ORIGINALLY PUBLISHED ON OCT. 10, 1996 By Steve Newton It’s times like this—when Punchbuggy’s Jim Bryson calls from the chilly wastelands of Saskatchewan—that I feel good about being an observer of rock instead of a participant. I’m cosy at home while he’s shivering at the side of the Trans-Canada Highway, the intermittent swoosh of passing … Continue reading Punchbuggy’s indie status makes $100 speeding tickets hard to take
kevin statham photo ORIGINALLY PUBLISHED ON NOV. 14, 1996 By Steve Newton At a private party in Yaletown last Friday (November 8), after the first of three Tragically Hip shows at the Pacific Coliseum, vocalist Gordon Downie leaned determinedly over a pool table to set up what he hoped would be a game-winning shot. He … Continue reading Gord Downie sinks the cue ball after the Hip gets a hero’s welcome on the Trouble at the Henhouse tour
ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 28, 1996 Chatting with hungover rock musicians isn’t always a ton o’ fun, but sometimes you can’t blame them for knocking back a few cocktails the night before an interview. When Ocean Colour Scene guitarist Steve Cradock calls from New York one early afternoon, he’s still feeling the … Continue reading Ocean Colour Scene gives shout-out to southern soul with Moseley Shoals
By Steve Newton Back in 2014 I had a nice little chat with Swedish guitar legend Yngwie Malmsteen, in advance of a Guitar Gods show in Vancouver. I mentioned that the last time I saw him live was on the G3 Tour at Vancouver’s Orpheum Theatre in 2003 or something. We got to talking about his … Continue reading Yngwie Malmsteen calls Ibanez guitars “a bad copy” of the Strat and says Les Pauls are “furniture”
ORIGINALLY PUBLISHED ON MARCH 20, 1997 By Steve Newton Last Sunday night (March 16) I had three pretty good reasons for not wanting to drag my butt off a comfy couch and head downtown in the rain to review a rock show at the Rage. First off, I was tuckered out after the previous night’s … Continue reading Josh Homme’s grinding overdrive helps Screaming Trees wake up Vancouver on a Sunday night
ORIGINALLY PUBLISHED ON MARCH 20, 1997 By Steve Newton Most guitarists for hire would jump at the opportunity to join a band featuring Bob Dylan’s son as singer-songwriter; name recognition alone would give that group an instant edge in the competitive rock ’n’ roll game. When Jakob Dylan was on the lookout for a new … Continue reading Wallflowers guitarist Michael Ward was more influenced by Ace Frehley than Jakob Dylan’s dad
ORIGINALLY PUBLISHED ON MAY 13, 1999 By Steve Newton John Mellencamp had the biggest-selling album of 1982 with American Fool, which boasted such huge radio hits as “Hurts So Good” and “Jack and Diane”. I interviewed him in advance of a show at the PNE Forum that year, and at the time Mellencamp—then known as … Continue reading John Mellencamp cuts back on smokes, ramps up songwriting after heart attack
ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 29, 1994 By Steve Newton Tinsley Ellis really gets around. According to the Atlanta bluesman’s Alligator Records bio, he plays upward of 250 nights a year—and that ain’t no house gig, either. When I reached the seasoned road warrior by phone last week, he was at a place … Continue reading Tinsley Ellis’s new disc features Chuck Leavell and 14-year-old Derek Trucks
me ‘n ferg backstage with john ORIGINALLY PUBLISHED ON AUG. 28, 1997 By Steve Newton Most of the folks attending John Fogerty’s first Vancouver concert in 12 years last Friday (August 22) must have been aware that he had returned to playing some of his old Creedence Clearwater Revival hits, but nobody knew for sure … Continue reading John Fogerty reveals the full meaning of the mystical phrase yee-haw! in Vancouver
ORIGINALLY PUBLISHED ON SEPT. 4, 1997 By Steve Newton In decades past, strict-minded parents would try to keep impressionable youngsters away from rock ’n’ roll, believing it to lead to all manner of delinquency, not to mention swinging of the hips. But times have changed. Nowadays, beat-driven music is directed right at the kids, and … Continue reading NRBQ’s Terry Adams says music is always best when it’s surprising
ORIGINALLY PUBLISHED ON SEPT. 25, 1996 By Steve Newton On the cover of his Grammy-nominated Alien Love Secrets CD, Steve Vai strikes a pose while covered in metallic-blue body paint. He’s got his hands over his face and is peering out from between fingers that are so long, you’d think one of those multilimbed creatures … Continue reading Steve Vai on his long fingers, long feet, long arms, and…“you know”
ORIGINALLY PUBLISHED ON OCT. 23, 1997 By Steve Newton Although I have no documented proof that I’m related to either Beavis or Butthead, I do harbour a couple of hazy teenage memories that keep me pondering that possibility. The one that has me most worried goes back to Chilliwack Senior Secondary School, circa 1974. During … Continue reading Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia
ORIGINALLY PUBLISHED ON OCT. 30, 1997 By Steve Newton At the climax of Aerosmith’s two-hour-plus concert at the Coliseum last Saturday (October 25), muscular skin-basher Joey Kramer emerged from behind his rotating drum kit, trotted to the front of the stage, and jubilantly hurled one of his drumsticks into the roaring, near-capacity crowd. Seeing as … Continue reading That time at Aerosmith in Vancouver when Joey Kramer’s hallowed drumstick got snatched away
