That time Graham Bonnet told me that Ritchie Blackmore isn’t moody at all, just a nice, shy guy

By Steve Newton Ritchie Blackmore is one of my favourite guitarists of all time. As a 15-year-old when Machine Head was released in 1972, I could barely comprehend how great his guitar solo on “Highway Star” made me feel. Over and over again. Two years later he did it again with the lead break on “Burn”. … Continue reading That time Graham Bonnet told me that Ritchie Blackmore isn’t moody at all, just a nice, shy guy

Duane Allman and Berry Oakley’s motorcycle deaths couldn’t keep the Midnight Rider off his bike

By Steve Newton I’ve been on a bit of an Allman Brothers bender of late. It started a while back when Gregg had to cancel some shows due to a “serious illness”. He’s feeling much better now, I’ve heard, but I still wanted to send good thoughts while continuously cranking out the four-CD Dreams box … Continue reading Duane Allman and Berry Oakley’s motorcycle deaths couldn’t keep the Midnight Rider off his bike

That time Duck Dunn told me that Clapton was the best all-around guitarist he ever worked with

By Steve Newton Bass players don’t get much more special than Donald “Duck” Dunn. As a session musician for Stax Records, Dunn brought the bottom end on scores of legendary tracks, including gems like Otis Redding’s “Respect”, Sam & Dave’s “Hold On, I’m Comin’”, and Albert King’s “Born Under a Bad Sign”. He was also the bassist … Continue reading That time Duck Dunn told me that Clapton was the best all-around guitarist he ever worked with

Bass virtuoso Tal Wilkenfeld raves about her band before they blow Vancouver away

ORIGINALLY POSTED ON OCT. 15, 2016 By Steve Newton Tal Wilkenfeld played the Biltmore Cabaret in Vancouver a couple nights ago, and man, did she impress. Aside from the stunning bass playing she’s best known for, the 29-year-old showed great promise as a singer-songwriter as well. My wife kept raving about the poetry in her … Continue reading Bass virtuoso Tal Wilkenfeld raves about her band before they blow Vancouver away

Tal Wilkenfeld on life’s defining points, like auditioning for Jeff Beck in an altered state

ORIGINALLY PUBLISHED ON OCT. 13, 2016 By Steve Newton Tal Wilkenfeld has accomplished an awful lot since emigrating to the U.S. from Australia in 2002 as a teen. She’s performed with jazz greats Chick Corea, Herbie Hancock, and Wayne Shorter, and at the age of 20 recorded her 2007 debut album, the all-instrumental Transformation, which … Continue reading Tal Wilkenfeld on life’s defining points, like auditioning for Jeff Beck in an altered state

Bass superstar Tal Wilkenfeld only had three CDs to her name as a kid, but Hendrix was one of them

By Steve Newton When I interviewed bass goddess Tal Wilkenfeld back in the fall of 2016, in advance of a show at Vancouver’s Biltmore Cabaret, I asked her what kind of music she was first drawn to in her life. Considering what an amazing musician she’s become, I figured her childhood would have been overflowing … Continue reading Bass superstar Tal Wilkenfeld only had three CDs to her name as a kid, but Hendrix was one of them

That time I asked bass goddess Tal Wilkenfeld how she got so goddamn good

By Steve Newton Sometimes when I listen to a musician perform I wonder to myself, “How did they get so goddamn good?” And sometimes–if I meet said musician in my capacity as a music writer–I’ll just flat out ask them how they got so goddamn good. I did it with guitarist Guthrie Govan in 2015, and … Continue reading That time I asked bass goddess Tal Wilkenfeld how she got so goddamn good

Badfinger’s Joey Molland on working with the Beatles and dealing with the fallout of suicide

ORIGINALLY PUBLISHED ON DEC. 11, 1987 By Steve Newton Remember that neat movie from 1970, The Magic Christian, which starred Peter Sellers and Ringo Starr and was a cutting farce on the lengths people would go to to get money? And remember that film’s nifty theme song, “Come and Get It”, which sounded like the Beatles but … Continue reading Badfinger’s Joey Molland on working with the Beatles and dealing with the fallout of suicide

That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

kirk west photo By Steve Newton As I’ve said before on my other posts about Dickey Betts, I just like hearing the dude’s voice. If you do too, here’s another audio excerpt from my interview with the guitar legend from July of 1992, which–for those who struggle with the math–was over a quarter-century ago. At … Continue reading That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

Album review: John Mellencamp, Whenever We Wanted (1991)

  ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 14, 1991 By Steve Newton First it was Johnny Cougar, then John Cougar, then John Cougar Mellencamp, and now John Mellencamp. On his next album he’ll probably just be John. But that’s okay, ’cause names aren’t important when your music’s as brilliant as it is on Whenever … Continue reading Album review: John Mellencamp, Whenever We Wanted (1991)

Steve Howe lists his favourite guitarists, calls Steve Morse “phenomenal!”

By Steve Newton I interviewed guitar legend Steve Howe for the third time in 2017, in advance of a Yes show at the Queen Elizabeth Theatre in Vancouver. Near the end of the conversation I asked the 70-year-old fretmaster who he’d been listening to in his spare time, which led to him naming some of his … Continue reading Steve Howe lists his favourite guitarists, calls Steve Morse “phenomenal!”

Graham Bonnet on that infamous MSG gig of ’82: “If your pants had split down the front and your cock fell out, what would you do?”

By Steve Newton Back in 1984 I interviewed British hard-rock vocalist Graham Bonnet, who at the time was fronting a band called Alcatrazz, which boasted a hot-shot (but barely known) guitarist by the name of Yngwie Malmsteen. Two years earlier Bonnet had gotten kicked out of the Michael Schenker Group, who he recorded the 1982 … Continue reading Graham Bonnet on that infamous MSG gig of ’82: “If your pants had split down the front and your cock fell out, what would you do?”

That time AC/DC’s Malcolm Young told me that his biggest influences were “the old rockers” and early Clapton

By Steve Newton I love listening to these old soundbites of me hangin’ out with AC/DC‘s Malcolm Young and Brian Johnson at a Vancouver hotel room, sippin’ tea and chattin’ it up. The vast majority of interviews I’ve done since getting into the music-writing game back in ’82 with Vancouver’s Georgia Straight newspaper have been done … Continue reading That time AC/DC’s Malcolm Young told me that his biggest influences were “the old rockers” and early Clapton