Kim Mitchell on the re-rise and re-fall of Max Webster

ORIGINALLY PUBLISHED ON MARCH 2, 2000 By Steve Newton If, like me, you’re a Kim Mitchell fan from way back, you may have been wondering just where the hell he’s been lately. I mean, he hasn’t played Vancouver in nine years, whereas in the ’80s he’d show up regularly to be a wild party and … Continue reading Kim Mitchell on the re-rise and re-fall of Max Webster

Kim Mitchell ponders Max Webster’s past while on the Rockland tour

ORIGINALLY PUBLISHED ON SEPT. 29, 1989 By Steve Newton I’m just doing my rock ‘n’ roll duty/Creating a buzz buzz buzz/Some say I’m in it for the money/Man I’m in it for the love love love Kim Mitchell’s been doing his rock ‘n’ roll duty for so long now that it’s become second nature to … Continue reading Kim Mitchell ponders Max Webster’s past while on the Rockland tour

Backstage at an Arc Angels show with Charlie Sexton, David Gogo, and the blind date I never saw again

By Steve Newton Here’s a photo that was taken backstage at the 86 Street Music Hall in Vancouver on July 22, 1992. It was after a show by the Arc Angels, a bluesy band from Austin that featured guitarist-vocalists Charlie Sexton and Doyle Bramhall II along with Stevie Ray Vaughan‘s old rhythm section, bassist Tommy … Continue reading Backstage at an Arc Angels show with Charlie Sexton, David Gogo, and the blind date I never saw again

Nick Gilder on his new self-titled LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

ORIGINALLY PUBLISHED ON OCT. 25, 1985 By Steve Newton You remember Nick Gilder, don’t you? He goes way back. He was the lead singer for Sweeney Todd, one of Vancouver’s more popular glam/glitter rock bands. Named after the demon barber of Fleet Street who made meat pies of his customers, Sweeney Todd had a mid-seventies … Continue reading Nick Gilder on his new self-titled LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

Rolling Stone made a monkey of itself with its bogus list of the 100 Greatest Guitarists of All Time

By Steve Newton Google “100 greatest guitarists” these days and what shows up at the top is a total joke. It’s the high ‘n’ mighty Rolling Stone‘s list of the 100 Greatest Guitarists of All Time, from November 2001. And man does it suck. But what do you expect from the same bozos who oversee … Continue reading Rolling Stone made a monkey of itself with its bogus list of the 100 Greatest Guitarists of All Time

That time Guthrie Govan told me that the Aristocrats recreated Eddie Van Halen’s echo from Fair Warning at L.A.’s Sunset Sound

By Steve Newton In 2015 I interviewed Guthrie Govan of the Aristocrats, but there wasn’t enough room in the paper to include all the cool shit the guitar genius had to say to me. So I banged out one blog on the influence of Joe Satriani and Zal Cleminson, and then another one on how … Continue reading That time Guthrie Govan told me that the Aristocrats recreated Eddie Van Halen’s echo from Fair Warning at L.A.’s Sunset Sound

Ronnie James Dio: the Lost Interview of 1985, an Ear of Newt exclusive

By Steve Newton On December 20, 1985, Ronnie James Dio called me up at home and we chatted for 20 minutes or so. How cool was that? The legendary heavy-metal artist was doing press promoting his Sacred Heart tour, which was scheduled to play Vancouver’s Pacific Coliseum on December 28, with guest Yngwie Malmsteen. We talked … Continue reading Ronnie James Dio: the Lost Interview of 1985, an Ear of Newt exclusive

My first Judas Priest interview: Screaming for Vengeance Tour, 1982

ORIGINALLY PUBLISHED ON NOV. 5, 1982 By Steve Newton If there ever was a music devised to torture grandmothers, it would probably sound a lot like Judas Priest, a band that fuses the meanest of lyrics and nastiest of guitar sounds to create what can only be described as raunch. Though more recently the band … Continue reading My first Judas Priest interview: Screaming for Vengeance Tour, 1982

The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

By Steve Newton Back in 2015 I interviewed guitarist Guthrie Govan, who–while not nearly as well known as the Satrianis and Vais of the world–is equally monstrous when it comes to technical ability and musical inventiveness. He plays in an instrumental rock-fusion trio called the Aristocrats, which made its debut Vancouver appearance at the Rickshaw Theatre. … Continue reading The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

UZEB may be “the Van Halen of jazz”, but they sure don’t get paid the same

ORIGINALLY PUBLISHED ON JUNE 7, 1985 By Steve Newton Last year’s Vancouver appearance by Quebec jazz/fusion quartet UZEB was one of my picks for the Top Ten concerts of 1984–right up there with Scorpions and R.E.M. Now the group is returning to the Commodore Ballroom for two nights, next Friday and Saturday (June 14 and … Continue reading UZEB may be “the Van Halen of jazz”, but they sure don’t get paid the same

Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

ORIGINALLY PUBLISHED ON AUG. 2, 1985 By Steve Newton Blue Oyster Cult‘s Tyranny and Mutation. Aerosmith‘s Rocks. UFO’s Phenomenon. The Montrose debut. Back in the early to mid-’70s those albums forged a sound that critic Lester Bangs called “heavy metal”. They were dynamic and forceful, fast, loud, and proud. The bands that made them had … Continue reading Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

WPA’s Mick Thomas recalls seeing AC/DC, Cold Chisel, and Midnight Oil play a pub in Geelong

ORIGINALLY PUBLISHED ON JUNE 21, 1990 By Steve Newton Halifax, Nova Scotia: Could those three words possibly conjure up images of a city full of alluring possibilities and untold enchantment? Well, when Mick Thomas of Australia’s Weddings Parties Anything first heard them, his imagination was piqued, and he couldn’t wait to see what the city … Continue reading WPA’s Mick Thomas recalls seeing AC/DC, Cold Chisel, and Midnight Oil play a pub in Geelong