Geddy Lee on the music of the ’70s, the Order of Canada, and the full-time job of Rush

ORIGINALLY PUBLISHED ON MAY 15, 1997 By Steve Newton Although I’m usually too lazy to bother fiddling with LPs these days, those old black beauties sure do come in handy when I’m preparing to interview a band that’s been around as long as Rush. Shuffling through my prized rows of plastic-enclosed 12-inchers, I come across … Continue reading Geddy Lee on the music of the ’70s, the Order of Canada, and the full-time job of Rush

Yngwie Malmsteen puts Ritchie Blackmore rumours to rest, praises Nicolo Paganini and Uli Jon Roth

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 25, 2014 By Steve Newton Yngwie Malmsteen likes to wear all black on-stage and play fast as hell on a Fender Strat through a wall of cranked Marshall amps, so you might think that Ritchie Blackmore is his hero. “Okay, let’s correct that,” says Malmsteen when I mention … Continue reading Yngwie Malmsteen puts Ritchie Blackmore rumours to rest, praises Nicolo Paganini and Uli Jon Roth

Superstar producer Bob Rock gets his guitar jollies at the Rock Cellar with riff-based Rockhead

ORIGINALLY PUBLISHED ON OCT. 10, 1991 By Steve Newton After producing hit records by the likes of Motley Crue, the Cult, and Metallica, Vancouver’s Bob Rock is tying on the gloves and stepping into the ring with Rockhead, his new hard-rock four-piece. The band’s been playing at various local top-40 bars, and if Saturday’s (October … Continue reading Superstar producer Bob Rock gets his guitar jollies at the Rock Cellar with riff-based Rockhead

Blind Melon makes Soup in New Orleans but the Big Easy is “evil on a lot of levels”

ORIGINALLY PUBLISHED ON SEPT. 28, 1995 By Steve Newton Although I’ve never been there, I always pictured New Orleans as a carefree, laid-back location, where the relaxed residents would happily welcome visitors into a fantasyland of down-home music, to-die-for food, and endless celebration. But in a chat with Blind Melon bassist Brad Smith—whose band recorded … Continue reading Blind Melon makes Soup in New Orleans but the Big Easy is “evil on a lot of levels”

Brother Cane melds Zeppelin-style raunch and southern-rock spirit in Vancouver

ORIGINALLY PUBLISHED ON OCT. 26, 1995 By Steve Newton When I first heard Brother Cane’s self-titled debut CD three years ago, I was mightily impressed by the Alabama quartet’s bluesy, southern-tinged guitar-rock, spurred on as it was by the multiple talents of Damon Johnson, lead guitarist, lead vocalist, and main songwriter. But aside from the … Continue reading Brother Cane melds Zeppelin-style raunch and southern-rock spirit in Vancouver

Dan Wilson’s journey from Trip Shakespeare to Pleasure to Semisonic led to a Great Divide

ORIGINALLY PUBLISHED ON MAY 2, 1996 By Steve Newton There are all kinds of stories about bands being threatened by lawsuits over their names, but you can add another one to the list with the case of Minneapolis power-pop trio Semisonic. They were touring Midwest clubs as Pleasure last year when, out of the blue, … Continue reading Dan Wilson’s journey from Trip Shakespeare to Pleasure to Semisonic led to a Great Divide

Ontario’s Buffalo Brothers pay the price for that sweet Hammond B-3 sound

ORIGINALLY PUBLISHED ON MAY 16, 1996 By Steve Newton The members of London, Ontario, rock quartet Buffalo Brothers come from all over the largest of the Canuck provinces. Drummer Glen Gamble grew up in Brantford, bassist Jeff Fountain hails from North Bay, keyboardist Michael Bonnell calls Sault Sainte Marie home, and singer-guitarist Shaun Sanders is … Continue reading Ontario’s Buffalo Brothers pay the price for that sweet Hammond B-3 sound

Whiney False Creek residents put a damper on the Long John Baldry-topped Granville Island Blues Fest

ORIGINALLY PUBLISHED ON SEPT. 26, 1996 By Steve Newton What is it with Vancouver residents who can’t stand the sound of music emanating from an outdoor venue? I remember how the folks living in the Hastings-and-Renfrew area used to beef about the volume of daylong rock concerts at Empire Stadium in the mid-’70s, as if … Continue reading Whiney False Creek residents put a damper on the Long John Baldry-topped Granville Island Blues Fest

Punchbuggy’s indie status makes $100 speeding tickets hard to take

ORIGINALLY PUBLISHED ON OCT. 10, 1996 By Steve Newton It’s times like this—when Punchbuggy’s Jim Bryson calls from the chilly wastelands of Saskatchewan—that I feel good about being an observer of rock instead of a participant. I’m cosy at home while he’s shivering at the side of the Trans-Canada Highway, the intermittent swoosh of passing … Continue reading Punchbuggy’s indie status makes $100 speeding tickets hard to take

Blues Traveler’s wheelchair-bound John Popper displays weapons and wicked harmonica in Vancouver

ORIGINALLY PUBLISHED ON MAY 20, 1993 By Steve Newton In the liner notes to the new Blues Traveler release, Save His Soul, John Popper is credited with “vocals, harmonica, Irish whistle, acoustic 12-string, electric guitar, 12-gauge shotgun, and 9-mm pistol”. Now, I didn’t see any shotguns or pistols at the Commodore last Thursday (May 13), but … Continue reading Blues Traveler’s wheelchair-bound John Popper displays weapons and wicked harmonica in Vancouver

Carlos Santana cleans Bob Dylan’s clock in the clash of the Yankee rock titans

ORIGINALLY PUBLISHED ON AUG. 26, 1993 By Steve Newton It was the clash of the American rock titans last Sunday (August 22) at the Coliseum, and after Big Bad Bobby D. took on Carlos “The Fret Strangler” Santana in a four-hour, 15-man battle royal, only one man remained standing as a certified rock champ of … Continue reading Carlos Santana cleans Bob Dylan’s clock in the clash of the Yankee rock titans

3-D cover art enhances Voivod’s otherwordly themes on The Outer Limits

ronald mcgregor photo ORIGINALLY PUBLISHED ON AUG. 26, 1993 By Steve Newton I remember, back in the mid-’70s, picking up a secondhand copy of Grand Funk’s Shinin’ On. It wasn’t a very good album—I think it included the band’s hit remake of “Locomotion”, which I still can’t stand—but it had a 3-D cover, and when … Continue reading 3-D cover art enhances Voivod’s otherwordly themes on The Outer Limits

Aussie guitar wizard Tommy Emmanuel on playing with Chet Atkins and looking after Lenny Breau

ORIGINALLY PUBLISHED ON MAY 5, 1994 By Steve Newton When I was in my early 20s, I made what for me was a major investment. I bought a near-new, shiny black Fender Stratocaster. The fact that I couldn’t even play guitar at the time didn’t matter; I figured anything that cool-looking had to sound good, … Continue reading Aussie guitar wizard Tommy Emmanuel on playing with Chet Atkins and looking after Lenny Breau