Stone Gossard says Pearl Jam’s hard work is all paying off

ORIGINALLY PUBLISHED ON DEC. 19, 1991 By Steve Newton When a rock writer does a lot of “phoners”—media slang for telephone interviews—with bands that are coming to town, once in a while wires get crossed. This scribbler was planning to speak to Pearl Jam vocalist Eddie Vedder last week, but guitarist Stone Gossard rang up … Continue reading Stone Gossard says Pearl Jam’s hard work is all paying off

The Cult’s Ian Astbury claims that touring with Lenny Kravitz is “a spiritual event”

ORIGINALLY PUBLISHED ON JAN. 9, 1992 By Steve Newton Some folks might have been surprised to hear that the Cult is touring with Lenny Kravitz. After all, the straightforward, bluesy hard-rock of the former is quite distinct from the Beatlesque, ’60s pop styles of the latter. Or is it? According to Cult singer Ian Astbury, … Continue reading The Cult’s Ian Astbury claims that touring with Lenny Kravitz is “a spiritual event”

Call me a hick from Chilliwack, but I ain’t never seen no spiral haircut before

ORIGINALLY PUBLISHED ON FEB. 6, 1992 By Steve Newton What makes a rock writer desperate to score the reviewer’s assignment for a Red Hot Chili Peppers show? Could it be the group’s incendiary brand of primitive thrash-funk, or the fact that their live appearances are known far and wide for their unbridled energy and uncontrolled … Continue reading Call me a hick from Chilliwack, but I ain’t never seen no spiral haircut before

Warren Zevon talks Vancouver’s Odds, “Werewolves”, scoring films, and managing to remain poor

Once upon a time, there were four young men who played in a band called Dawn Patrol at a Vancouver bar called the Roxy.

Pantera’s Vinnie Paul explains what makes Phil Anselmo so “F**king Hostile” on Vulgar Display of Power

ORIGINALLY PUBLISHED ON FEB. 27, 1992 By Steve Newton Would you let somebody punch you in the face for 300 bucks? Considering that knuckle sandwiches sometimes come for free, 300 smackers might not sound too bad. Then again, it depends who’s on the other end of the fist. And whether or not dental coverage is … Continue reading Pantera’s Vinnie Paul explains what makes Phil Anselmo so “F**king Hostile” on Vulgar Display of Power

Guitar hero Michael Schenker goes acoustic and his fans are fine with it

ORIGINALLY PUBLISHED ON MARCH 12, 1992 By Steve Newton When Michael Schenker was only 15, he met up with Scorpions singer Klaus Meine. Just a year later, he was laying down the white-hot guitar licks for the Scorpions’ debut album, Lonesome Crow. But Schenker’s early musical accomplishments were not without their price, as the teen … Continue reading Guitar hero Michael Schenker goes acoustic and his fans are fine with it

Widespread Panic finds a home on Phil Walden’s resurrected Capricorn label

ORIGINALLY PUBLISHED ON APRIL 2, 1992 By Steve Newton If you were a fan of southern rock back in the days of vinyl, chances are you owned a couple of discs with the Capricorn label on them. With an early ’70s roster that included the Allman Brothers, the Marshall Tucker Band, Wet Willie, Elvin Bishop, … Continue reading Widespread Panic finds a home on Phil Walden’s resurrected Capricorn label

Metallica delivers on Lars Ulrich’s promise to “kick f***in’ ass” while touring behind The Black Album

ORIGINALLY PUBLISHED ON MAY 28, 1992 By Steve Newton You don’t have to be a big fan of Metallica’s furiously thrashy—albeit recently refined—sound to give the band credit for blazing a formidable trail since its inception in ’81. The group has always gone against the grain and done things its own way, riding the precarious … Continue reading Metallica delivers on Lars Ulrich’s promise to “kick f***in’ ass” while touring behind The Black Album

Kim Mitchell hits 40 and just keeps getting wet with life

ORIGINALLY PUBLISHED ON AUG. 6, 1992 By Steve Newton Used to be that whenever you saw Kim Mitchell’s name on an album’s liner notes the name of his lyricist, Pye Dubois, would be right there beside it. But Dubois’ moniker is nowhere to be found on Mitchell’s latest release, Aural Fixations. Seems the long-time songwriting … Continue reading Kim Mitchell hits 40 and just keeps getting wet with life

Emerson, Lake and Palmer pine for the days of vinyl and art-led music

ORIGINALLY PUBLISHED ON AUG. 27, 1992 By Steve Newton MONTREAL—The only band I liked in the ’70s that didn’t have a rockin’ electric guitarist was Emerson, Lake and Palmer. Over the years, I’ve wondered what it was that attracted me to the British progressive band’s unique keyboards/bass/drums format and made me happy to slide its … Continue reading Emerson, Lake and Palmer pine for the days of vinyl and art-led music

Blue Rodeo doesn’t recommend taking acid at the Commodore in Vancouver

ORIGINALLY PUBLISHED ON OCT. 8, 1992 By Steve Newton There’s nothing like timing it just right, so that when you walk into a concert venue the band’s just going on stage. But sometimes that I-don’t-feel-like-waitin’ approach backfires, and you end up missing a few tunes by the group you’re all geared up to see. It’s … Continue reading Blue Rodeo doesn’t recommend taking acid at the Commodore in Vancouver

Trouble guitarist Rick Wartell steals riffs from Chicago blues bands

ORIGINALLY PUBLISHED ON OCT. 29, 1992 By Steve Newton The Windy City is not generally regarded as a rock ’n’ roll hotbed. The U.S.A.’s third-largest metropolis seems much better known for Bulls, Bears, and Blackhawks than big-selling boogie bands. “It’s not exactly a boom town for music,” admits Trouble guitarist/songwriter Rick Wartell. “But it seems … Continue reading Trouble guitarist Rick Wartell steals riffs from Chicago blues bands

Blind Melon’s Shannon Hoon defines success as making it last

ORIGINALLY PUBLISHED ON DEC. 23, 1992 By Steve Newton When he was a headline-making member of the infamous Sex Pistols, John Lydon went to extremes to make sure people either loved or hated his grating, nihilistic Johnny Rotten persona. And, according to Blind Melon vocalist Shannon Hoon, Lydon hasn’t given up his Rotten ways. “One … Continue reading Blind Melon’s Shannon Hoon defines success as making it last