By Steve Newton Back in July of 1991 I did the second of my four interviews with American guitar legend Dickey Betts of the Allman Brothers Band. Two weeks earlier the band had released its tenth studio album, Shades of Two Worlds, which Dickey had written most of the material for. Here's the first ten minutes … Continue reading 10 minutes on the phone with Dickey Betts of the Allman Brothers in 1991
Tag: Warren Haynes
Album review: the Allman Brothers Band, Where It All Begins (1994)
ORIGINALLY PUBLISHED ON JULY 15, 1994 By Steve Newton Like a hearty handshake from a rarely see high-school buddy, every new Allman Brothers release is a hazy reminder of my teenage glory days, when the purchase of a southern-rock LP such as the Allmans' Eat A Peach made everything right in my small-town world. Nowadays … Continue reading Album review: the Allman Brothers Band, Where It All Begins (1994)
That time Dickey Betts told me about the music business and the Allman Brothers’ “official” albums
photo by kirk west By Steve Newton I still have fond memories of seeing guitar legend Dickey Betts with the Allman Brothers back in the early '90s, when he was trading killer licks with another of my fave pickers, Warren Haynes. When I did my third interview with Dickey, back in July of '92, the band was … Continue reading That time Dickey Betts told me about the music business and the Allman Brothers’ “official” albums
That time I asked Dickey Betts if it was tough picking tunes for the Allman Brothers’ live album of ’92
kirk west photo By Steve Newton If you're a dedicated fan of the Allman Brothers Band, you no doubt own a copy of their historic 1971 live album, At Fillmore East. Of course, that double disc was highlighted by the amazing slide-guitar talents of Duane Allman, who died in a motorcycle crash three months after its … Continue reading That time I asked Dickey Betts if it was tough picking tunes for the Allman Brothers’ live album of ’92
That time I called Dickey Betts to talk about the Allman Brothers’ new live album and a lady said he wasn’t home
kirk west photo By Steve Newton I've interviewed Allman Brothers guitarist Dickey Betts four times, which is pretty cool, since he was one of my main guitar heroes in the seventies. Over the last year or so I've been posting audio excerpts from my 1991 interview with Dickey, when the Allmans were touring behind their … Continue reading That time I called Dickey Betts to talk about the Allman Brothers’ new live album and a lady said he wasn’t home
Dickey Betts ponders an Allman Brothers reunion and wonders what Duane would think of the music scene in 1989
ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, MARCH 31, 1989 By Steve Newton Southern rock. The raw bite of the blues tempered by a free-wheelin', down-home country feel. Gruff, unencumbered vocals and soaring, twin lead guitars. Songs about ramblin' men, poison whiskey, and Saturday night specials. You have no choice: ya gotta like it. Unfortunately, in … Continue reading Dickey Betts ponders an Allman Brothers reunion and wonders what Duane would think of the music scene in 1989
That time I asked Dickey Betts what his fave tune was on the new Allman Brothers album
By Steve Newton When I interviewed Dickey Betts back in July of 1991, the Allman Brothers Band had just released its tenth studio album, Shades of Two Worlds, the second to feature the amazing Warren Haynes from Gov't Mule as co-guitarist. Betts and Haynes wrote four of the eight songs on Shades together, while Betts composed … Continue reading That time I asked Dickey Betts what his fave tune was on the new Allman Brothers album
That time Dickey Betts told me about Gregg Allman’s writer’s block
By Steve Newton When I interviewed Allman Brothers guitarist Dickey Betts back in July of 1991, the band had just released its Shades of Two Worlds album, its second to feature the amazing Warren Haynes as a fully-fledged member. As on the previous year's Seven Turns album, Betts and Haynes had written or cowritten the vast majority … Continue reading That time Dickey Betts told me about Gregg Allman’s writer’s block
The Full Susan: Tedeschi talks Derek Trucks, Doyle Bramhall II, David Bowie, and Warren Haynes
By Steve Newton I don't get out to that many concerts anymore. With the Big Six-O on the horizon, I've become a real picky bastard when it comes to live shows. But there are a few select bands I never want to miss when they play Vancouver: the Drive-By Truckers and Gov't Mule are tied at … Continue reading The Full Susan: Tedeschi talks Derek Trucks, Doyle Bramhall II, David Bowie, and Warren Haynes
Blind Willie Johnson’s blues genius lauded in upcoming tribute album
By Steve Newton Blues legends don't get much more legendary than Blind Willie Johnson, whose recordings in the 1920s of songs like "John the Revelator", "It's Nobody's Fault But Mine", and "Keep Your Lamp Trimmed and Burning" have inspired versions by everyone from Hot Tuna to Warren Haynes to Led Zeppelin. So it's more than … Continue reading Blind Willie Johnson’s blues genius lauded in upcoming tribute album
Badass Warren Haynes nails it for C.O.C. on America’s Volume Dealer
ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, FEB. 1, 2001 By Steve Newton One of the coolest things about being a rock writer is getting turned on to new bands—even if they’re old. Corrosion of Conformity has been making a serious racket since 1982, but it’s still new to me; for some strange reason its latest … Continue reading Badass Warren Haynes nails it for C.O.C. on America’s Volume Dealer
Kenny Wayne Shepherd never played with Stevie Ray, but still has hope for Clapton
ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, SEPT. 7, 2000 By Steve Newton When Kenny Wayne Shepherd calls the Straight on a crapping-out cellphone from the wasteland of Duluth, Minnesota, it feels like a mixed blessing. On one hand, I’m happy to chat with anyone who’s helping to keep the Strat-ified blues-raunch spirit of Stevie Ray … Continue reading Kenny Wayne Shepherd never played with Stevie Ray, but still has hope for Clapton
Alvin Youngblood Hart loves Southern rock, was an Allman Brother for a night
ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, MAY 25, 2000 By Steve Newton Until now, Alvin Youngblood Hart has been best-known as an acoustic folk-blues performer. His first two albums—1996’s Big Mama’s Door and 1998’s Territory—showed him carrying a traditional torch similar to that of blues revivalists Taj Mahal and Guy Davis. So it comes as … Continue reading Alvin Youngblood Hart loves Southern rock, was an Allman Brother for a night