Bass god Stu Hamm compares Joe Satriani to Steve Vai and raves about Jaco Pastorius

By Steve Newton Way back in October of 1991 I did an interview with bassist Stu Hamm, a giant of the four-string who was best known for his work with guitar heroes Joe Satriani and Steve Vai. He had recently released his album The Urge, and was headed to Vancouver for a club gig. At … Continue reading Bass god Stu Hamm compares Joe Satriani to Steve Vai and raves about Jaco Pastorius

The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

By Steve Newton Back in 2015 I interviewed guitarist Guthrie Govan, who–while not nearly as well known as the Satrianis and Vais of the world–is equally monstrous when it comes to technical ability and musical inventiveness. He plays in an instrumental rock-fusion trio called the Aristocrats, which made its debut Vancouver appearance at the Rickshaw Theatre. … Continue reading The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

UZEB may be “the Van Halen of jazz”, but they sure don’t get paid the same

ORIGINALLY PUBLISHED ON JUNE 7, 1985 By Steve Newton Last year’s Vancouver appearance by Quebec jazz/fusion quartet UZEB was one of my picks for the Top Ten concerts of 1984–right up there with Scorpions and R.E.M. Now the group is returning to the Commodore Ballroom for two nights, next Friday and Saturday (June 14 and … Continue reading UZEB may be “the Van Halen of jazz”, but they sure don’t get paid the same

Humble guitar master Allan Holdsworth always struggles to pay the rent

ORIGINALLY PUBLISHED ON JULY 4, 1986 By Steve Newton Today he’s regarded by critics and musicians alike as one of the most distinctive guitarists in the world. He’s been the principal soloist for the likes of U.K., Gong, Bill Bruford, Soft Machine, Tony Williams’ Lifetime and Jean-Luc Ponty. And he’s one of the few players … Continue reading Humble guitar master Allan Holdsworth always struggles to pay the rent

Albert Lee on going country in England and finding his “natural” gig with the Everly Brothers

ORIGINALLY PUBLISHED ON JULY 11, 1986 By Steve Newton In the world of music, jolly old England is famous for a number of things. The Beatles for instance. And rock guitar heroes like Eric Clapton, Jimmy Page, and Jeff Beck. But country music is not one of Brittania’s specialties, and it never has been. Luckily … Continue reading Albert Lee on going country in England and finding his “natural” gig with the Everly Brothers

Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

ORIGINALLY PUBLISHED ON AUG. 2, 1985 By Steve Newton Blue Oyster Cult‘s Tyranny and Mutation. Aerosmith‘s Rocks. UFO’s Phenomenon. The Montrose debut. Back in the early to mid-’70s those albums forged a sound that critic Lester Bangs called “heavy metal”. They were dynamic and forceful, fast, loud, and proud. The bands that made them had … Continue reading Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

Stevie Ray Vaughan six weeks before the crash: “I would hate to get caught playing my last gig not trying”

During the interview I asked Stevie Ray if he ever had difficulty getting inspired for a show, and his response was somewhat prophetic.

When Foghat were the Kneetremblers and Roger Earl played to the cheap seats

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, APRIL 11, 1986 By Steve Newton Have you ever heard of the Kneetremblers? Didn’t think so. How about Foghat? Now that name should ring a bell, because Foghat were one of the top boogie bands of the seventies. They released 14 hard-driving albums, although only one of their songs, … Continue reading When Foghat were the Kneetremblers and Roger Earl played to the cheap seats

WPA’s Mick Thomas recalls seeing AC/DC, Cold Chisel, and Midnight Oil play a pub in Geelong

ORIGINALLY PUBLISHED ON JUNE 21, 1990 By Steve Newton Halifax, Nova Scotia: Could those three words possibly conjure up images of a city full of alluring possibilities and untold enchantment? Well, when Mick Thomas of Australia’s Weddings Parties Anything first heard them, his imagination was piqued, and he couldn’t wait to see what the city … Continue reading WPA’s Mick Thomas recalls seeing AC/DC, Cold Chisel, and Midnight Oil play a pub in Geelong

NRBQ tars and feathers a Cabbage Patch Kid just for kicks in Vancouver

ORIGINALLY PUBLISHED ON JUNE 14, 1985 By Steve Newton “Are you having a good time?” asked Terry Adams. And the capacity crowd at Club Soda–who obviously were–answered with a resounding ‘Yes!”. “Yes what?!” countered bassist Joey Spampinato. And that’s the way it was last Thursday–with the New Rhythm & Blues Quartet (NRBQ) making fun of … Continue reading NRBQ tars and feathers a Cabbage Patch Kid just for kicks in Vancouver

That time Guthrie Govan told me that the Aristocrats recreated Eddie Van Halen’s echo from Fair Warning at L.A.’s Sunset Sound

By Steve Newton In 2015 I interviewed Guthrie Govan of the Aristocrats, but there wasn’t enough room in the paper to include all the cool shit the guitar genius had to say to me. So I banged out one blog on the influence of Joe Satriani and Zal Cleminson, and then another one on how … Continue reading That time Guthrie Govan told me that the Aristocrats recreated Eddie Van Halen’s echo from Fair Warning at L.A.’s Sunset Sound

Joe Satriani likes Uli Jon Roth’s “beautiful sounding” Sky guitar, but figures 24 frets are enough for him

By Steve Newton Back in 2016 I went and saw Uli Jon Roth’s Ultimate Guitar Experience in Vancouver, and man–the things the German guitar wizard and ex-Scorp can do on his 32-fret Sky guitar are something to behold. So a few weeks later when I interviewed Joe Satriani for the sixth or seventh time I asked him what … Continue reading Joe Satriani likes Uli Jon Roth’s “beautiful sounding” Sky guitar, but figures 24 frets are enough for him