Teenage slide-guitar ace Derek Trucks says his goal is not to play like Duane Allman

ORIGINALLY PUBLISHED IN EXPERIENCE HENDRIX MAGAZINE, MAY/JUNE 1998 By Steve Newton Teenage blues-rocker Kenny Wayne Shepherd has a great story about how he got inspired to take up guitar. It has something to do with him, as a little kid, watching Stevie Ray Vaughan perform from atop one of the Texas guitar legend’s amp cases. … Continue reading Teenage slide-guitar ace Derek Trucks says his goal is not to play like Duane Allman

Steve Stevens on covering Sweet, working with Ted Templeman, and becoming an Atomic Playboy

Stevens is the innovative guitarist who was largely responsible for the success of one blond British bombshell by the name of Billy Idol.

Texas Strat-strangler Kenny Wayne Shepherd goes all Stevie Ray on Vancouver’s ass

ORIGINALLY PUBLISHED ON JAN. 14, 1999 By Steve Newton Guitar legend Stevie Ray Vaughan had a profound effect on a lot of people, and 21-year-old blues-rock whiz kid Kenny Wayne Shepherd is one of them. As the story goes, Shepherd developed his Stevie Ray obsession at the age of seven when the Texas Strat-strangler sat … Continue reading Texas Strat-strangler Kenny Wayne Shepherd goes all Stevie Ray on Vancouver’s ass

Perfecting the lost art of the backstage meet ‘n’ greet at John Mellencamp in Vancouver

ORIGINALLY PUBLISHED ON MAY 20, 1999 By Steve Newton I like John Mellencamp, but my sister Julie and cousin Cory are crazy about him, so I did some serious scroungin’ and wangled three backstage passes to meet the Indiana rocker before he went on stage at GM Place last Saturday (May 15). Now, for those … Continue reading Perfecting the lost art of the backstage meet ‘n’ greet at John Mellencamp in Vancouver

Gun violence and AIDS misery inspire Concrete Blonde’s dark Bloodletting

ORIGINALLY PUBLISHED ON JUNE 14, 1990 By Steve Newton If you listened to rock radio at all last year, most likely you came across Concrete Blonde’s hit tune, “God Is a Bullet”, a fuel-injected tirade against the proliferation of guns, particularly in the drug- and gang-infested core of urban L.A. Over a thundering backbeat and … Continue reading Gun violence and AIDS misery inspire Concrete Blonde’s dark Bloodletting

ZZ Top guitarist Billy Gibbons tells me “them low-down blues ain’t bad”

ORIGINALLY PUBLISHED ON SEPT. 1, 1994 By Steve Newton When famous rock guitarists reminisce about their first instruments, the talk tends toward dirt-cheap acoustics with heavy strings set so high off the fretboard that it hurts just to look at them. Not with Billy Gibbons, though. The incomparable guitarman for ZZ Top got an atypical … Continue reading ZZ Top guitarist Billy Gibbons tells me “them low-down blues ain’t bad”

Bass god Billy Sheehan pooh-poohs Mr. Big’s supergroup status

ORIGINALLY PUBLISHED ON SEPT. 8, 1989 By Steve Newton Seeing a destined-to-be-huge band in a small venue can make for one of the most memorable nights in any rock fan’s existence. Kiss at the Commodore, Jeff Healey at the Yale, Living Colour at the Town Pump, Metallica at the New York Theatre–those are just a … Continue reading Bass god Billy Sheehan pooh-poohs Mr. Big’s supergroup status

Yes guitarist Steve Howe says sheer determination keeps the core of the band intact

ORIGINALLY PUBLISHED ON JULY 6, 1998 By Steve Newton Guitar legend Steve Howe first hooked up with Yes vocalist Jon Anderson and bassist Chris Squire back in 1971, just in time to help steer the British prog-rock outfit to glory with best-selling albums such as Fragile and Close to the Edge. While the progressive sound … Continue reading Yes guitarist Steve Howe says sheer determination keeps the core of the band intact

Susan Tedeschi just enjoys being a musician, pretty much

ORIGINALLY PUBLISHED ON DEC. 3, 1998 By Steve Newton When Susan Tedeschi’s cell phone rings in an L.A. hotel room, a female voice answers, but it isn’t the one I’m looking for. It’s actually Tedeschi’s mom, who, in a very motherly way, explains that her daughter’s in the bathtub. Sounding concerned that her child might … Continue reading Susan Tedeschi just enjoys being a musician, pretty much

Growing up in Buffalo, the Goo Goo Dolls are almost Canadian

ORIGINALLY PUBLISHED ON JULY 22, 1999 By Steve Newton “Kick him in the throat!” isn’t quite the phrase you expect to hear from a guy who’s just exchanged wedding vows, but that’s what my brother-in-law Cam was yelling scant hours after tying the knot on a beach in Powell River last month. You see, his … Continue reading Growing up in Buffalo, the Goo Goo Dolls are almost Canadian

Collective Soul channels Peter Gabriel-era Genesis at the Commodore in Vancouver

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 21, 1995 By Steve Newton It’s a good thing that the folks who own the Underground—that slightly twisted clothes and accessories shop located underneath the Commodore Ballroom—had the foresight to install loosely secured windows that give with vibration, because those big panes were given a serious shaking by … Continue reading Collective Soul channels Peter Gabriel-era Genesis at the Commodore in Vancouver

Metallica’s young guns of sonic mayhem slay Vancouver on the …And Justice for All Tour

ORIGINALLY PUBLISHED ON JUNE 9, 1989 By Steve Newton The Pacific Coliseum may as well have been a Roman coliseum last Wednesday (May 31), because things got about as uncivilized as they’ve ever been in the home of the Canucks. Not since the Broad Street Bullies took their orange jerseys into the crowd to bust … Continue reading Metallica’s young guns of sonic mayhem slay Vancouver on the …And Justice for All Tour

Junkhouse at the Town Pump evokes the Beat Farmers’ Glad & Greasy

ORIGINALLY PUBLISHED ON SEPT. 14, 1995 By Steve Newton It’s midnight on a Friday (September 8) at the Town Pump. The brew has been flowing freely for hours already, and the hard-rocking headlining band is about to take the stage. The crowd is definitely stoked for some good old…spoken-word performance? Apparently, Junkhouse singer-songwriter Tom Wilson … Continue reading Junkhouse at the Town Pump evokes the Beat Farmers’ Glad & Greasy