974. During … Continue reading Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

ORIGINALLY PUBLISHED ON AUG. 9, 1998 By Steve Newton After making the agonizing decision in 1996 to break up his world-famous Kiwi pop combo Crowded House, Neil Finn wasn’t exactly sure what to do next. An Aussie artist-musician friend of his suggested Finn try painting, so he spent two weeks at a beachside location doing … Continue reading Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

Chili Peppers bass god Flea won’t answer to Mr. Ugly Stinky

ORIGINALLY PUBLISHED ON APRIL 11, 1996 By Steve Newton That Flea guy is a real character. For my phone interview with the Red Hot Chili Peppers’ wildman bassist, I was instructed to call and ask for Mr. Ugly Stupid, the moniker Flea goes by when he’s on the road. But I started feeling a tad … Continue reading Chili Peppers bass god Flea won’t answer to Mr. Ugly Stinky

Gord Downie sinks the cue ball after the Hip gets a hero’s welcome on the Trouble at the Henhouse tour

kevin statham photo ORIGINALLY PUBLISHED ON NOV. 14, 1996 By Steve Newton At a private party in Yaletown last Friday (November 8), after the first of three Tragically Hip shows at the Pacific Coliseum, vocalist Gordon Downie leaned determinedly over a pool table to set up what he hoped would be a game-winning shot. He … Continue reading Gord Downie sinks the cue ball after the Hip gets a hero’s welcome on the Trouble at the Henhouse tour

Neil Young & Crazy Horse create a gorgeous, gut-wrenching guitar noise on the Smell the Horse Tour

kevin statham photo ORIGINALLY PUBLISHED ON APRIL 25, 1991 By Steve Newton The chameleon-like Neil Young has traveled through a kaleidoscope of musical styles over the years, switching effortlessly (and with varying degrees of success) between acoustic folk, bare-bones country, futuristic techno-bop, rockabilly, and whatever else happened to pique his interest at the time. But … Continue reading Neil Young & Crazy Horse create a gorgeous, gut-wrenching guitar noise on the Smell the Horse Tour

Ventures guitarist Don Wilson on the origin and influence of “Walk, Don’t Run”

ORIGINALLY PUBLISHED ON NOV. 13, 1997 By Steve Newton When Ventures cofounder Bob Bogle walked onto a Seattle used-car lot one afternoon in 1959, he wasn’t expecting to form the nucleus of what would become the world’s top-selling instrumental-rock band—he was just looking for some new wheels. Fortunately, he ran into aspiring rhythm guitarist Don … Continue reading Ventures guitarist Don Wilson on the origin and influence of “Walk, Don’t Run”

Carlos Santana cleans Bob Dylan’s clock in the clash of the Yankee rock titans

ORIGINALLY PUBLISHED ON AUG. 26, 1993 By Steve Newton It was the clash of the American rock titans last Sunday (August 22) at the Coliseum, and after Big Bad Bobby D. took on Carlos “The Fret Strangler” Santana in a four-hour, 15-man battle royal, only one man remained standing as a certified rock champ of … Continue reading Carlos Santana cleans Bob Dylan’s clock in the clash of the Yankee rock titans

3-D cover art enhances Voivod’s otherwordly themes on The Outer Limits

ronald mcgregor photo ORIGINALLY PUBLISHED ON AUG. 26, 1993 By Steve Newton I remember, back in the mid-’70s, picking up a secondhand copy of Grand Funk’s Shinin’ On. It wasn’t a very good album—I think it included the band’s hit remake of “Locomotion”, which I still can’t stand—but it had a 3-D cover, and when … Continue reading 3-D cover art enhances Voivod’s otherwordly themes on The Outer Limits

Tom Petty and the Heartbreakers leave Vancouver reeling with a two-hour barrage of cannonball rock

kevin statham photo ORIGINALLY PUBLISHED ON MAY 11, 1995 By Steve Newton Some rock bands have a magical way of winning over a crowd straightaway, and Tom Petty and the Heartbreakers are a prime example. I saw them do it back in ’78 at the Commodore on the You’re Gonna Get It tour, and they … Continue reading Tom Petty and the Heartbreakers leave Vancouver reeling with a two-hour barrage of cannonball rock

Blind Melon makes Soup in New Orleans but the Big Easy is “evil on a lot of levels”

ORIGINALLY PUBLISHED ON SEPT. 28, 1995 By Steve Newton Although I’ve never been there, I always pictured New Orleans as a carefree, laid-back location, where the relaxed residents would happily welcome visitors into a fantasyland of down-home music, to-die-for food, and endless celebration. But in a chat with Blind Melon bassist Brad Smith—whose band recorded … Continue reading Blind Melon makes Soup in New Orleans but the Big Easy is “evil on a lot of levels”

Ontario’s Buffalo Brothers pay the price for that sweet Hammond B-3 sound

ORIGINALLY PUBLISHED ON MAY 16, 1996 By Steve Newton The members of London, Ontario, rock quartet Buffalo Brothers come from all over the largest of the Canuck provinces. Drummer Glen Gamble grew up in Brantford, bassist Jeff Fountain hails from North Bay, keyboardist Michael Bonnell calls Sault Sainte Marie home, and singer-guitarist Shaun Sanders is … Continue reading Ontario’s Buffalo Brothers pay the price for that sweet Hammond B-3 sound

Ozzy Osbourne promises no bat-biting on the Bark at the Moon tour, “just a rock and roll show”

By Steve Newton On March 23, 1984, Ozzy Osbourne played Vancouver’s Pacific Coliseum on a bill with guests Motley Crue and Waysted. The Ozzman was touring behind his third solo album, Bark at the Moon, which introduced primo guitarist Jake E. Lee to the hard-rock world. Looking back, that week in March of ’84 was … Continue reading Ozzy Osbourne promises no bat-biting on the Bark at the Moon tour, “just a rock and roll show”