Def Leppard’s Rick Savage on new guitarist Phil Collen, producer Mutt Lange, and the stunning success of Pyromania

ORIGINALLY PUBLISHED ON JULY 18, 1983 By Steve Newton While it is true that Def Leppard‘s lyrical messages most often deal with the time-worn teenage pastimes of partying and getting it on, it’s not so much what they’re saying as how they’re saying it–with all the conviction and drive young hands can channel through a … Continue reading Def Leppard’s Rick Savage on new guitarist Phil Collen, producer Mutt Lange, and the stunning success of Pyromania

Kim Simmonds and Savoy Brown tear it up old-school in Vancouver

photos by the Newt ORIGINALLY PUBLISHED ON MARCH 20, 2015 By Steve Newton When I interviewed blues-rock legend Kim Simmonds last week from his home outside Syracuse, New York, he revealed that there had been a time when, during his thirties, personal problems had cost him his ability to really play guitar. Lucky for him–and … Continue reading Kim Simmonds and Savoy Brown tear it up old-school in Vancouver

The Cramps borrow Loverboy’s barricade to keep crazed Vancouver fans at bay

kevin statham photo ORIGINALLY PUBLISHED ON APRIL 20, 1990 By Steve Newton What do squeaky-clean teen idols Loverboy and the crude ‘n’ demented Cramps have in common? Sweet-bugger-all, you say? Pretty close, but the Cramps did borrow Loverboy’s barricade to use in front of the Commodore stage last Thursday (April 12). With a house full … Continue reading The Cramps borrow Loverboy’s barricade to keep crazed Vancouver fans at bay

Savoy Brown’s Kim Simmonds was meant to play guitar

ORIGINALLY PUBLISHED ON MARCH 17, 2015 By Steve Newton Fifty years is a long time. It sounds even longer when you call it half a century. But that’s how long Kim Simmonds has been carrying on the Savoy Brown name. It’s not like he’s been keeping close track, though. “I know it’s been a while,” … Continue reading Savoy Brown’s Kim Simmonds was meant to play guitar

Coco Montoya was transformed by the sheer soul of Alberts Collins and King

ORIGINALLY PUBLISHED ON SEPT. 18, 2003 By Steve Newton Many guitarists can pinpoint a moment in their youth when they knew they were destined for a life in music. For blues-rocker Coco Montoya it happened in 1969, at the Shrine Auditorium in L.A. He’d gone there to see Creedence Clearwater Revival and Iron Butterfly, but … Continue reading Coco Montoya was transformed by the sheer soul of Alberts Collins and King

Deep Purple bassist Roger Glover on the Mark II reunion and the “uncompromising” Ritchie Blackmore

There’s [Ritchie’s] famous reputation for sacking Rainbow’s musicians, but no one ever got sacked for doing a good job, you know what I mean?

Def Leppard’s Steve Clark on the long wait for Hysteria and the legacy of Pyromania

ORIGINALLY PUBLISHED ON JUNE 17, 1988 By Steve Newton Most successful recording bands like to put an album out every year. Sometimes they’ll skip a year, to vacation in the Bahamas or release a live or best-of LP. After three years their fans start to get a bit worried, not to mention the band’s record … Continue reading Def Leppard’s Steve Clark on the long wait for Hysteria and the legacy of Pyromania

The Cramps’ Poison Ivy says that what passes for rock ‘n’ roll isn’t

ORIGINALLY PUBLISHED ON APRIL 6, 1990 By Steve Newton Legend has it that B-movie mogul Samuel Z. Arkoff took an ass-backwards (but ultimately effective) approach to producing his low-budget films. First off he’d come up with a catchy title; then he’d build an advertising campaign around that title; and only then would he start shooting … Continue reading The Cramps’ Poison Ivy says that what passes for rock ‘n’ roll isn’t

Interviewing Nathan Followill of Kings of Leon just before they took the throne

ORIGINALLY PUBLISHED ON SEPT. 25, 2003 By Steve Newton There’s a real buzz happening right now about Kings of Leon, a scruffy Tennessee quartet consisting of three brothers and a cousin who are winning praise for their garage-y brand of Southern-flavoured guitar rock. England’s prestigious NME put the band on the cover of its July … Continue reading Interviewing Nathan Followill of Kings of Leon just before they took the throne

Savoy Brown guitarist Kim Simmonds always comes back to the Les Paul

photo by Markus Hagner ORIGINALLY PUBLISHED ON MARCH 16, 2015 By Steve Newton Savoy Brown was one of the top British blues-rock acts of the early seventies, making a mark with such albums as Raw Sienna (1970), Looking In (’70), Street Corner Talking (’71), and Hellbound Train (’72). For some reason the band was off my … Continue reading Savoy Brown guitarist Kim Simmonds always comes back to the Les Paul

Steven Tyler screeches like a budgie from hell as Aerosmith rocks Vancouver on the Pump tour

ORIGINALLY PUBLISHED ON MARCH 23, 1990 By Steve Newton Boy, the nerve of those Aerosmith guys! They stay in our city for months on end, tie up our world-class studios, use our best producers and engineers, hog all the seats in our strip bars, and then deny the city’s top entertainment rag a crummy phone … Continue reading Steven Tyler screeches like a budgie from hell as Aerosmith rocks Vancouver on the Pump tour

Guitar heroes help the Yardbirds fly again with Birdland

ORIGINALLY PUBLISHED ON JULY 3, 2003 By Steve Newton When the Yardbirds were recording their new Birdland CD for the guitar-oriented Favored Nations label, they made sure to feature company prez Steve Vai on the remake of their 1966 hit, “Shapes of Things”. The quintet also encouraged such six-string stalwarts as Jeff “Skunk” Baxter, Steve … Continue reading Guitar heroes help the Yardbirds fly again with Birdland

Black Sabbath’s “Paranoid” chosen as the top heavy-metal song of all time

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 4, 2003 By Steve Newton Toronto-based music writer Martin Popoff is Canada’s top expert on heavy metal. Senior editor of metal mag Brave Words & Bloody Knuckles and author of The Collector’s Guide to Heavy Metal, the Trail, B.C.–raised Popoff certainly knows his stuff when it comes to … Continue reading Black Sabbath’s “Paranoid” chosen as the top heavy-metal song of all time