Pink Floyd plays Vancouver on the Division Bell tour, David Gilmour’s state-of-the-art guitars shine

ORIGINALLY PUBLISHED ON JUNE 30, 1994 By Steve Newton As streams of perked-up Pink Floyd fans strolled north across the Cambie Street bridge en route to the big white marshmallow of B.C. Place last Saturday (June 25), a lot of them were eyeing the sky. It was a fine time to revel in the postcard … Continue reading Pink Floyd plays Vancouver on the Division Bell tour, David Gilmour’s state-of-the-art guitars shine

Yngwie Malmsteen puts Ritchie Blackmore rumours to rest, praises Nicolo Paganini and Uli Jon Roth

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 25, 2014 By Steve Newton Yngwie Malmsteen likes to wear all black on-stage and play fast as hell on a Fender Strat through a wall of cranked Marshall amps, so you might think that Ritchie Blackmore is his hero. “Okay, let’s correct that,” says Malmsteen when I mention … Continue reading Yngwie Malmsteen puts Ritchie Blackmore rumours to rest, praises Nicolo Paganini and Uli Jon Roth

ZZ Top snoozes through its Rhythmeen tour stop in Vancouver

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JUNE 5, 1997 By Steve Newton Strolling over the Georgia Viaduct en route to GM Place last Sunday (June 1), I gazed down at the arena’s parking lot to see what kind of fancy tour buses ZZ Top is travelling in these days. I expected to see an outline … Continue reading ZZ Top snoozes through its Rhythmeen tour stop in Vancouver

NRBQ’s Terry Adams says music is always best when it’s surprising

ORIGINALLY PUBLISHED ON SEPT. 4, 1997 By Steve Newton In decades past, strict-minded parents would try to keep impressionable youngsters away from rock ’n’ roll, believing it to lead to all manner of delinquency, not to mention swinging of the hips. But times have changed. Nowadays, beat-driven music is directed right at the kids, and … Continue reading NRBQ’s Terry Adams says music is always best when it’s surprising

Steve Vai on his long fingers, long feet, long arms, and…“you know”

ORIGINALLY PUBLISHED ON SEPT. 25, 1996 By Steve Newton On the cover of his Grammy-nominated Alien Love Secrets CD, Steve Vai strikes a pose while covered in metallic-blue body paint. He’s got his hands over his face and is peering out from between fingers that are so long, you’d think one of those multilimbed creatures … Continue reading Steve Vai on his long fingers, long feet, long arms, and…“you know”

Collective Soul channels Peter Gabriel-era Genesis at the Commodore in Vancouver

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 21, 1995 By Steve Newton It’s a good thing that the folks who own the Underground—that slightly twisted clothes and accessories shop located underneath the Commodore Ballroom—had the foresight to install loosely secured windows that give with vibration, because those big panes were given a serious shaking by … Continue reading Collective Soul channels Peter Gabriel-era Genesis at the Commodore in Vancouver

Metallica’s young guns of sonic mayhem slay Vancouver on the …And Justice for All Tour

ORIGINALLY PUBLISHED ON JUNE 9, 1989 By Steve Newton The Pacific Coliseum may as well have been a Roman coliseum last Wednesday (May 31), because things got about as uncivilized as they’ve ever been in the home of the Canucks. Not since the Broad Street Bullies took their orange jerseys into the crowd to bust … Continue reading Metallica’s young guns of sonic mayhem slay Vancouver on the …And Justice for All Tour

Geddy Lee on the music of the ’70s, the Order of Canada, and the full-time job of Rush

ORIGINALLY PUBLISHED ON MAY 15, 1997 By Steve Newton Although I’m usually too lazy to bother fiddling with LPs these days, those old black beauties sure do come in handy when I’m preparing to interview a band that’s been around as long as Rush. Shuffling through my prized rows of plastic-enclosed 12-inchers, I come across … Continue reading Geddy Lee on the music of the ’70s, the Order of Canada, and the full-time job of Rush

John Mellencamp cuts back on smokes, ramps up songwriting after heart attack

ORIGINALLY PUBLISHED ON MAY 13, 1999 By Steve Newton John Mellencamp had the biggest-selling album of 1982 with American Fool, which boasted such huge radio hits as “Hurts So Good” and “Jack and Diane”. I interviewed him in advance of a show at the PNE Forum that year, and at the time Mellencamp—then known as … Continue reading John Mellencamp cuts back on smokes, ramps up songwriting after heart attack

Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

ORIGINALLY PUBLISHED ON OCT. 23, 1997 By Steve Newton Although I have no documented proof that I’m related to either Beavis or Butthead, I do harbour a couple of hazy teenage memories that keep me pondering that possibility. The one that has me most worried goes back to Chilliwack Senior Secondary School, circa 1974. During … Continue reading Jethro Tull’s Ian Anderson talks ’70s concept albums but can’t comment on Quadrophenia

Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

ORIGINALLY PUBLISHED ON AUG. 9, 1998 By Steve Newton After making the agonizing decision in 1996 to break up his world-famous Kiwi pop combo Crowded House, Neil Finn wasn’t exactly sure what to do next. An Aussie artist-musician friend of his suggested Finn try painting, so he spent two weeks at a beachside location doing … Continue reading Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

Josh Homme’s grinding overdrive helps Screaming Trees wake up Vancouver on a Sunday night

ORIGINALLY PUBLISHED ON MARCH 20, 1997 By Steve Newton Last Sunday night (March 16) I had three pretty good reasons for not wanting to drag my butt off a comfy couch and head downtown in the rain to review a rock show at the Rage. First off, I was tuckered out after the previous night’s … Continue reading Josh Homme’s grinding overdrive helps Screaming Trees wake up Vancouver on a Sunday night

Aussie guitar wizard Tommy Emmanuel on playing with Chet Atkins and looking after Lenny Breau

ORIGINALLY PUBLISHED ON MAY 5, 1994 By Steve Newton When I was in my early 20s, I made what for me was a major investment. I bought a near-new, shiny black Fender Stratocaster. The fact that I couldn’t even play guitar at the time didn’t matter; I figured anything that cool-looking had to sound good, … Continue reading Aussie guitar wizard Tommy Emmanuel on playing with Chet Atkins and looking after Lenny Breau