Gun violence and AIDS misery inspire Concrete Blonde’s dark Bloodletting

ORIGINALLY PUBLISHED ON JUNE 14, 1990 By Steve Newton If you listened to rock radio at all last year, most likely you came across Concrete Blonde’s hit tune, “God Is a Bullet”, a fuel-injected tirade against the proliferation of guns, particularly in the drug- and gang-infested core of urban L.A. Over a thundering backbeat and … Continue reading Gun violence and AIDS misery inspire Concrete Blonde’s dark Bloodletting

ZZ Top guitarist Billy Gibbons tells me “them low-down blues ain’t bad”

ORIGINALLY PUBLISHED ON SEPT. 1, 1994 By Steve Newton When famous rock guitarists reminisce about their first instruments, the talk tends toward dirt-cheap acoustics with heavy strings set so high off the fretboard that it hurts just to look at them. Not with Billy Gibbons, though. The incomparable guitarman for ZZ Top got an atypical … Continue reading ZZ Top guitarist Billy Gibbons tells me “them low-down blues ain’t bad”

The Northern Pikes reunite and hit the road with Walkmans on

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JAN. 20, 2000 Fans of the Northern Pikes must have been pleasantly surprised when they picked this paper up a couple of issues back and saw that the long-gone band was booked to play the Commodore Ballroom next Friday (January 28). The Saskatoon pop-rock quartet hasn’t performed live in … Continue reading The Northern Pikes reunite and hit the road with Walkmans on

Static in Stereo sets the controls for the heart of the seventies

ORIGINALLY PUBLISHED ON JULY 5, 2001 By Steve Newton A silver Keith Richards–style skull ring catches the glare of the dressing-room lights as Todd Kerns wraps his fist around a can of Coke. The blue and red dragon etched on his right bicep, a ringer for Ozzy Osbourne’s chest tattoo, quivers slightly as he lifts the … Continue reading Static in Stereo sets the controls for the heart of the seventies

Talking Ry Cooder, Ronnie Montrose, and the Allmans with Gov’t Mule’s Warren Haynes

ORIGINALLY PUBLISHED ON NOV. 12, 1998 By Steve Newton Bluesman Luther Allison, folk-pop troubadour Jeff Buckley, fingerstyle-guitar innovator Michael Hedges, and jazz drummer Tony Williams might seem unlikely heroes for a southern-rock band, but they’re who Gov’t Mule’s new CD, Dose, is dedicated to. Between the time the band started recording Dose and the deadline … Continue reading Talking Ry Cooder, Ronnie Montrose, and the Allmans with Gov’t Mule’s Warren Haynes

John Mellencamp cuts back on smokes, ramps up songwriting after heart attack

ORIGINALLY PUBLISHED ON MAY 13, 1999 By Steve Newton John Mellencamp had the biggest-selling album of 1982 with American Fool, which boasted such huge radio hits as “Hurts So Good” and “Jack and Diane”. I interviewed him in advance of a show at the PNE Forum that year, and at the time Mellencamp—then known as … Continue reading John Mellencamp cuts back on smokes, ramps up songwriting after heart attack

Stevie Ray Vaughan says “it’s good to be alive with you” at his final Vancouver show, five weeks before the crash

ORIGINALLY PUBLISHED ON JULY 26, 1990 By Steve Newton As far as arena spectacles go, Sunday’s (July 22) Stevie Ray Vaughan/Joe Cocker double-bill was pretty lame. No huge banks of lights, fancy lasers, or explosions. But there didn’t need to be. Those who laid down bucks for the Coliseum show got their money back in … Continue reading Stevie Ray Vaughan says “it’s good to be alive with you” at his final Vancouver show, five weeks before the crash

Bonfire box a godsend for fans of AC/DC’s ear-bustin’ boogie blues

ORIGINALLY PUBLISHED ON DEC. 11, 1997 By Steve Newton My reviewer’s copy of the long-overdue AC/DC box set was labelled with a warning that it was not for sale and “must be returned on demand of recording company”. Yeah, right—I’d like to see Warner Brothers just try to get this prized package back. They’d have … Continue reading Bonfire box a godsend for fans of AC/DC’s ear-bustin’ boogie blues

Mötley Crüe’s scuzzy antics in Vancouver make the Newt pine for Brownsville Station

ORIGINALLY PUBLISHED ON APRIL 1, 1999 By Steve Newton So why would I want to go see Mötley Crüe when I don’t even care for its juvenile brand of exploitative crotch-rock? Good question. Maybe it was because I wanted one last look at the unseemly underbelly of ’80s rock, one last wander through that wasteland … Continue reading Mötley Crüe’s scuzzy antics in Vancouver make the Newt pine for Brownsville Station

Growing up in Buffalo, the Goo Goo Dolls are almost Canadian

ORIGINALLY PUBLISHED ON JULY 22, 1999 By Steve Newton “Kick him in the throat!” isn’t quite the phrase you expect to hear from a guy who’s just exchanged wedding vows, but that’s what my brother-in-law Cam was yelling scant hours after tying the knot on a beach in Powell River last month. You see, his … Continue reading Growing up in Buffalo, the Goo Goo Dolls are almost Canadian

Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

ORIGINALLY PUBLISHED ON AUG. 9, 1998 By Steve Newton After making the agonizing decision in 1996 to break up his world-famous Kiwi pop combo Crowded House, Neil Finn wasn’t exactly sure what to do next. An Aussie artist-musician friend of his suggested Finn try painting, so he spent two weeks at a beachside location doing … Continue reading Two years after saying goodbye to Crowded House, Neil Finn returns with solo debut

Guitar legend Rick Derringer has soloed for everyone from Alice Cooper to Air Supply

ORIGINALLY PUBLISHED ON JULY 22, 1999 By Steve Newton When most people hear the name Rick Derringer, they probably think of his ’70s hit “Rock and Roll, Hoochie Koo”, which typified the randy guitar-boogie of the free-love era. Others may remember him for “Hang On Sloopy”, the 1965 sing-along number Derringer did with his first … Continue reading Guitar legend Rick Derringer has soloed for everyone from Alice Cooper to Air Supply

An inspired Yes makes up for a flaccid Alan Parsons Project in Vancouver

ORIGINALLY PUBLISHED ON JULY 23, 1998 By Steve Newton There are some bands I used to like in the ’70s that make me embarrassed by that fact in the ’90s. Back in high school, I figured Uriah Heep Live was the cat’s ass, but now, it’s like, “What was I thinking!” And I still recall … Continue reading An inspired Yes makes up for a flaccid Alan Parsons Project in Vancouver