Nick Gilder on his new self-titled LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

ORIGINALLY PUBLISHED ON OCT. 25, 1985 By Steve Newton You remember Nick Gilder, don’t you? He goes way back. He was the lead singer for Sweeney Todd, one of Vancouver’s more popular glam/glitter rock bands. Named after the demon barber of Fleet Street who made meat pies of his customers, Sweeney Todd had a mid-seventies … Continue reading Nick Gilder on his new self-titled LP and his “ironic” replacement in Sweeney Todd, Bryan Adams

That time Guthrie Govan told me that the Aristocrats recreated Eddie Van Halen’s echo from Fair Warning at L.A.’s Sunset Sound

By Steve Newton In 2015 I interviewed Guthrie Govan of the Aristocrats, but there wasn’t enough room in the paper to include all the cool shit the guitar genius had to say to me. So I banged out one blog on the influence of Joe Satriani and Zal Cleminson, and then another one on how … Continue reading That time Guthrie Govan told me that the Aristocrats recreated Eddie Van Halen’s echo from Fair Warning at L.A.’s Sunset Sound

UZEB may be “the Van Halen of jazz”, but they sure don’t get paid the same

ORIGINALLY PUBLISHED ON JUNE 7, 1985 By Steve Newton Last year’s Vancouver appearance by Quebec jazz/fusion quartet UZEB was one of my picks for the Top Ten concerts of 1984–right up there with Scorpions and R.E.M. Now the group is returning to the Commodore Ballroom for two nights, next Friday and Saturday (June 14 and … Continue reading UZEB may be “the Van Halen of jazz”, but they sure don’t get paid the same

The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

By Steve Newton Back in 2015 I interviewed guitarist Guthrie Govan, who–while not nearly as well known as the Satrianis and Vais of the world–is equally monstrous when it comes to technical ability and musical inventiveness. He plays in an instrumental rock-fusion trio called the Aristocrats, which made its debut Vancouver appearance at the Rickshaw Theatre. … Continue reading The Aristocrats’ Guthrie Govan on the influence of Joe Satriani and Zal Cleminson

Buddy Guy embraces North Mississippi hill-country blues on Sweet Tea

ORIGINALLY PUBLISHED ON JUNE 28, 2001 By Steve Newton Buddy Guy has always gotten by just fine with the time-tested, Chicago-style blues he’s famous for. In the ’60s and ’70s, his work was a huge influence on the likes of Eric Clapton and Stevie Ray Vaughan; later on it paid off with the widespread popularity … Continue reading Buddy Guy embraces North Mississippi hill-country blues on Sweet Tea

David Gogo preps for the Big 3-O with acoustic and electric discs

ORIGINALLY PUBLISHED ON JAN. 28, 1999 By Steve Newton When I phoned David Gogo two years ago to chat about his then-new live album, Dine Under the Stars, he answered the call with “Davey Wayne Gogo here,” a slight swipe at Kenny Wayne Shepherd, the Stevie Ray Vaughan–inspired upstart of the day. This time around, … Continue reading David Gogo preps for the Big 3-O with acoustic and electric discs

Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

ORIGINALLY PUBLISHED ON AUG. 2, 1985 By Steve Newton Blue Oyster Cult‘s Tyranny and Mutation. Aerosmith‘s Rocks. UFO’s Phenomenon. The Montrose debut. Back in the early to mid-’70s those albums forged a sound that critic Lester Bangs called “heavy metal”. They were dynamic and forceful, fast, loud, and proud. The bands that made them had … Continue reading Guitarists from Exodus, Exciter, and Metal Church weigh in on the heaviness of metal in 1985

WPA’s Mick Thomas recalls seeing AC/DC, Cold Chisel, and Midnight Oil play a pub in Geelong

ORIGINALLY PUBLISHED ON JUNE 21, 1990 By Steve Newton Halifax, Nova Scotia: Could those three words possibly conjure up images of a city full of alluring possibilities and untold enchantment? Well, when Mick Thomas of Australia’s Weddings Parties Anything first heard them, his imagination was piqued, and he couldn’t wait to see what the city … Continue reading WPA’s Mick Thomas recalls seeing AC/DC, Cold Chisel, and Midnight Oil play a pub in Geelong

NRBQ tars and feathers a Cabbage Patch Kid just for kicks in Vancouver

ORIGINALLY PUBLISHED ON JUNE 14, 1985 By Steve Newton “Are you having a good time?” asked Terry Adams. And the capacity crowd at Club Soda–who obviously were–answered with a resounding ‘Yes!”. “Yes what?!” countered bassist Joey Spampinato. And that’s the way it was last Thursday–with the New Rhythm & Blues Quartet (NRBQ) making fun of … Continue reading NRBQ tars and feathers a Cabbage Patch Kid just for kicks in Vancouver

Jim Byrnes on the Vancouver blues scene in ’85 and his idol Magic Sam

By Steve Newton On May 6, 1985, Vancouver blues legend Jim Byrnes was in the midst of a week-long stint at a nightclub in the West End. That’s no big whoop as far as Vancouver music history goes, but considering how much Byrnes has contributed to the city’s blues scene since then, I figured it … Continue reading Jim Byrnes on the Vancouver blues scene in ’85 and his idol Magic Sam

Double Trouble’s Tommy Shannon finds the groove in that pocket

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, JULY 5, 2001 For its debut CD, Been a Long Time, Double Trouble—Stevie Ray Vaughan’s former rhythm section of bassist Tommy Shannon and drummer Chris “Whipper” Layton—assembled some of the most admired blues and rock guitarists around. Eric Johnson, Jonny Lang, Kenny Wayne Shepherd, Doyle Bramhall II, Gordie Johnson, … Continue reading Double Trouble’s Tommy Shannon finds the groove in that pocket

Joe Bonamassa wanted Deep Purple and Free in the Rock Hall “before f***ing Green Day”

By Steve Newton When American guitar hero Joe Bonamassa called me up back in 2015 in advance of a Vancouver double-header we mostly talked about his new live album, Muddy Wolf at Red Rocks. But since I also see it as my duty to slag the Rock and Roll Hall of Fame whenever necessary–which is … Continue reading Joe Bonamassa wanted Deep Purple and Free in the Rock Hall “before f***ing Green Day”

Sloan goes to town, ’70s guitar-rock style, on Action Pact

ORIGINALLY PUBLISHED ON OCT. 16, 2003 By Steve Newton When Sloan headed into an L.A. studio with producer Tom Rothrock earlier this year, diehard fans of the Halifax-bred power-pop quartet might have had cause for concern. The last two projects Rothrock had helmed at that point were Badly Drawn Boy’s Have You Fed the Fish … Continue reading Sloan goes to town, ’70s guitar-rock style, on Action Pact