That time Tal Wilkenfeld told me about her switching from guitar to bass

By Steve Newton Anyone who’s aware of the monstrous talent of Tal Wilkenfeld only knows her for her skillsĀ on the bass guitar, which she’s used to showcase her abilities with the likes of Jeff Beck, Herbie Hancock, Chick Corea, and scores of other famous players. But when she first came over to the States from … Continue reading That time Tal Wilkenfeld told me about her switching from guitar to bass

That time Yngwie Malmsteen slagged W.A.S.P. and told me that heavy metal is “all crap”

By Steve Newton The first time I interviewed Yngwie Malmsteen was back in December of 1985, when he was opening act on Dio‘s Sacred Heart tour. Malmsteen was only 22 at the time, full of piss and vinegar–kinda like he is now!–and ready to toss opinions around like they were notes flying off his fretboard. … Continue reading That time Yngwie Malmsteen slagged W.A.S.P. and told me that heavy metal is “all crap”

That time Ronnie James Dio told me what he really thought of Ritchie Blackmore and Yngwie Malmsteen as guitarists

By Steve Newton Back in 1985 I did my only interview with Ronnie James Dio, who was headed to Vancouver on the Sacred Heart Tour, with Yngwie Malmsteen‘s Rising Force opening up. At one point in the conversation the legendary heavy-metal crooner compared the guitar-playing abilities of his former bandmate Ritchie Blackmore to those of … Continue reading That time Ronnie James Dio told me what he really thought of Ritchie Blackmore and Yngwie Malmsteen as guitarists

That time I asked Leslie West about the awesome cowbell on Mountain’s “Mississippi Queen”

By Steve Newton Check out this snapshot of five teenagers on summer vacation in the mid-’70s: That’s me and some buddies from Chilliwack Senior High School, class of 1975, one our way up to the annual piss-up-and-puke-off in the interior of British Columbia, Canada. (I’m the geeky one with the fingers in my face, if … Continue reading That time I asked Leslie West about the awesome cowbell on Mountain’s “Mississippi Queen”

That time I asked Def Leppard guitarist Steve Clark what he liked so much about Gibsons

By Steve Newton My nephew Jeff has been letting me borrow his Gibson Les Paul Standard for a while now, and, holy crap, is that one killer instrument! You wouldn’t have gotten an argument about that from Def Leppard guitarist Steve Clark, who used Gibson guitars to craft some of the band’s finest riffs before … Continue reading That time I asked Def Leppard guitarist Steve Clark what he liked so much about Gibsons

That time J. Geils told me that his first love was jazz and he wanted to be a white Miles Davis

By Steve Newton As a teenager in the seventies, I absolutely loved the J. Geils Band. I first got turned onto them through the “Live”Ā Full House album of ’72, which was just a smokin’ concert disc. I was crazy about their versions of old R&B/blues numbers like “First I Look at the Purse” and “Homework”, … Continue reading That time J. Geils told me that his first love was jazz and he wanted to be a white Miles Davis

That time Gary Moore told me how he scored Peter Green’s ’59 Les Paul

By Steve Newton Gary Moore has been one of my fave guitarists ever since I heard him with Thin Lizzy back in the seventies. I then closely followed his hard-rock/metal solo career in the ’80s, before he got theĀ blues bigtime in 1990. I was fortunate enough to have interviewed the legendary picker once, back in … Continue reading That time Gary Moore told me how he scored Peter Green’s ’59 Les Paul

Loved me some Leon

By Steve Newton Just when it seems like 2016 couldn’t get much worse–what with the recent death of Leonard Cohen and the election of Donald Trump–here comes some more sad news. Music legend Leon Russell, best known for writing and/or recording songs like “Delta Lady”, “This Masquerade”, and “Tight Rope”–and for performing with virtually everybody–passed … Continue reading Loved me some Leon

Billy Idol humps the stage and Steve Stevens’ guitars rage as the Whiplash Smile tour hits Vancouver

chris cameronĀ photo ORIGINALLY PUBLISHED ON MAY 22, 1987 By Steve Newton When Billy Idol kept stalling and stalling the release of his latest LP, Whiplash Smile, there was some real danger that the man’s popularity–which had reachedĀ great heights after the release of 1983’s Rebel Yell–was beginning to run its course. When a star with so … Continue reading Billy Idol humps the stage and Steve Stevens’ guitars rage as the Whiplash Smile tour hits Vancouver

That time Dickey Betts told me that the Allmans had “a good old time” on that porch from the Shades of Two Worlds cover

By Steve Newton When I interviewed Dickey Betts back on July 18, 1991, it was just two weeks since the Allman Brothers had released their 10th studio album, Shades of Two Worlds. That was very much “a Dickey album”, since he’d written or co-written (withĀ fellow guitaristĀ Warren Haynes) five of the album’s eight tracks, and also … Continue reading That time Dickey Betts told me that the Allmans had “a good old time” on that porch from the Shades of Two Worlds cover

Telecaster queen Sue Foley didn’t pick up a guitar to get chicks–or even guys, for that matter

ORIGINALLY PUBLISHED ON APRIL 2, 1992 By Steve Newton Talk about the harried, high-pressure life of a traveling blueswoman! In her Phoenix, Arizona hotel room, Sue Foley is getting it from all sides. It’s check-out time, and room service is banging on the door; she’s playing Tucson that night, and her fellow musicians are out … Continue reading Telecaster queen Sue Foley didn’t pick up a guitar to get chicks–or even guys, for that matter

That time I asked Warren Zevon if it was more difficult to compose film scores than to make albums

By Steve Newton As I’m sure I’ve mentioned before, one of the coolest dudes I’ve ever interviewed was Warren Zevon. He was just so damn nice. And smart. And Warren freakin’ Zevon. I talked to him back in ’92 when he was touring with the Odds as his backup band, promoting a fine album called … Continue reading That time I asked Warren Zevon if it was more difficult to compose film scores than to make albums