By Steve Newton
As a teenager in the seventies, I absolutely loved the J. Geils Band.
I first got turned onto them through the “Live” Full House album of ’72, which was just a smokin’ concert disc.
I was crazy about their versions of old R&B/blues numbers like “First I Look at the Purse” and “Homework”, but also mighty impressed by the original song “Hard Drivin’ Man”, cowritten by Geils and singer Peter Wolf.
After spending countless hours absorbing Full House I started getting into the band’s studio albums. My fave was 1973’s Bloodshot, with its killer opening track, “(Ain’t Nothin’ But A) House Party”. I used to play that at my house parties.
I only got to interview Geils once, back in 2006, when he was touring with the New Guitar Summit, which saw him trading jazz licks with ace pickers Duke Robillard and Gerry Beaudoin.
After telling Geils how crazy I was about his rockin’ tunes in the ’70s, I asked him when he started switching toward the mellower jazz route. Turns out jazz actually came first for him.
Have a listen: