That time I called Roy Buchanan up at his house and he raved about his new Bluesmaster guitar

By Steve Newton Man, I sure have been lucky as far as interviewing great guitarists go. Sometimes–in the case of guys like Joe Satriani, Buddy Guy, Dickey Betts, and Joe Bonamassa–I get to interview them a bunch of times. Other times–with deceased legends like Link Wray, Albert King, Gary Moore, and Danny Gatton–I consider … Continue reading That time I called Roy Buchanan up at his house and he raved about his new Bluesmaster guitar

That time I asked Allman Brothers guitarist Dickey Betts what he’d been listening to in his spare time

By Steve Newton Regular readers of Ear of Newt may have noticed that I, the Newt, really like posting excerpts from my four interviews with Dickey Betts. It’s not just because he’s a guitar legend. Or because he was in the freakin’ Allman Brothers. Though that’s part of it. But I also just like listening … Continue reading That time I asked Allman Brothers guitarist Dickey Betts what he’d been listening to in his spare time

Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

ORIGINALLY PUBLISHED ON JULY 12, 1990 By Steve Newton When Moe Berg left Edmonton for Toronto five years ago, the city of the Oilers didn’t exactly react like it was losing The Great One. There wasn’t a big hullabaloo in the press, nor were there many tears shed, either by Berg himself or the gaggle … Continue reading Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

That time Dickey Betts told me that the Allmans had “a good old time” on that porch from the Shades of Two Worlds cover

By Steve Newton When I interviewed Dickey Betts back on July 18, 1991, it was just two weeks since the Allman Brothers had released their 10th studio album, Shades of Two Worlds. That was very much “a Dickey album”, since he’d written or co-written (with fellow guitarist Warren Haynes) five of the album’s eight tracks, and also … Continue reading That time Dickey Betts told me that the Allmans had “a good old time” on that porch from the Shades of Two Worlds cover

Rolling Stone can piss right off: here’s the 100 Greatest Guitarists (that I’ve interviewed) and 50 that I haven’t (yet)

By Steve Newton Google “100 greatest guitarists” these days and what shows up at the top is a total joke. It’s the high ‘n’ mighty Rolling Stone‘s list of the so-called finest, posted from 2015. And man does it suck. But what do you expect from the same bozos who oversee the Rock and Roll … Continue reading Rolling Stone can piss right off: here’s the 100 Greatest Guitarists (that I’ve interviewed) and 50 that I haven’t (yet)

Riff Kills Man proves that Martin Popoff knows his shit when it comes to metal

ORIGINALLY PUBLISHED ON MARCH 17, 1994 By Steve Newton Heavy-metal and hard-rock fans are a fanatical bunch. They thrive on raunchy guitar solos, thundering drums, and howling vocals. They live for feedback. They despise earplugs. And when it comes to their favourite kind of music, they always know who rules. So does Toronto-based writer Martin … Continue reading Riff Kills Man proves that Martin Popoff knows his shit when it comes to metal

That time Roy Buchanan told me that Pink Floyd’s David Gilmour was just a bluesman at heart

By Steve Newton I’ve been getting quite a few hits lately for a blog I posted about Danny Gatton, which included an audio excerpt from the interview I did with the underrated guitar genius back in 1993. So I figured maybe it was time to treat that particular group of Ear of Newt readers–the ones … Continue reading That time Roy Buchanan told me that Pink Floyd’s David Gilmour was just a bluesman at heart

That time Gord Downie got all “cunty” when I picked his scab about the Hip’s perplexing lack of success in the States

david bastedo photo By Steve Newton Here’s an audio excerpt from the last of the five interviews I did with Tragically Hip singer Gord Downie, back in October of 1996. At the time the Hip was touring behind its fifth full-length album, Trouble at the Henhouse, and were by far the biggest band in Canada. … Continue reading That time Gord Downie got all “cunty” when I picked his scab about the Hip’s perplexing lack of success in the States

That time Yngwie Malmsteen told me that he escaped the Swedish army by threatening to shoot himself

By Steve Newton The first time I interviewed Yngwie Malmsteen, back in December of 1985, he was touring with Ronnie James Dio as opening act on the Sacred Heart tour. He was only 22 at the time, and four years earlier had spent a very brief stint in the Swedish army. Like, two days. When … Continue reading That time Yngwie Malmsteen told me that he escaped the Swedish army by threatening to shoot himself

Thinking nice thoughts of Rick Parfitt while listening to “Big Fat Mama” from Status Quo’s Piledriver

By Steve Newton Just heard the sad news that Rick Parfitt, guitarist-vocalist for Status Quo, died today from a severe infection at a hospital in Spain. He was 68. I first discovered Status Quo as a teenager when I came upon their 1972 album Piledriver at a record store. I’d never heard Status Quo before, … Continue reading Thinking nice thoughts of Rick Parfitt while listening to “Big Fat Mama” from Status Quo’s Piledriver

That time Yngwie Malmsteen told me that he was inspired by Stephen King, H.P. Lovecraft, and Leonardo da Vinci

By Steve Newton Yngwie Malmsteen is famous for his blistering speed on the fretboard, but his choice of reading material isn’t nearly as well known. The first time I interviewed the Swedish guitar legend, back in 1985, he had recently released his second solo album, Marching Out, which included a thank you to Stephen King. Turns … Continue reading That time Yngwie Malmsteen told me that he was inspired by Stephen King, H.P. Lovecraft, and Leonardo da Vinci

That time I asked J.J. Cale what it was like growing up in Tulsa

By Steve Newton “Livin’ on Tulsa time Livin’ on Tulsa time Well, you know I’ve been through it When I set my watch back to it Livin’ on Tulsa time” Eric Clapton recorded the Don Williams song “Tulsa Time” on his 1978 Backless album, and liked it so much he recorded a live version for his Just … Continue reading That time I asked J.J. Cale what it was like growing up in Tulsa

Nick Feldman on how Wang Chung gave William Friedkin’s To Live and Die in L.A. a deeper dimension

“[William Friedkin] approached us and said ‘Just read the script, go into the studio for a week, and be brilliant. Be spontaneous.'”