Album review: Mötley Crüe: Too Fast For Love (1982)

  ORIGINALLY PUBLISHED ON JULY 9, 1982 By Steve Newton Talk about ugly. These guys make the New York Dolls look like the kids on Leave It To Beaver! Well, maybe they aren’t that bad. Anyway, their music sure isn’t ugly. It’s beautiful, in fact. That is, if you’re into energetic, hook-filled boogie. Music for the … Continue reading Album review: Mötley Crüe: Too Fast For Love (1982)

Album review: Scorpions, Blackout (1982)

ORIGINALLY PUBLISHED ON JUNE 4, 1982 By Steve Newton The cover art of Scorpions‘ new album Blackout is really quite shocking. Created by Austrian painter Gottfried Helnwein, it shows a mustachioed young man with his head completely bandaged and two steel forks protruding from the white cloth at his temples, curling menacingly into his eyes. The … Continue reading Album review: Scorpions, Blackout (1982)

That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

kirk west photo By Steve Newton As I’ve said before on my other posts about Dickey Betts, I just like hearing the dude’s voice. If you do too, here’s another audio excerpt from my interview with the guitar legend from July of 1992, which–for those who struggle with the math–was over a quarter-century ago. At … Continue reading That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

Yes guitarist Steve Howe says that the respect he has for classical musicians is above all others

By Steve Newton Interviewing amazing guitar players is one of my favourite things to do, and Yes guitarist Steve Howe has always been one of the best in my books. I’ve chatted with him three times, in 1998, 2001, and then 2017, before the latest version of Yes played Vancouver’s Queen Elizabeth Theatre. Steve’s always … Continue reading Yes guitarist Steve Howe says that the respect he has for classical musicians is above all others

Album review: John Mellencamp, Whenever We Wanted (1991)

  ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 14, 1991 By Steve Newton First it was Johnny Cougar, then John Cougar, then John Cougar Mellencamp, and now John Mellencamp. On his next album he’ll probably just be John. But that’s okay, ’cause names aren’t important when your music’s as brilliant as it is on Whenever … Continue reading Album review: John Mellencamp, Whenever We Wanted (1991)

Nazareth’s Dan McCafferty says Manny Charlton was writing good tunes for Cinema, so they used ’em

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 18, 1987 By Steve Newton Not too many bands make it to the 20-year mark. But Scottish rockers Nazareth will reach that milestone next year. Singer Dan McCafferty, guitarist Manny Charlton, bassist Pete Agnew, and drummer Darrell Sweet have been kicking royal butt for nigh-on two decades now, and with the … Continue reading Nazareth’s Dan McCafferty says Manny Charlton was writing good tunes for Cinema, so they used ’em

That time Ronnie Montrose told me that the Montrose LP marked his “kindergarten days” as a guitarist

Very few albums that I bought as a teenager in the seventies had as huge an effect on me as the debut Montrose album of ’73.

Badfinger’s Joey Molland on working with the Beatles and dealing with the fallout of suicide

ORIGINALLY PUBLISHED ON DEC. 11, 1987 By Steve Newton Remember that neat movie from 1970, The Magic Christian, which starred Peter Sellers and Ringo Starr and was a cutting farce on the lengths people would go to to get money? And remember that film’s nifty theme song, “Come and Get It”, which sounded like the Beatles but … Continue reading Badfinger’s Joey Molland on working with the Beatles and dealing with the fallout of suicide

Yes guitarist Steve Howe on paying tribute to bass god Chris Squire at the Rock Hall

kevin kane photo By Steve Newton I called Steve Howe up at a Yes tour stop in San Diego in 2017 and had a nice chat with the British guitar wizard, who I’ve adored ever since first hearing him go to town on “Roundabout” back in the seventies. During our conversation I asked Steve about … Continue reading Yes guitarist Steve Howe on paying tribute to bass god Chris Squire at the Rock Hall

Warren Haynes says he’s open to playing with former Allman Brothers bandmate Dickey Betts again

kirk west photo By Steve Newton Warren Haynes is one of my alltime favourite guitarists, singers, and songwriters, so any chance I get to interview him I take. I’ve chatted with him five times for stories on Gov’t Mule, and once–back in 1994–when he was speaking as a member of the fabled Allman Brothers Band. … Continue reading Warren Haynes says he’s open to playing with former Allman Brothers bandmate Dickey Betts again

Album review: Yngwie Malmsteen, Eclipse (1990)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, AUG. 23, 1990 By Steve Newton When Swedish guitar whiz Yngwie Malmsteen burst onto the hard-rock scene in ’84 with the Rising Force album, he took a lot of people by surprise—and it wasn’t just his funny name (pronounced “Ing-vay”) that did it. Malmsteen was a classically influenced speed-demon, … Continue reading Album review: Yngwie Malmsteen, Eclipse (1990)

That time I asked Dickey Betts if it was tough picking tunes for the Allman Brothers’ live album of ’92

kirk west photo By Steve Newton If you’re a dedicated fan of the Allman Brothers Band, you no doubt own a copy of their historic 1971 live album, At Fillmore East. Of course, that double disc was highlighted by the amazing slide-guitar talents of Duane Allman, who died in a motorcycle crash three months after its … Continue reading That time I asked Dickey Betts if it was tough picking tunes for the Allman Brothers’ live album of ’92

That time I asked Dickey Betts if the Allman Brothers’ new live album captured the band as well as At Fillmore East

By Steve Newton The Allman Brothers‘ At Fillmore East has long been regarded as one of the finest concert albums of all time, and you won’t get any argument from me about that. But it’s not the band’s only great live LP. Back in 1992 I did my third interview with ABB guitarist Dickey Betts, … Continue reading That time I asked Dickey Betts if the Allman Brothers’ new live album captured the band as well as At Fillmore East