“Weird guy” Donald Trump gets dumped by Precious Metal after “Mr. Big Stuff” video debacle

ORIGINALLY PUBLISHED ON MARCH 21, 1991 By Steve Newton Even in the big-bucks world of pop metal, rock ’n’ roll and money don’t always mix. Just ask Precious Metal vocalist Leslie Knauer, whose band had a recent run-in with billionaire developer Donald Trump that—apart from generating lots of publicity—didn’t benefit either side. As the story … Continue reading “Weird guy” Donald Trump gets dumped by Precious Metal after “Mr. Big Stuff” video debacle

Warren Haynes confronts a fractured America on Gov’t Mule’s Revolution Come…Revolution Go

jeremy williams photo ORIGINALLY PUBLISHED ON SEPT. 15, 2017 By Steve Newton The Tedeschi Trucks Band played Vancouver last summer, in the midst of the U.S. presidential campaign, and in advance of the show I interviewed singer Susan Tedeschi. Knowing that she and hubby-guitarist Derek Trucks were big fans of Barack Obama—and had actually performed … Continue reading Warren Haynes confronts a fractured America on Gov’t Mule’s Revolution Come…Revolution Go

Steve Earle on the influence of Elvis and making it with Guitar Town

ORIGINALLY PUBLISHED ON MAY 8, 1987 By Steve Newton When Steve Earle was 14 years old, he ran away from his home outside of San Antonio, Texas, and headed to Houston. All he had was an acoustic guitar and a head stuffed with dreams of making a living in music. “I was real interested in … Continue reading Steve Earle on the influence of Elvis and making it with Guitar Town

Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

ORIGINALLY PUBLISHED ON JULY 12, 1990 By Steve Newton When Moe Berg left Edmonton for Toronto five years ago, the city of the Oilers didn’t exactly react like it was losing The Great One. There wasn’t a big hullabaloo in the press, nor were there many tears shed, either by Berg himself or the gaggle … Continue reading Moe Berg on leaving Edmonton, loving Rundgren, and the Pursuit of Happiness’s One Sided Story

That time Yngwie Malmsteen slagged W.A.S.P. and told me that heavy metal is “all crap”

By Steve Newton The first time I interviewed Yngwie Malmsteen was back in December of 1985, when he was opening act on Dio‘s Sacred Heart tour. Malmsteen was only 22 at the time, full of piss and vinegar–kinda like he is now!–and ready to toss opinions around like they were notes flying off his fretboard. … Continue reading That time Yngwie Malmsteen slagged W.A.S.P. and told me that heavy metal is “all crap”

That time Ronnie James Dio told me what he really thought of Ritchie Blackmore and Yngwie Malmsteen as guitarists

By Steve Newton Back in 1985 I did my only interview with Ronnie James Dio, who was headed to Vancouver on the Sacred Heart Tour, with Yngwie Malmsteen‘s Rising Force opening up. At one point in the conversation the legendary heavy-metal crooner compared the guitar-playing abilities of his former bandmate Ritchie Blackmore to those of … Continue reading That time Ronnie James Dio told me what he really thought of Ritchie Blackmore and Yngwie Malmsteen as guitarists

Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

ORIGINALLY PUBLISHED ON FEB. 11, 1983 By Steve Newton Triumph’s Rik Emmett is a man of many moods on guitar. Though best known for supplying the driving rhythms and rapid-fire leads that are trademarks of his group’s two-fisted sound, Emmett never hesitates delving into the subtle and contemplative realms of classical and jazz as well. On … Continue reading Triumph’s Rik Emmett on the merits of the power trio and his secret song for Randy Rhoads

That time J. Geils told me that his first love was jazz and he wanted to be a white Miles Davis

By Steve Newton As a teenager in the seventies, I absolutely loved the J. Geils Band. I first got turned onto them through the “Live” Full House album of ’72, which was just a smokin’ concert disc. I was crazy about their versions of old R&B/blues numbers like “First I Look at the Purse” and “Homework”, … Continue reading That time J. Geils told me that his first love was jazz and he wanted to be a white Miles Davis

That time I asked Link Wray if he’d sign the Ear of Newt guitar

By Steve Newton It’s a sunny Saturday afternoon and I’m not quite up to mowing the lawn yet, so I figure I’ll just post another audio excerpt from my one-and-only conversation with American guitar legend Link Wray. It’s from just over 20 years ago–June 21, 1997, to be precise–when Link was in Dallas, on a … Continue reading That time I asked Link Wray if he’d sign the Ear of Newt guitar

That time Def Leppard’s Steve Clark told me that Pyromania set the standard for a lot of groups

By Steve Newton Some Def Leppard fans think the band was at its best when Steve Clark was in the lineup. I’m one of them. I interviewed Clark back in 1988 when the band was selling out arenas worldwide, touring behind its massively popular Hysteria album. At one point in the conversation I mentioned a quote from … Continue reading That time Def Leppard’s Steve Clark told me that Pyromania set the standard for a lot of groups

NRBQ tars-and-feathers Vancouver, leaves the Cabbage Patch Kids alone

john scully photo ORIGINALLY PUBLISHED ON FEB. 6, 1987 By Steve Newton Not a lot of people showed up for NRBQ‘s Commodore Ballroom date last Thursday (January 29), but of the 500 or so who did, few went home disappointed. In fact, it’s fair to say that you’d be hard-pressed to find anyone who’s ever … Continue reading NRBQ tars-and-feathers Vancouver, leaves the Cabbage Patch Kids alone

That time I called Roy Buchanan up at his house and he raved about his new Bluesmaster guitar

By Steve Newton Man, I sure have been lucky as far as interviewing great guitarists go. Sometimes–in the case of guys like Joe Satriani, Buddy Guy, Dickey Betts, and Joe Bonamassa–I get to interview them a bunch of times. Other times–with deceased legends like Link Wray, Albert King, Gary Moore, and Danny Gatton–I consider … Continue reading That time I called Roy Buchanan up at his house and he raved about his new Bluesmaster guitar

Nick Feldman on how Wang Chung gave William Friedkin’s To Live and Die in L.A. a deeper dimension

“[William Friedkin] approached us and said ‘Just read the script, go into the studio for a week, and be brilliant. Be spontaneous.'”