Steve Stevens’ sparkly Les Pauls rule at Billy Idol’s Vancouver show

all awesome iPhone photos by the Newt By Steve Newton You’ve got to give Billy Idol credit. For a guy whose career peaked roughly three decades ago, he’s hanging in there incredibly well. There’s little flab on the 59-year-old’s tanned bod, and his vocal cords are in fine shape too. Judging by his recent album, Kings … Continue reading Steve Stevens’ sparkly Les Pauls rule at Billy Idol’s Vancouver show

Nick Gilder on his new self-titled LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

ORIGINALLY PUBLISHED ON OCT. 25, 1985 By Steve Newton You remember Nick Gilder, don’t you? He goes way back. He was the lead singer for Sweeney Todd, one of Vancouver’s more popular glam/glitter rock bands. Named after the demon barber of Fleet Street who made meat pies of his customers, Sweeney Todd had a mid-seventies … Continue reading Nick Gilder on his new self-titled LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

Backstage at an Arc Angels show with Charlie Sexton, David Gogo, and the blind date I never saw again

By Steve Newton Here’s a photo that was taken backstage at the 86 Street Music Hall in Vancouver on July 22, 1992. It was after a show by the Arc Angels, a bluesy band from Austin that featured guitarist-vocalists Charlie Sexton and Doyle Bramhall II along with Stevie Ray Vaughan‘s old rhythm section, bassist Tommy … Continue reading Backstage at an Arc Angels show with Charlie Sexton, David Gogo, and the blind date I never saw again

The Hoodoo Gurus’ Dave Faulkner on junk culture, Aussie rockers, and Mars Needs Guitars!

ORIGINALLY PUBLISHED ON NOV. 29, 1985 By Steve Newton One of the wildest rock and roll sounds to come up from Down Under recently is that of the Hoodoo Gurus. Just last year the Aussie foursome released their debut album, Stoneage Romeos, a thoroughly rocking blend of pop/punk, Merseybeat, and psychedelia–all slapped on a two-guitar … Continue reading The Hoodoo Gurus’ Dave Faulkner on junk culture, Aussie rockers, and Mars Needs Guitars!

Rolling Stone made a monkey of itself with its bogus list of the 100 Greatest Guitarists of All Time

By Steve Newton Google “100 greatest guitarists” these days and what shows up at the top is a total joke. It’s the high ‘n’ mighty Rolling Stone‘s list of the 100 Greatest Guitarists of All Time, from November 2001. And man does it suck. But what do you expect from the same bozos who oversee … Continue reading Rolling Stone made a monkey of itself with its bogus list of the 100 Greatest Guitarists of All Time

Matt Minglewood on baring his soul to MacLean and MacLean and going country on Me and the Boys

ORIGINALLY PUBLISHED ON DEC. 6, 1985 By Steve Newton Charlie Daniels once wrote a tune called “Long Haired Country Boy” in which he sang: “If you don’t like the way I’m livin’, you just leave this long haired country boy alone.” That line pretty well sums up the attitude of Maritime rocker Matt Minglewood–over the … Continue reading Matt Minglewood on baring his soul to MacLean and MacLean and going country on Me and the Boys

NRBQ tars and feathers a Cabbage Patch Kid just for kicks in Vancouver

ORIGINALLY PUBLISHED ON JUNE 14, 1985 By Steve Newton “Are you having a good time?” asked Terry Adams. And the capacity crowd at Club Soda–who obviously were–answered with a resounding ‘Yes!”. “Yes what?!” countered bassist Joey Spampinato. And that’s the way it was last Thursday–with the New Rhythm & Blues Quartet (NRBQ) making fun of … Continue reading NRBQ tars and feathers a Cabbage Patch Kid just for kicks in Vancouver

My first Judas Priest interview: Screaming for Vengeance Tour, 1982

ORIGINALLY PUBLISHED ON NOV. 5, 1982 By Steve Newton If there ever was a music devised to torture grandmothers, it would probably sound a lot like Judas Priest, a band that fuses the meanest of lyrics and nastiest of guitar sounds to create what can only be described as raunch. Though more recently the band … Continue reading My first Judas Priest interview: Screaming for Vengeance Tour, 1982

Ronnie James Dio: the Lost Interview of 1985, an Ear of Newt exclusive

By Steve Newton On December 20, 1985, Ronnie James Dio called me up at home and we chatted for 20 minutes or so. How cool was that? The legendary heavy-metal artist was doing press promoting his Sacred Heart tour, which was scheduled to play Vancouver’s Pacific Coliseum on December 28, with guest Yngwie Malmsteen. We talked … Continue reading Ronnie James Dio: the Lost Interview of 1985, an Ear of Newt exclusive

The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

By Steve Newton Back in 2015 I interviewed guitarist Guthrie Govan, who–while not nearly as well known as the Satrianis and Vais of the world–is equally monstrous when it comes to technical ability and musical inventiveness. He plays in an instrumental rock-fusion trio called the Aristocrats, which made its debut Vancouver appearance at the Rickshaw Theatre. … Continue reading The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

Les Finnigan figures all fingerstyle guitarists should learn Yes’s “Mood For a Day”

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 16, 1999 When you lift Les Finnigan’s Stories Without Words CD out of its clear plastic tray, you expect to see a picture of the 28-year-old fingerstyle guitarist-composer, or maybe some production notes, in the space behind it. Instead there’s a black-and-white snapshot of a severely mangled guitar … Continue reading Les Finnigan figures all fingerstyle guitarists should learn Yes’s “Mood For a Day”

Hal Lindes on joining Dire Straits, performing for royalty, and not writing like Mark Knopfler

ORIGINALLY PUBLISHED ON APRIL 6, 1984 By Steve Newton Stepping out of nowhere into one of the world’s most popular and critically acclaimed bands would be a momentous move for any rock musician–and probably a scary one as well. Especially if the member you were hoping to replace was the band leader’s younger brother! But … Continue reading Hal Lindes on joining Dire Straits, performing for royalty, and not writing like Mark Knopfler