Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

ORIGINALLY PUBLISHED ON FEB. 11, 1983 By Steve Newton Triumph’s Rik Emmett is a man of many moods on guitar. Though best known for supplying the driving rhythms and rapid-fire leads that are trademarks of his group’s two-fisted sound, Emmett never hesitates delving into the subtle and contemplative realms of classical and jazz as well. On … Continue reading Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

That time Gord Downie told me his original lyrics for the Tragically Hip’s “Ahead By a Century”

By Steve Newton In October of 1996 I did my fifth and final interview with the Tragically Hip frontman Gord Downie, which became a main source for my 2018 coffee-table book on him. At one point during the lengthy conversation I brought up “Ahead By a Century”, the band’s highest-charting single, off their ’96 Trouble … Continue reading That time Gord Downie told me his original lyrics for the Tragically Hip’s “Ahead By a Century”

Iron Maiden’s Dave Murray, age 30, says “it’s good to know we’ve got a few years to go yet”

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, APRIL 24, 1987 By Steve Newton England’s Iron Maiden is different than most other heavy metal bands in a lot of ways. For one thing, they can all play their instruments, and very well. Their songs are quite complex, and the lyrics aren’t simple-minded: there are no likes like … Continue reading Iron Maiden’s Dave Murray, age 30, says “it’s good to know we’ve got a few years to go yet”

Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

ORIGINALLY PUBLISHED ON JULY 12, 1990 By Steve Newton When Moe Berg left Edmonton for Toronto five years ago, the city of the Oilers didn’t exactly react like it was losing The Great One. There wasn’t a big hullabaloo in the press, nor were there many tears shed, either by Berg himself or the gaggle … Continue reading Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

Moist releases Creature, opens for Neil Young, and waits for reality to set in

ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, OCT. 17, 1996 By Steve Newton Whenever I feel like getting a rise out of my 16-year-old niece, all it takes is a quick mention of her former fondness for New Kids on the Block. So what if she was only in Grade 3 at the time of the … Continue reading Moist releases Creature, opens for Neil Young, and waits for reality to set in

That time Warren Zevon told me that “Werewolves of London” wasn’t as big a hit as people think

By Steve Newton As we enter a new year I find myself thinking: “Man, there aren’t many singer-songwriters like Warren Zevon around anymore.” That dude was one of a kind, that’s for sure. In my 35-plus years of interviewing musicians, chatting with him has gotta be in my Top 10. Too bad I only got … Continue reading That time Warren Zevon told me that “Werewolves of London” wasn’t as big a hit as people think

“Saw Six is the sixth Saw I’ve seen”: my original reviews of every Saw movie, 2004-2010 & 2017

By Steve Newton As most in-the-know horror-movie freaks are no doubt aware, the latest entry in the Saw franchise, Spiral: From the Book of Saw, opens this Friday (May 14). As the designated horror reviewer for Vancouver weekly the Georgia Straight since the early ’80s, it was my journalistic duty to cover all the Saw … Continue reading “Saw Six is the sixth Saw I’ve seen”: my original reviews of every Saw movie, 2004-2010 & 2017

NRBQ tars-and-feathers Vancouver, leaves the Cabbage Patch Kids alone

john scully photo ORIGINALLY PUBLISHED ON FEB. 6, 1987 By Steve Newton Not a lot of people showed up for NRBQ‘s Commodore Ballroom date last Thursday (January 29), but of the 500 or so who did, few went home disappointed. In fact, it’s fair to say that you’d be hard-pressed to find anyone who’s ever … Continue reading NRBQ tars-and-feathers Vancouver, leaves the Cabbage Patch Kids alone

That time Greg Lake told me that what attracted diehard Emerson, Lake & Palmer fans to the band was “music”

I was a big Emerson, Lake & Palmer fan back in the day. Actually, I was mostly a big Brain Salad Surgery fan back in the day, that being 1973.

That time 23-year-old James Hetfield told me that Metallica’s new bassist was “fairly goofy”

By Steve Newton Back in 1986 I interviewed Metallica’s James Hetfield in his messy Vancouver hotel room. The band had just hired Jason Newsted, who had beaten out a barrage of hopefuls for the prized role of bassist, taking over from the deceased Cliff Burton. At one point Hetfield explained how Metallica had found Newsted, how … Continue reading That time 23-year-old James Hetfield told me that Metallica’s new bassist was “fairly goofy”

That time I asked Dickey Betts if the Allman Brothers were the originators of “southern rock”

By Steve Newton I’ve been a big fan of “southern rock” since I first heard the Allman Brothers Band‘s version of “One Way Out” on the Eat a Peach album back in high school. Some of my other fave bands in the seventies were Lynyrd Skynyrd, the Outlaws, Molly Hatchet, and Blackfoot. So when I … Continue reading That time I asked Dickey Betts if the Allman Brothers were the originators of “southern rock”

That time I asked Dickey Betts what song Duane Allman and the Skynyrd boys might be playing in heaven

By Steve Newton If you think I got into journalism at the age of 23–first at my hometown’s Chilliwack Progress and then, for the last 34 years, at Vancouver’s Georgia Straight–mainly so I could interview guitar heroes like Dickey Betts, you’re damn rights. I’ve loved Dickey ever since I heard him and Duane on Eat a … Continue reading That time I asked Dickey Betts what song Duane Allman and the Skynyrd boys might be playing in heaven

That time Dickey Betts told me about Gregg Allman’s writer’s block

By Steve Newton When I interviewed Allman Brothers guitarist Dickey Betts back in July of 1991, the band had just released its Shades of Two Worlds album, its second to feature the amazing Warren Haynes as a fully-fledged member. As on the previous year’s Seven Turns album, Betts and Haynes had written or cowritten the vast majority … Continue reading That time Dickey Betts told me about Gregg Allman’s writer’s block