That time Rick Derringer told me that one of the favourite solos he ever played was for Air Supply

By Steve Newton Back in the seventies, Rick Derringer was one of my top rock heroes. I mean, come on, the guy wrote “Still Alive and Well”. He played on 1971’s Johnny Winter And Live. He produced the Edgar Winter Group’s They Only Come Out at Night (my intro to Ronnie Montrose) in ’72. He played … Continue reading That time Rick Derringer told me that one of the favourite solos he ever played was for Air Supply

Iron Maiden’s Dave Murray, age 30, says “it’s good to know we’ve got a few years to go yet”

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, APRIL 24, 1987 By Steve Newton England’s Iron Maiden is different than most other heavy metal bands in a lot of ways. For one thing, they can all play their instruments, and very well. Their songs are quite complex, and the lyrics aren’t simple-minded: there are no likes like … Continue reading Iron Maiden’s Dave Murray, age 30, says “it’s good to know we’ve got a few years to go yet”

Back in the ‘Wack Vol. 9: Thunderhead are “heavy metal all the way”

ORIGINALLY PUBLISHED IN THE CHILLIWACK PROGRESS, JUNE 17, 1981 By Steve Newton (In the final story of a series on local bands that has profiled Joker, The Lakers, The Vacationers, Loose Change, Citizen’s Band, The Postcards, Midnight Smoke and Homegrown, The Progress presents a look at Thunderhead.) Heavily metallic rock music has come a long way … Continue reading Back in the ‘Wack Vol. 9: Thunderhead are “heavy metal all the way”

Vancouver rockers, radio hosts, and record-store owners reflect on the power of Black Sabbath

ORIGINALLY PUBLISHED ON JULY 15, 1999 By Steve Newton Because of its brutal sound and satanic overtones, Black Sabbath was never as widely accepted as the Beatles or the Stones, but its influence among rock fans is incredibly far-reaching. We asked a few local hard-rock aficionados and musicians to divulge their fondest recollections of the … Continue reading Vancouver rockers, radio hosts, and record-store owners reflect on the power of Black Sabbath

That time 23-year-old James Hetfield told me that Metallica’s new bassist was “fairly goofy”

By Steve Newton Back in 1986 I interviewed Metallica’s James Hetfield in his messy Vancouver hotel room. The band had just hired Jason Newsted, who had beaten out a barrage of hopefuls for the prized role of bassist, taking over from the deceased Cliff Burton. At one point Hetfield explained how Metallica had found Newsted, how … Continue reading That time 23-year-old James Hetfield told me that Metallica’s new bassist was “fairly goofy”

Steve Earle on the influence of Elvis and making it with Guitar Town

ORIGINALLY PUBLISHED ON MAY 8, 1987 By Steve Newton When Steve Earle was 14 years old, he ran away from his home outside of San Antonio, Texas, and headed to Houston. All he had was an acoustic guitar and a head stuffed with dreams of making a living in music. “I was real interested in … Continue reading Steve Earle on the influence of Elvis and making it with Guitar Town

That time Greg Lake told me that what attracted diehard Emerson, Lake & Palmer fans to the band was “music”

I was a big Emerson, Lake & Palmer fan back in the day. Actually, I was mostly a big Brain Salad Surgery fan back in the day, that being 1973.

Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

ORIGINALLY PUBLISHED ON JULY 12, 1990 By Steve Newton When Moe Berg left Edmonton for Toronto five years ago, the city of the Oilers didn’t exactly react like it was losing The Great One. There wasn’t a big hullabaloo in the press, nor were there many tears shed, either by Berg himself or the gaggle … Continue reading Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

NRBQ tars-and-feathers Vancouver, leaves the Cabbage Patch Kids alone

john scully photo ORIGINALLY PUBLISHED ON FEB. 6, 1987 By Steve Newton Not a lot of people showed up for NRBQ‘s Commodore Ballroom date last Thursday (January 29), but of the 500 or so who did, few went home disappointed. In fact, it’s fair to say that you’d be hard-pressed to find anyone who’s ever … Continue reading NRBQ tars-and-feathers Vancouver, leaves the Cabbage Patch Kids alone

That time I asked Dickey Betts if the Allman Brothers were the originators of “southern rock”

By Steve Newton I’ve been a big fan of “southern rock” since I first heard the Allman Brothers Band‘s version of “One Way Out” on the Eat a Peach album back in high school. Some of my other fave bands in the seventies were Lynyrd Skynyrd, the Outlaws, Molly Hatchet, and Blackfoot. So when I … Continue reading That time I asked Dickey Betts if the Allman Brothers were the originators of “southern rock”

Bruce Dickinson in ’83: “It would be unthinkable to make an Iron Maiden album without Martin Birch”

By Steve Newton Back in June of 1983 I did a phone interview with Bruce Dickinson in advance of Iron Maiden’s show in Vancouver on the Piece of Mind tour. During the course of our conversation Dickinson claimed that it would be “unthinkable” for Iron Maiden to make an album without producer Martin Birch, who … Continue reading Bruce Dickinson in ’83: “It would be unthinkable to make an Iron Maiden album without Martin Birch”

Tosin Abasi doesn’t think Yngwie Malmsteen is a pompous ass: “It’s just his clarity of vision”

By Steve Newton When I interviewed guitar hero Tosin Abasi before the Animals as Leaders concert in Vancouver in 2016, I asked him a few questions about the pickers he’d performed with earlier that year on the Generation Axe tour. As well as Steve Vai, Zakk Wylde, and Nuno Bettencourt, Abasi was in the company … Continue reading Tosin Abasi doesn’t think Yngwie Malmsteen is a pompous ass: “It’s just his clarity of vision”

Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

ORIGINALLY PUBLISHED ON FEB. 11, 1983 By Steve Newton Triumph’s Rik Emmett is a man of many moods on guitar. Though best known for supplying the driving rhythms and rapid-fire leads that are trademarks of his group’s two-fisted sound, Emmett never hesitates delving into the subtle and contemplative realms of classical and jazz as well. On … Continue reading Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads