The incredible story behind the Ear of Newt autographed guitar

By Steve Newton Back in January of 2013 when I started planning the Ear of Newt website–which I launched on Halloween night that year–I knew I had to get my autographed plexiglass guitar into the picture. I’d been dragging it around to concerts to get it signed by my fave pickers–folks like Link Wray, Ronnie … Continue reading The incredible story behind the Ear of Newt autographed guitar

Album review: Steve Morse, The Introduction (1984)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, NOV. 2, 1984 By Steve Newton My choice for best instrumental rock album of the year–so far–has got to be this new release by former Dixie Dregs guitarist Steve Morse. With accompaniment from bassist Jerry Peek and drummer Rod Morgenstein, Morse unleashes some of the tastiest riffs imaginable, melding … Continue reading Album review: Steve Morse, The Introduction (1984)

Album review: David Lee Roth, Skyscraper (1988)

ORIGINALLY PUBLISHED ON FEB. 12, 1988 By Steve Newton Old Diamond Dave had his hands full surpassing his 1986 LP Eat ‘Em and Smile, but with this new one, Skyscraper, he’s certainly done just that. In his first endeavour as producer Roth has come up with a brilliantly played and varied hard-rock album that should turn … Continue reading Album review: David Lee Roth, Skyscraper (1988)

The Tragically Hip causes traffic havoc before getting messy with a surprise gig at Vancouver’s wee Railway Club

ORIGINALLY PUBLISHED ON JULY 20, 1995 By Steve Newton Canadian guitar-rock heroes the Tragically Hip took all of Vancouver by surprise on July 12 when they announced a last-minute concert that night at the wee Railway Club (capacity 176). When word went out over local rock station 99.3 the Fox that 75 wristbands for the … Continue reading The Tragically Hip causes traffic havoc before getting messy with a surprise gig at Vancouver’s wee Railway Club

Album review: Gary Moore, Corridors of Power (1983)

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, APRIL 22, 1983 By Steve Newton Gary Moore is an astounding rock guitarist, capable of wrenching the most scintillating and unique licks imaginable from six strings. His brief stints with Colosseum II and Thin Lizzy showed him to be a versatile and technically superior player, and on Corridors of … Continue reading Album review: Gary Moore, Corridors of Power (1983)

Guitar legend Warren Haynes admits he’s “a Gibson guy”, but still likes to play a Fender now and then

texastengu photo By Steve Newton When you see a promotional image of Warren Haynes, or an in-concert shot, the American guitar legend is almost always clutching a Les Paul. So I was kinda surprised to see that on the most recent Gov’t Mule album, Revolution Come…Revolution Go, there’s a photo of him in the CD … Continue reading Guitar legend Warren Haynes admits he’s “a Gibson guy”, but still likes to play a Fender now and then

Warren Haynes says that playing guitar with Derek Trucks comes naturally, “like drinkin’ water”

kirk west photo By Steve Newton I love talking to Warren Haynes. Apart from being one of my fave guitarists, he’s just such a cool, cool guy. I did my sixth interview with Haynes in 2017, when Gov’t Mule was playing a show at Vancouver’s Vogue Theatre. At one point in the interview I had … Continue reading Warren Haynes says that playing guitar with Derek Trucks comes naturally, “like drinkin’ water”

Album review: Blackfoot, Siogo (1983)

ORIGINALLY PUBLISHED ON JUNE 24, 1983 By Steve Newton Former Uriah Heep keyboardist Ken Hensley has become the fifth Blackfoot member on their sixth studio album, Siogo. While I was a little worried that the overpowering organ sound he’d often wielded in his former band might drown out the gritty guitars of Rickey Medlocke and … Continue reading Album review: Blackfoot, Siogo (1983)

Album review: Mötley Crüe: Too Fast For Love (1982)

  ORIGINALLY PUBLISHED ON JULY 9, 1982 By Steve Newton Talk about ugly. These guys make the New York Dolls look like the kids on Leave It To Beaver! Well, maybe they aren’t that bad. Anyway, their music sure isn’t ugly. It’s beautiful, in fact. That is, if you’re into energetic, hook-filled boogie. Music for the … Continue reading Album review: Mötley Crüe: Too Fast For Love (1982)

Album review: Scorpions, Blackout (1982)

ORIGINALLY PUBLISHED ON JUNE 4, 1982 By Steve Newton The cover art of Scorpions‘ new album Blackout is really quite shocking. Created by Austrian painter Gottfried Helnwein, it shows a mustachioed young man with his head completely bandaged and two steel forks protruding from the white cloth at his temples, curling menacingly into his eyes. The … Continue reading Album review: Scorpions, Blackout (1982)

Hollywood wins the War for the Planet of the Apes

ORIGINALLY PUBLISHED ON JULY 12, 2017 By Steve Newton I’ve harboured a peculiar fondness for the Planet of the Apes movies ever since I saw the 1968 original at Chilliwack’s historic–and since demolished–Paramount Theatre at age 11. Even then I could tell that it was pretty dumb, but I had a thing about “gorillas”–even if … Continue reading Hollywood wins the War for the Planet of the Apes

Thinking nice thoughts of Rick Parfitt while listening to “Big Fat Mama” from Status Quo’s Piledriver

By Steve Newton Just heard the sad news that Rick Parfitt, guitarist-vocalist for Status Quo, died today from a severe infection at a hospital in Spain. He was 68. I first discovered Status Quo as a teenager when I came upon their 1972 album Piledriver at a record store. I’d never heard Status Quo before, … Continue reading Thinking nice thoughts of Rick Parfitt while listening to “Big Fat Mama” from Status Quo’s Piledriver

That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92

kirk west photo By Steve Newton As I’ve said before on my other posts about Dickey Betts, I just like hearing the dude’s voice. If you do too, here’s another audio excerpt from my interview with the guitar legend from July of 1992, which–for those who struggle with the math–was over a quarter-century ago. At … Continue reading That time I asked Dickey Betts why the Allmans weren’t playing “Ramblin’ Man” live in ’92